Corporate Media: the Enemy of the People

HELP ENLIGHTEN YOUR FELLOWS. BE SURE TO PASS THIS ON. SURVIVAL DEPENDS ON IT.

 

Without a doubt, the author provides here one of the most comprehensive and formidable indictments of capitalist media in essay form to be found anywhere on the left press.

I detest the malignantly racist, sexist, narcissistic, and authoritarian pathological liar and bully Donald Trump on many different levels, and I share none of his sick world view, but the corporate media really is, well (to use Trump’s recurrent phrase), “the enemy of the people.”

Here below is an essay I first published (on the venerable radical Website ZNet) in the late summer of 2015. It is a longer version of a talk I gave (with the help of a translator) in Havana, Cuba in April that same year. It was written from a Marxist and international socialist and anti-imperialist perspective and not at all from a Trumpian, white-nationalist standpoint.

It struck me that it might be worth re-publishing this essay (which was written as Obama’s final term was winding down and many of us expected him to be succeeded by the “lying neoliberal warmonger”Hillary Clinton and did not yet take seriously the specter of pre-fascistic Trump presidency) in the light of recent bizarre developments. “Liberal” CNN, MSNBC, The New York Times, the Washington Post and much of the rest of the corporate news establishment are standing up against Trump in defense of blood-soaked U.S.-imperial spy-masters, surveillance chiefs, liars, and assassins like former CIA Director John Brennan and former Director of National Intelligence James Clapper – and in defense of the supposedly noble imperial project that these and other current and former top U.S. intelligence and military operatives on Herr Trump’s security clearance “Enemies List” have long “served” in pursuit of what CNN and MSNBC talking heads absurdly call (no joke) “speaking truth to power.”

Of course, nobody should confuse my position (supported with references to brilliant left media and propaganda critics like Alex Carey, Ed Herman, Noam Chomsky, Michael Parenti, Robert McChesney, and Stephen Macek) in 2015 (no different in any fundamental way from my position today) with that of white-nationalist thugs like Trump and Sean Hannity. The authoritarian wannabe <> Donald Trump is raging and acting against the likes of Brennan and Clapper not (of course) because he sees them as agents of imperialism but because they have criticized him as a stupid and ineffective, dysfunctional nominal head of the American Empire.

No, an enemy (in this case Trump) of some of our enemies (Brennan, Clapper, and much of the rest of the U.S-imperial establishment) is not necessarily our friend or ally. But that hardly means that everything this (truly hideous) enemy (Trump) says is false (another example of Trump saying something truthful is his recurrent statement to the effect that the world would be safer place if the two nuclear superpowers Russia and the U.S. de-escalated the New Cold War) – or that we on the Left need to reflexively and absurdly jump to the defense of imperial criminals at the instigation of that (well, yes) “enemy of the people” the U.S. corporate and so-called mainstream war, news, and entertainment media. The essay follows. — PS

 

“Homeland” Distortion

[dropcap]C[/dropcap]onsistent with its possession as a leading and money-making asset of the nation’s wealthy elite, the United States corporate and commercial mass media is a bastion of power-serving propaganda and deadening twaddle designed to keep the U.S. citizenry subordinated to capital and the imperial U.S. state. It regularly portrays the United States as a great model of democracy and equality. It sells a false image of the U.S. as a society where the rich enjoy opulence because of hard and honest work and where the poor are poor because of their laziness and irresponsibility.  The nightly television news broadcasts and television police and law and order dramas are obsessed with violent crime in the nation’s Black ghettoes and Latino barrios, but they never talk about the extreme poverty, the absence of opportunity imposed on those neighborhoods by the interrelated forces of institutional racism, capital flight, mass structural unemployment, under-funded schools, and mass incarceration. The nightly television weather reports tells U.S. citizens of ever new record high temperatures and related forms of extreme weather but never relate these remarkable meteorological developments to anthropogenic climate change.


"The first and most important explanation for this harsh reality is concentrated private ownership – the fundamental fact that media is owned primarily by giant corporations representing wealthy interests who are deeply invested in U.S. capitalism and Empire..."

The dominant corporate U.S. media routinely exaggerates the degree of difference and choice between the candidates run by the nation’s two corporate-dominated political organizations, the Democrats and the Republicans. It never notes that the two reigning parties agree about far more than they differ on, particularly when it comes to fundamental and related matters of business class power and American Empire. It shows U.S. protestors engaged in angry confrontations with police and highlights isolated examples of protestor violence but it downplays peaceful protest and never pays serious attention to the important societal and policy issues that have sparked protest or to the demands and recommendations advanced by protest movements.

As the prolific U.S. Marxist commentator Michael Parenti once remarked, US “Newscasters who want to keep their careers afloat learn the fine art of evasion…with great skill they skirt around the most important parts of a story.  With much finesse, they say a lot about very little, serving up heaps of junk news filled with so many empty calories and so few nutrients.  Thus do they avoid offending those who wield politico-economic power while giving every appearance of judicious moderation and balance. It is enough to take your breath away.” [1]

Selling Empire

U.S. newscasters and their print media counterparts routinely parrot and disseminate the false foreign policy claims of the nation’s imperial elite. Earlier this year, U.S. news broadcasters dutiful relayed to U.S. citizens the Obama administration’s preposterous assertion that social-democratic Venezuela is a repressive, corrupt, and authoritarian danger to its own people and the U.S. No leading national U.S. news outlet dared to note the special absurdity of this charge in the wake of Obama and other top U.S. officials’ visit to Riyadh to guarantee U.S. support for the new king of Saudi Arabia, the absolute ruler of a leading U.S. client state that happens to be the most brutally oppressive and reactionary government on Earth.

In U.S. “mainstream” media, Washington’s aims are always benevolent and democratic.  Its clients and allies are progressive, its enemies are nefarious, and its victims are invisible and incidental. The U.S. can occasionally make “mistakes” and “strategic blunders” on the global stage, but its foreign policies are never immoral, criminal, or imperialist in nature as far as that media is concerned. This is consistent with the doctrine of “American Exceptionalism,” according to which the U.S., alone among great powers in history, seeks no selfish or imperial gain abroad. It is consistent also with “mainstream” U.S. media’s heavy reliance on “official government sources” (the White House, the Defense Department, and the State Department) and leading business public relations and press offices for basic information on current events.

As the leading Left U.S. intellectuals Noam Chomsky and Edward Herman showed in their classic text Manufacturing Consent: The Political Economy of the Mass Media (1988), Orwellian double standards are rife in the dominant U.S. media’s coverage and interpretation of global affairs. Elections won in other countries by politicians that Washington approves because those politicians can be counted on to serve the interests of U.S. corporations and the military are portrayed in U.S. media as good and clean contests. But when elections put in power people who can’t be counted on to serve “U.S. interests,” (Hugo Chavez and Nicolas Maduro for example), then U.S. corporate media portrays the contests as “rigged” and “corrupt.” When Americans or people allied with Washington are killed or injured abroad, they are “worthy victims” and receive great attention and sympathy in that media. People killed, maimed, displaced and otherwise harmed by the U.S. and U.S. clients and allies are anonymous and “unworthy victims” whose experience elicits little mention or concern.[2]

U.S. citizens regularly see images of people who are angry at the U.S. around the world. The dominant mass media never gives them any serious discussion of the US policies and actions that create that anger. Millions of Americans are left to ask in childlike ignorance “Why do they hate us? What have we done?”

In February of 2015, an extraordinary event occurred in U.S. news media – the firing of a leading national news broadcaster, Brian Williams of NBC News.  Williams lost his position because of some lies he told in connection with the U.S. invasion of Iraq. A naïve outsider might think that Williams was fired because he repeated the George W. Bush administration’s transparent fabrications about Saddam Hussein’s weapons of mass destruction and Saddam’s supposed connection to 9/11.  Sadly but predictably enough, that wasn’t his problem. Williams lost his job because he falsely boasted that he had ridden on a helicopter that was forced down by grenade fire during the initial U.S. invasion.  If transmitting Washington’s lies about Iraq were something to be fired about, then U.S. corporate media authorities would have to get rid of pretty much of all their top broadcasters.

More than Entertainment  

Brennan before Congress: He perjured himself. But that's part of his job description.

[dropcap]T[/dropcap]he U.S. corporate media’s propagandistic service to the nation’s reigning and interrelated structures of Empire and inequality is hardly limited to its news and public affairs wings. Equally if not more significant in that regard is that media’s vast “entertainment” sector, which is loaded with political and ideological content but was completely ignored in Herman and Chomsky’s groundbreaking Manufacturing Consent. [3] One example is the Hollywood movie “Zero Dark Thirty,” a 2012 “action thriller” that dramatized the United States’ search for Osama bin-Laden after the September 11, 2001 jetliner attacks. The film received critical acclaim and was a box office-smash. It was also a masterpiece of pro-military, pro-CIA propaganda, skillfully portraying U.S. torture practices “as a dirty, ugly business that is necessary to protect America” (Glenn Greenwald[4]) and deleting the moral debate that erupted over the CIA’s “enhanced interrogation techniques.” Under the guise of a neutral, documentary-like façade, Zero Dark Thirty normalized and endorsed torture in ways that were all the more effective because of its understated, detached, and “objective” veneer.  The film also marked a distressing new frontier in U.S. military-“embedded” filmmaking whereby the movie-makers receive technical and logistical support from the Pentagon in return for producing elaborate public relations on the military’s behalf.

The 2014-15 Hollywood blockbuster American Sniper is another example. The film’s audiences is supposed to marvel at the supposedly noble feats, sacrifice, and heroism of Chris Kyle, a rugged, militantly patriotic, and Christian-fundamentalist Navy SEALS sniper who participated in the U.S. invasion of Iraq to fight “evil” and to avenge the al Qaeda jetliner attacks of September 11, 2001. Kyle killed 160 Iraqis over four tours of “duty” in “Operational Iraqi Freedom.” Viewers are never told that the Iraqi government had nothing to do with the 9/11 attacks or al Qaeda or that the U.S. invasion was one of the most egregiously criminal and brazenly imperial and mass-murderous acts in the history of international violence. Like Zero Dark Thirty’s apologists, American Sniper’s defenders claim that the film takes a neutral perspective of “pure storytelling,” with no ideological bias. In reality, the movie is filled with racist and imperial distortions, functioning as flat-out war propaganda.[5]

These are just two among many examples that could be cited of U.S. “entertainment” media’s regular service to the American Empire. Hollywood and other parts of the nation’s vast corporate entertainment complex plays the same power-serving role in relation to domestic (“homeland”) American inequality and oppression structures of class and race. [6]

Manufacturing Idiocy

[dropcap]S[/dropcap]een broadly in its many-sided and multiply delivered reality, U.S. corporate media’s dark, power-serving mission actually goes further than the manufacture of consent. A deeper goal is the manufacture of mass idiocy, with “idiocy” understood in the original Greek and Athenian sense not of stupidity but of childish selfishness and willful indifference to public affairs and concerns.  (An “idiot” in Athenian democracy was characterized by self-centeredness and concerned almost exclusively with private instead of public affairs.). As the U.S. Latin Americanist Cathy Schneider noted, the U.S.-backed military coup and dictatorship headed by Augusto Pinochet “transformed Chile, both culturally and politically, from a country of active participatory grassroots communities, to a land of disconnected, apolitical individuals”[7] – into a nation of “idiots” understood in this classic Athenian sense.

In the U.S., where violence is not as readily available to elites as in 1970s Latin America, corporate America seeks the same terrible outcome through its ideological institutions, including above all its mass media. In U.S. movies, television sit-coms, television dramas, television reality-shows, commercials, state Lottery advertisements, and video games, the ideal-type U.S. citizen is an idiot in this classic sense: a person who cares about little more than his or her own well-being, consumption, and status. This noble American idiot is blissfully indifferent to the terrible prices paid by others for the maintenance of reigning and interrelated oppressions structures at home and abroad.

A pervasive theme in this media culture is the notion that people at the bottom of the nation’s steep and interrelated socioeconomic and racial pyramids are the “personally irresponsible” and culturally flawed makers of their own fate.  The mass U.S. media’s version of Athenian idiocy “can imagine,” in the words of the prolific Left U.S. cultural theorist Henry Giroux “public issues only as private concerns.”  It works to “erase the social from the language of public life so as to reduce” questions of racial and socioeconomic disparity to “private issues of …individual character and cultural depravity. Consistent with “the central neoliberal tenet that all problems are private rather than social in nature,” it portrays the only barriers to equality and meaningful democratic participation as “a lack of principled self-help and moral responsibility” and bad personal choices by the oppressed.  Government efforts to meaningfully address and ameliorate (not to mention abolish) societal disparities of race, class, gender, ethnicity, nationality and the like are portrayed as futile, counterproductive, naïve, and dangerous.[8]

To be sure, a narrow and reactionary sort of public concern and engagement does appear and take on a favorable light in this corporate media culture. It takes the form of a cruel, often even sadistically violent response to unworthy and Evil Others who are perceived as failing to obey prevalent national and neoliberal cultural codes.  Like the U.S. ruling class that owns it, the purportedly anti-government corporate media isn’t really opposed to government as such.  It’s opposed to what the French sociologist Pierre Bourdieu called “the left hand of the state” – the parts of the public sector that serve the social and democratic needs of the non-affluent majority. It celebrates and otherwise advances the “right hand of the state”[9]: the portions of government that serve the opulent minority, dole out punishment for the poor, and attacks those perceived as nefariously resisting the corporate and imperial order at home and abroad. Police officers, prosecutors, military personnel, and other government authorities who represent the “right hand of the state” are heroes and role models in this media.  Public defenders, other defense attorneys, civil libertarians, racial justice activists, union leaders, antiwar protesters and the like are presented at best as naïve and irritating “do-gooders” and at worst as coddlers and even agents of evil.

The generation of mass idiocy in the more commonly understood sense of sheer stupidity is also a central part of U.S. “mainstream” media’s mission. Nowhere is this more clearly evident than in the constant barrage of rapid-fire advertisements that floods U.S. corporate media. As the American cultural critic Neil Postman noted thirty years ago, the modern U.S. television commercial is the antithesis of the rational economic consideration that early Western champions of the profits system claimed to be the enlightened essence of capitalism.  “Its principal theorists, even its most prominent practitioners,” Postman noted, “believed capitalism to be based on the idea that both buyer and seller are sufficiently mature, well-informed, and reasonable to engage in transactions of mutual self-interest.” Commercials make “hash” out of this idea. They are dedicated to persuading consumers with wholly irrational claims.  They rely not on the reasoned presentation of evidence and logical argument but on suggestive emotionalism, infantilizing manipulation, and evocative, rapid-fire imagery.[10]

The same techniques poison U.S. electoral politics.  Investment in deceptive and manipulative campaign commercials commonly determines success or failure in mass-marketed election contests between business-beholden candidates that are sold to the audience/electorate like brands of toothpaste and deodorant. Fittingly enough, the stupendous cost of these political advertisements is a major factor driving U.S. campaign expenses so high (the 2016 U.S. presidential election will cost at least $5 billion) as to make candidates ever more dependent on big money corporate and Wall Street donors.

Along the way, mass cognitive competence is assaulted by the numbing, high-speed ubiquity of U.S. television and radio advertisements. These commercials assault citizens’ capacity for sustained mental focus and rational deliberation nearly sixteen minutes of every hour on cable television, with 44 percent of the individual ads now running for just 15 seconds.  This is a factor in the United States’ long-bemoaned epidemic of “Attention Deficit Disorder.”

Seventy years ago, the brilliant Dutch left Marxist Anton Pannekoek offered some chilling reflections on the corporate print and broadcast media’s destructive impact on mass cognitive and related social resistance capacities in the United States after World War II:

“The press is of course entirely in hands of big capital [and it]…dominates the spiritual life of the American people. The most important thing is not even the hiding of all truth about the reign of big finance.  Its aim still more is the education to thoughtlessness.  All attention is directed to coarse sensations, everything is avoided that could arouse thinking.  Papers are not meant to be read – the small print is already a hindrance – but in a rapid survey of the fat headlines to inform the public on unimportant news items, on family triflings of the rich, on sexual scandals, on crimes of the underworld, on boxing matches.  The aim of the capitalist press all over the world, the diverting of the attention of the masses from the reality of social development, nowhere succeed with such thoroughness as in America.”

“Still more than by the papers the masses are influenced by broadcasting and film. These  products of most perfect science, destined at one time to the finest educational instruments of mankind, now in the hands of capitalism have been turned into the strongest means to uphold its rule by stupefying the mind. Because after nerve-straining fatigue the movie offers relaxation and distraction by means of simple visual impressions that make no demand on the intellect, the masses get used to accepting thoughtlessly all its cunning and shrewd propaganda.  It reflects the ugliest sides of middle-class society.  It turns all attention either to sexual life, in this society – by the absence of community feelings and fight for freedom – the only source of strong passions, or to brute violence; masses educated to rough violence instead of to social knowledge are not dangerous to capitalism…”[11]

Pannekoek clearly saw an ideological dimension (beyond just diversion and stupefaction) in U.S. mass media’s “education to thoughtlessness” through movies as well as print sensationalism.  He  would certainly be impressed and perhaps depressed by the remarkably numerous, potent, and many-sided means of mass distraction and indoctrination that are available to the U.S. and global capitalist media in the present digital and Internet era.

The “entertainment” wing of its vast corporate media complex is critical to the considerable “soft” ideological “power” the U.S. exercises around the world even as its economic hegemony wanes in an ever more multipolar global system (and as its “hard” military reveals significant limits within and beyond the Middle East).  Relatively few people beneath the global capitalist elite consume U.S. news and public affairs media beyond the U.S., but “American” (U.S.) movies, television shows, video games, communication devices, and advertising culture are ubiquitous across the planet.

Explaining “Mainstream” Media Corporate Ownership

[dropcap]T[/dropcap]here’s nothing surprising about the fact that the United States’ supposedly “free” and “independent” media functions as a means of mass indoctrination for the nation’s economic and imperial elite.  The first and most important explanation for this harsh reality is concentrated private ownership – the fundamental fact that media is owned primarily by giant corporations representing wealthy interests who are deeply invested in U.S. capitalism and Empire. Visitors to the U.S. should not be fooled by the large number and types of channels and stations on a typical U.S. car radio or television set or by the large number and types of magazines and books on display at a typical Barnes & Noble bookstore.  Currently in the U.S., just six massive and global corporations – Comcast, Viacom, Time Warner, CBS, The News Corporation and Disney – together control more than 90 percent of the nation’s print and electronic media, including cable television, airwaves television, radio, newspapers, movies, video games, book publishing, comic books, and more. Three decades ago, 50 corporations controlled the same amount of U.S. media.

Each of the reigning six companies is a giant and diversified multi-media conglomerate with investments beyond media, including “defense” (the military).  Asking reporters and commentators at one of those giant corporations to tell the unvarnished truth about what’s happening in the U.S. and the world is like asking the company magazine published by the United Fruit Company to the tell the truth about working conditions in its Caribbean and Central American plantations in the 1950s. It’s like asking the General Motors company newspaper to tell the truth about wages and working conditions in GM’s auto assembly plants around the world.

As the nation’s media becomes concentrated into fewer corporate hands, media personnel become ever more insecure in their jobs because they have fewer firms to whom to sell their skills. That makes them even less willing than they might have been before to go outside official sources, to question the official line, and to tell the truth about current events and the context in which they occur.

Advertisers

A second explanation is the power of advertisers. U.S. media managers are naturally reluctant to publish or broadcast material that might offend the large corporations that pay for broadcasting by purchasing advertisements. As Chomsky has noted in a recent interview, large corporations are not only the major producers of the United States’ mass and commercial media.  They are also that media’s top market, something that deepens the captivity of nation’s supposedly democratic and independent media to big capital:

“The reliance of a journal on advertisers shapes and controls and substantially determines what is presented to the public…the very idea of advertiser reliance radically distorts the concept of free media. If you think about what the commercial media are, no matter what, they are businesses. And a business produces something for a market. The producers in this case, almost without exception, are major corporations. The market is other businesses – advertisers. The product that is presented to the market is readers (or viewers), so these are basically major corporations providing audiences to other businesses, and that significantly shapes the nature of the institution.”[12]

At the same time, both U.S. corporate media managers and the advertisers who supply revenue for their salaries are hesitant to produce content that might alienate the affluent people who count for an ever rising share of consumer purchases in the U.S.  It is naturally those with the most purchasing power who are naturally most targeted by advertisers.

Government Policy

[dropcap]A[/dropcap] third great factor is U.S. government media policy and regulation on behalf of oligopolistic hyper-concentration. The U.S. corporate media is hardly a “natural” outcome of a “free market.” It’s the result of government protections and subsidies that grant enormous “competitive” advantages to the biggest and most politically/plutocratically influential media firms. Under the terms of the 1934 Communications Act and the 1996 Telecommunications Act, commercial, for-profit broadcasters have almost completely free rein over the nation’s airwaves and cable lines.  There is no substantive segment of the broadcast spectrum set aside for truly public interest and genuinely democratic, popular not-for profit media and the official “public” broadcasting networks are thoroughly captive to corporate interests and to right-wing politicians who take giant campaign contributions from corporate interests.  Much of the 1996 bill was written by lobbyists working for the nations’ leading media firms. [13]

A different form of state policy deserves mention. Under the Obama administration, we have seen the most aggressive pursuit and prosecution in recent memory of U.S. journalists who step outside the narrow parameters of pro-U.S. coverage and commentary – and of the whistleblowers who provide them with leaked information. That is why Edward Snowden lives in Russia, Glenn Greenwald lives in Brazil, Chelsea Manning is serving life in a U.S. military prison, and Julian Assange is trapped in the Ecuadorian Embassy in London.  A leading New York Times reporter and author, James Risen, has been threatened with imprisonment by the White House for years because of his refusal to divulge sources.

Treetops v. Grassroots Audiences

FBI and Intel chiefs—Mueller, Clapper and Brennan—a veritably malignant assembly. Nothing good for the people here or elsewhere.

[dropcap]I[/dropcap]n this writer’s experience, the critical Left analysis of the U.S. “mainstream” media as a tool for “manufacturing consent” and idiocy developed above meets four objections from defenders of the U.S. media system, A first objection notes that the New York Times, the Washington Post, the Financial Times (FT), the Wall Street Journal (WSJ) and other major U.S. corporate media outlets produce a significant amount of, informative, high-quality and often candid reporting and commentary that Left thinkers and activists commonly cite to support their cases for radical and democratic change. Left U.S. media critics like Chomsky and Herman are said to be hypocrites because they obviously find much that is of use as Left thinkers in the very media that they criticize for distorting reality in accord with capitalist and imperial dictates.

The observation that Leftists commonly use and cite information from the corporate media they harshly criticize is correct but it is easy to account for the apparent anomaly within the critical Left framework by noting that that media crafts two very different versions of U.S. policy, politics, society, “life,” and current events for two different audiences. Following the work of the brilliant Australian propaganda critic Alex Carey, we can call the first audience the “grassroots.”[14] It comprises the general mass of working and lower-class citizens. As far as the business elites who own and manage the U.S. mass media and the corporations that pay for that media with advertising purchases are concerned, this “rabble” cannot be trusted with serious, candid, and forthright information.  Its essential role in society is to keep quiet, work hard, be entertained (in richly propagandistic and ideological ways, we should remember), buy things, and generally do what they’re told.  They are to leave key societal decisions to those that the leading 20th century U.S. public intellectual and media-as-propaganda enthusiast Walter Lippman called “the responsible men.”  That “intelligent,” benevolent, “expert,” and “responsible” elite (responsible, indeed, for such glorious accomplishments as the Great Depression, the Vietnam War, the invasion of Iraq, the Great Recession, global warming, and the rise of the Islamic State) needed, in Lippman’s view, to be protected from what he called “the trampling and roar of the bewildered herd.”[15] The deluded mob, the sub-citizenry, the dangerous working class majority is not the audience for elite organs like the Times, the Post, and the Journal.

The second target group comprises the relevant political class of U.S. citizens from at most the upper fifth of society. This is who reads the Times, the Post, WSJ, and FT, for the most part. Call this audience (again following Carey) the “treetops”: the “people who matter” and who deserve and can be trusted with something more closely approximating the real story because their minds have been properly disciplined and flattered by superior salaries, significant on-the-job labor autonomy, and “advanced” and specialized educational and professional certification. This elite includes such heavily indoctrinated persons as corporate managers, lawyers, public administrators, and (most) tenured university professors. Since these elites carry out key top-down societal tasks of supervision, discipline, training, demoralization, co-optation, and indoctrination – all essential to the rule of the real economic elite and the imperial system – they cannot be too thoroughly misled about current events and policy without deleterious consequences for the smooth functioning of the dominant social and political order. They require adequate information and must not be overly influenced by the brutal and foolish propaganda generated for the “bewildered herd.” At the same time, information and commentary for the relevant and respectable business and political classes and their “coordinator class” servants and allies often contains a measure of reasoned and sincere intra-elite political and policy debate – debate that is always careful not to stray beyond narrow U.S. ideological parameters. That is why a radical Left U.S. thinker and activist can find much that is of use in U.S. “treetops” media. Such a thinker or activist would, indeed, be foolish not to consult these sources.

 “P”BS and N”P”R

A second objection to the Left critique of U.S. “mainstream” media claims that the U.S. public enjoys a meaningful alternative to the corporate media in the form of the nation’s Public Broadcasting Service (television) and National Public Radio (NPR). This claim should not be taken seriously. Thanks to U.S. “public” media’s pathetically weak governmental funding, its heavy reliance on corporate sponsors, and its constant harassment by right wing critics inside and beyond the U.S. Congress, N”P”R and “P”BS are extremely reluctant to question dominant U.S. ideologies and power structures.

The tepid, power-serving conservatism of U.S. “public” broadcasting is by longstanding political and policy design.  The federal government allowed the formation of the “public” networks only on the condition that they pose no competitive market or ideological challenge to private commercial media, the profits system, and U.S. global foreign policy. “P”BS and N”P”R are “public” in a very limited sense. They not function for the public over and against corporate, financial, and imperial power to any significant degree.

“The Internet Will Save Us”

[dropcap]A[/dropcap] third objection claims that the rise of the Internet creates a “Wild West” environment in which the power of corporate media is eviscerated and citizens can find and even produce all the “alternative media” they require.  This claim is misleading but it should not be reflexively or completely dismissed.  In the U.S. as elsewhere, those with access to the Internet and the time and energy to use it meaningfully can find a remarkable breadth and depth of information and trenchant Left analysis at various online sites. The Internet also broadens U.S. citizens and activists’ access to media networks beyond the U.S. – to elite sources that are much less beholden of course to U.S. propaganda and ideology. At the same time, the Internet and digital telephony networks have at times shown themselves to be effective grassroots organizing tools for progressive U.S. activists.

Still, the democratic and progressive impact of the Internet in the U.S. is easily exaggerated.  Left and other progressive online outlets lack anything close to the financial, technical, and organizational and human resources of the corporate news media, which has its own sophisticated Internet. There is nothing in Left other citizen online outlets that can begin to remotely challenge the “soft” ideological and propagandistic power of corporate “entertainment” media. The Internet’s technical infrastructure is increasingly dominated by an “ISP cartel” led by a small number of giant corporations. As the leading left U.S. media analyst Robert McChesney notes:

“By 2014, there are only a half-dozen or so major players that dominate provision of broadband Internet access and wireless Internet access.  Three of them – Verizon, AT&T, and Comcast – dominate the field of telephony and Internet access, and have set up what is in effect a cartel.  They no longer compete with each other in any meaningful sense.  As a result, Americans pay far more for cellphone and broadband Internet access than most other advanced nations and get much lousier service…These are not ‘free market’ companies in any sense of the term.  Their business model, going back to pre-Internet days, has always been capturing government monopoly licenses for telephone and cable TV services.  Their ‘comparative advantage’ has never been customer service; it has been world-class lobbying.’ [16]

Along the way, the notion of a great “democratizing,” Wild West” and “free market” Internet has proved politically useful for the corporate media giants.  The regularly trumpet the great Internet myth to claim that the U.S. public and regulators don’t need to worry about corporate media power and to justify their demands for more government subsidy and protection. At the same time, finally, we know from the revelations of Edward Snowden, Glenn Greenwald and others that the nation’s leading digital and Internet-based e-mail (Google and Yahoo), telephony (e.g. Verizon), and “social network” (Facebook above all) corporations have collaborated with the National Security Agency and with the nation’s local, state, and federal police in the surveillance of U.S. citizens’ and activists’ private communications.[17]

Solutions

The fourth objection accuses Left media critics of being overly negative, “carping” critics who offer no serious alternatives to the nation’s current corporate-owned corporate-managed commercial and for-profit media system.  This is a transparently false and mean-spirited charge. Left U.S. media criticism is strongly linked to a smart and impressive U.S. media reform movement that advances numerous and interrelated proposals for the creation of a genuinely public and democratically run non-commercial and nonprofit U.S. media system.  Some of the demand and proposals of this movement include public ownership and operation of the Internet as a public utility; the break-up of the leading media oligopolies; full public funding of public broadcasting; limits on advertising in commercial media; the abolition of political advertisements; the expansion of airwave and broadband access for alternative media outlets; publicly-funded nonprofit and non-commercial print journalism; the abolition of government and corporate surveillance, monitoring, and commercial data-mining of private communication and “social networks.”[18] With regard to the media as with numerous other areas, we should recall Chomsky’s sardonic response to the standard conservative claim that the Left offers criticisms but no solutions: “There is an accurate translation for that charge: ‘they present solutions and I don’t like them.’”[19]

A False Paradox

[dropcap]T[/dropcap]he propagandistic and power-serving mission and nature of dominant U.S, corporate mass media might seem ironic and even paradoxical in light of the United States’ strong free speech and democratic traditions.  In fact, as Carey and Chomsky have noted, the former makes perfect sense in light of the latter. In nations where popular expression and dissent is routinely crushed with violent repression, elites have little incentive to shape popular perceptions in accord with elite interests.  The population is controlled primarily through physical coercion. In societies where it is not generally considered legitimate to put down popular expression with the iron heel of armed force and where dissenting opinion is granted a significant measure of freedom of expression, elites are heavily and dangerously incentivized to seek to manufacture mass popular consent and idiocy.  The danger is deepened by the United States’ status as the pioneer in the development of mass consumer capitalism, advertising, film, and television. Thanks to that history, corporate America has long stood in the global vanguard when it comes to developing the technologies, methods, art, and science of mass persuasion and thought control.[20]

It is appropriate to place quotation marks around the phrase “mainstream media” when writing about dominant U.S. corporate media.  During the Cold War era, U.S. officials and media never referred to the Soviet Union’s state television and radio or its main state newspapers as “mainstream Russian media.” American authorities referred to these Russian media outlets as “Soviet state media” and treated that media as means for the dissemination of Soviet “propaganda” and ideology. There is no reason to consider the United States’ corporate and commercial media as any more “mainstream” than the leading Soviet media organs were back in their day.  It is just as dedicated as the onetime Soviet state media to advancing the doctrinal perspectives of its host nation’s reigning elite—and far more effective.

Its success is easily exaggerated, however. To everyday American's credit, corporate media has never been fully successful in stamping out popular resistance and winning over the hearts and minds of the U.S. populace.  A recent Pew Research poll showed that U.S. “millennials” (young adults 18-29 years old) have a more favorable response to the word “socialism” than to “capitalism” – a remarkable finding on the limits of corporate media and other forms of elite ideological power in the U.S.  The immigrant worker uprising of May 2006, the Chicago Republic Door and Window plant occupation of 2008, the University of California student uprisings of 2009 and 2010, the Wisconsin public worker rebellion in early 2011, the Occupy Movement of late 2011, and Fight for Fifteen (for a $15 an hour minimum wage) and Black Lives Matter movements of 2014 and 2015 show that U.S. corporate and imperial establishment has not manufactured anything like comprehensive and across the board mass consent and idiocy in the U,S. today. The U.S. elite is no more successful in its utopian (or dystopian) quest to control every American heart and mind than it is in its equally impossible ambition of managing events across a complex planet from the banks of the Potomac River in  Washington D.C. The struggle for popular self-determination, democracy, justice, and equality lives on despite the influence of corporate media.

Notes.

1. Michael Parenti, Contrary Notions (San Francisco, CA: City Lights, 2007).

2. Edward S. Herman and Noam Chomsky, Manufacturing Consent: The Political Economy of the Mass Media (New York: Pantheon, 1988), 37-86, 87-142.

3. For elaboration, see Paul Street, “More Than Entertainment,” Monthly Review, Vol. 51, No. 9 (February 2000); Paul Street, “Beyond Manufacturing Consent,” TeleSur English, March 27, 2015,; Paul Street. “Reflections on a Forgotten Book: Herbert Schiller’s The Mind Managers (1973),” ZNet(April 5, 2009),

4. Glen Greenwald, “Zero Dark Thirty: CIA Hagiography, Pernicious Propaganda,” The Guardian (UK,). December 14, 2012.

5. For elaboration, see Paul Street, “Hollywood’s Service to Empire,” Counterpunch (February 20-22, 2015),

6. For two remarkable in-depth studies, see Stephen Macek, Urban Nightmares: The Media, the Right, and the Moral Panic Over the City (University of Minnesota Press, 2006); William J. Puette, Through Jaundiced Eyes: How the Media View Organized Labor (Ithaca, NY: ILR Press, 1992).

7. Cathy Schneider, “The Underside of the Miracle,” NACLA Report on the Americas, 26 (1993), no.4, 18-19.

8. Henry A. Giroux, The Abandoned Generation: Democracy Beyond the Culture of Fear (New York: Palgrave-MacMillan, 2003); Henry A. Giroux, The Terror of Neoliberalism (Boulder, CO: Paradigm, 2004).

9. Pierre Bourdieu, Acts of Resistance (New York, NY: Free Press, 1998), 2, 24-44; John Pilger, The New Rulers of the World (London: Verso, 2002), 5, 116.

10. Neil Postman, Amusing Ourselves to Death: Public Discourse in the Age of Show Business (New York: Penguin, 1983), 127-128; Noam Chomsky, Power Systems (New York: Metropolitan Books, 2013), 80.

11. Anton Pennekoek, Workers Councils(Oakland, CA: AK Press, 2003 [1946]), 127-128.

12. “Chomsky: ‘I Don’t Look at Twitter Because it Doesn’t Tell Me Anything,’” interview of Noam Chomsky by Seung-yoon Lee, Byline (April 14, 2015),

13. For a richly researched historical treatment of U.S. media policy, see the following works by the United States’ leading Left media policy critic and analyst Robert W. McChesney: Telecommunications, Mass Media, and Democracy: The Battle for the Control of U.S. Broadcasting, 1928-1933 (New York: Oxford University Press, 1994); Corporate Media and the Threat to Democracy (New York: Seven Stories, 1997); Rich Media, Poor Democracy: Communication Politics in Dubious Times (New York: New Press, 2000).

14. Alex Carey, Taking the Risks Out of Democracy: Corporate Propaganda versus Freedom and Liberty (Urbana, IL: University of Illinois Press, 1997), 89-93.

15. Clinton Rossiter and James Lare,The Essential Lippman(Cambridge, MA: Harvard University Press, 1965), 90-91.

16. Robert W. McChesney, “Sharp Left Turn for the Media Reform Movement: Toward a Post-Capitalist Democracy,”Monthly Review, Vol. 65, Issue 9 (February 2014), http://monthlyreview.org/2014/02/01/sharp-left-turn-media-reform-movement/

17. Essential here is Glenn Greenwald, No Place to Hide: Edward Snowden, the NSA, and the U.S. Surveillance State(New York: Metropolitan, 2014).

18. McChesney, “Sharp Left Turn;” “The State of Media and Media Reform;” Robert W. McChesney, Blowing the Roof Off the 21st Century: Media, Politics, and the Struggle for a Post-Capitalist Democracy (New York: Monthly Review Press, 2014), 139-59.

19. Noam Chomsky, Failed States: The Abuse of Power and the Assault on Democracy (New York: Metropolitan, 2006), 262.

20. Carey, Taking the Risk Out of Democracy, 11-14, 133-139. Noam Chomsky, Deterring Democracy (New York: Hill and Wang, 1992), Chapter 12: “Force and Opinion,” 351-406; Street, “Reflections on a Forgotten Book.”


Disempower this guy and his criminal antidemocratic ilk. A new better world awaits.


About the Author
Paul Street’s latest book is They Rule: The 1% v. Democracy (Paradigm, 2014)

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‘The Death of Yazdgerd’: The greatest political movie ever explains Iran’s revolution

HELP ENLIGHTEN YOUR FELLOWS. BE SURE TO PASS THIS ON. SURVIVAL DEPENDS ON IT.


Pontecorvo's breathtaking Battle of Algiers went beyond all expectations to become an all-time classic of leftist cinema and faux documentaries. (Image: the paratroopers arrive in Algiers.)

[dropcap]I[/dropcap]’d say it’s a pretty low bar to be the greatest political movie off all-time….

Perhaps movies are just too sensationalistic by nature to give politics the seriousness it deserves? Maybe politics are simply too complex to condense into 90 minutes, less the time needed for a compelling love story?

What are the greatest political movies of all time?

Firstly, let’s exclude the documentaries. I’m talking about the pure art of cinema – documentaries are journalism. 


Fooling checkpoints.

This allows me to exclude what many consider the greatest political movie of all time –The Battle of Algiers – because it is told in a documentary form even though it isn’t one: the director is “hiding behind” journalism instead of taking full advantage of the dream-like medium of cinema. It is a superbly-told and sympathetic story of anti-imperialist revolution – the Algerian War for Independence – and thus was banned in France for years. It is also a stunningly effective depiction of urban guerrilla warfare, and for that reason it was screened at the Pentagon ahead of their 2003 invasion of Iraq.

The French paras chief, Col. Mathieu, explaining the subversive cell pyramid.  Ironically, or perhaps fittingly, the role was played by Jean Martin, whose family had a long tradition of antifascist activism.

Yet another good reason this could be the greatest political flick ever is because it is the only film to have ever directly caused an actual political coup: during the filming, with the army loaning tanks to increase the realism around the capital, Defense Minister Houari Boumédiène took advantage of the cinematic-caused confusion to stage a very real coup against President Ahmed Ben Bella. This is a little-known fact about the movie – I wonder how the writer and director felt about it? However, Algeria is doing much better at Islamic Socialism than people give them credit for and, of course, this is why Westerners will only ever read negative news reports about modern Algeria.


The French "paras" extract information from Algerian guerrillas. Waterboarding was probably used, but the blowtorch was a favorite method.

Let’s also exclude satires, because comedies have only one master – the laugh. That is no basis for any political ideology, but comedy’s inherent fatalism does serve capitalism’s demands for submission extremely well.

(The idea that court jesters should not be policymakers is an idea which Americans have not seemed to grasp, as many turn to satirical news shows – the real “fake news” – as their personal authority on the day’s serious events. After many, many years of taking fake satirical news extremely seriously, last month the comedian Michelle Wolfe produced a perfect send-up of faux-caring & faux-political comedians like Jon Stewart, John Oliver, Stephen Colbert and a bevy of other fake leftists.)

Often cited as the greatest political movie is Stanley “Never Made a Bad Movie” Kubrick’s Dr. Strangelove, which is indeed excellent. However, it’s mostly just a satire of a relatively innocuous subject – nuclear disarmament – and to re-watch it is to laugh rarely…but it’s still excellent.

Many political movies are pure Western propaganda. Gandhi somehow makes Jinnah the one responsible for India’s partition instead of England (and Gandhi (whom Indian leftists correctly refer to as the “patron saint of the status quo”), and it lends all the legal and patriotic weight it can muster when portraying English massacres and crimes. Lincoln rewrites history by laughably making the mentally-unstable Mary Todd Lincoln the capital’s most effective political insider; this type of revisionist history which pretends that women had more political weight than they did – but they were just written out of history – is incredibly anti-feminist because it erases their very real marginalisation and suffering…but this analysis cannot be comprehended by the typical Western fake-leftist PC mindset. Democratic Party hero Meryl Streep shamelessly whitewashed Thatcher in The Iron Lady – “older women can’t get any good roles” was likely her selfish rationale, though she may not be leftist enough to understand why she needed a rationale. The People vs. Larry Flynt was a truly astounding promotion of pornography, and which misled young viewers about what free speech is even more than how pornography misleads young viewers about what sex is; pornography is banned in seemingly all socialist-inspired countries – Cuba, China, Iran, Vietnam, etc. – but it is not just rampantly available but adored in Western capitalist societies, which is probably why the film won at least 20 US & European film prizes.

Network, written by perhaps America’s greatest screenwriter Paddy Chayefsky, is the greatest movie about journalism, so that’s in the running for the title. Apocalypse Now not only lays bare the running joke that was the American claim of honest political intentions in Vietnam, but also California nihilism as well; the Redux extended version is even better for showing the virulence of French imperialism, which amounts to “I have the guns & ruthlessness required to hold this land, so it’s now called ‘France’”. JFK from Oliver Stone is such a clear condemnation of America’s Deep State that it’s amazing he even got it made and distributed widely in 1991, a full 15 years before America even began considering the idea that they may have a Deep State.


SEVEN DAYS IN MAY Hollywood leftie Burt Lancaster—playing a rightwing putschist general— led a stellar cast that included Kirk Douglas, Fredric March, Edmond O'Brien and Ava Gardner in a memorable film whose warnings have become more relevant than ever.

The Manchurian Candidate is indeed a great movie, but it’s more of an improbable thriller with a political backdrop than an overtly political movie. A much better purely-political movie from the same era is the unjustly forgotten, Rod Serling-penned Seven Days in May, which dramatises the forgotten but fascinating story of perhaps the most rabid anti-socialist from the US, General Edwin Walker, who was allegedly shot at by Lee Harvey Oswald (before he put the voodoo on his “magic bullet” for JFK), and who served as the model for Dr. Strangelove’s insane General Jack Ripper.

I thought Syriana was an excellent political movie, and the best in a very long time. From the orchestrations of puppet master Dean Whiting (whose last name hides the race “White” and whose first name alludes to the stupidity of rule by collegiate technocracy), to the rich Texan’s exasperated corruption speech that American “Corruption is why we win!”, to the drone assassination of the lone progressive Arab sheikh who threatens to modernise his country – the movie contains many anti-American ideas which have been self-censored for many decades.

Spike Lee made two genius political movies: Malcolm X and Do The Right Thing, although the latter’s politics are not overt. The former could be considered the best, but the movie is essentially a documentary of a must-read autobiography. (Racialist Spike Lee is currently completely corrupt by his success and gone totally into the arms of the fake "Resistance" led by Democrat hacks. From his identity politics niche he's cheering on the deep state and proclaiming CIA honcho John Brennan the nation's saviour. —Editor).


De Sica's magisterial touch is evident in the heartbreaking story of Umberto D, an old pensioner thrown on the streets by the economic ruin afflicting postwar Italy, and the nation's endemic corruption. His struggle to maintain his dignity in a crumbling world that cares little for individual tragedies is at the core of this memorable film. (1952)—(1)

The lack of overt politics allows me to exclude an entire genre I love and one which influenced seemingly all national cinemas: Italian neorealism. The fault with these movies is that they are too much art and not enough politics; too much entertainment and not enough resolving of political questions. Their politics are often so subtle that surely many miss that particular message. They’re often so subtle and desirous of criticising all sides that we’re not even sure whose side they are really on: Fellini, the greatest director of all-time, was in a Mussolini youth group, after all.

A good example of this is the movie Z, which I’d likely place alongside The Battle of Algiers as a contender with Death of Yazdgerd for greatest political movie everIt should not be surprising that no English-language movie made my medal dais – there is no English-language country which has been remotely revolutionary or progressively political for centuries, if not longer.

The reason the movie only contends for the bronze is, while being a necessary takedown of anti-fascism and anti-militarism, it makes the mistake of believing (as do many “leftists” in the West) that being “anti” is enough to be revolutionary; that’s like saying the important revolution in 1917 Russia was in February (the ousting of the monarchy) when it was really in October (the groundbreaking installation of socialism). Western fake-leftists have this “being anti is enough” belief because they fundamentally support the bourgeois (West European) system and only seek to make minor modifications. I greatly appreciate that declares what it doesn’t want, but I don’t know what proposes – in the movie the political-moral centre dies, after all. Tellingly, the character demanded things everybody essentially wants, like peace (even though the movie was not set during wartime), fewer nuclear weapons, more hospitals and more schools. The very early demise of the moral-political centre shows that the author and director have no idea what to propose (being too timid to demand socialism), or was perhaps their symbolic admission of political bewilderment, and we should remember that there is plenty of postwar existentialist & nihilist film noir in Italian neorealism as well. The demise of the moral centre allows to start being what it really is: a law-and-order murder procedural, but with a political backdrop. That makes it more concerned with “justice” than with “politics”. Perhaps Z’s “merely anti” stance reflects the 1969 mantra of the West, which was ultimately just a failed cry of disillusionment and not a victorious demand for something (freedom from imperialism in Algiers, and freedom from monarchy and immorality in Yazdgerd). But is hugely political, dissecting the systemic failure of bourgeois democracy and bourgeois justice.


Yves Montand in Z. Costa Gavras was a fashionable gauchiste in Europe's postwar, but his political aims remain diffuse in most of his films.

Elia Kazan made many great & honest movies about the US which were not overtly political, but the forgotten gem is A Face in the Crowd starring a totally-against type Andy Griffith. He swore to never again play such a negative character, and thus the movie is indirectly responsible for giving us that still-great TV show set in Mayberry.

They Live is probably the biggest cult movie on this list, and even though it’s rather a one-trick pony it’s something which I’m surprised didn’t come out of the USSR 50 years earlier. However, if it had it could not have possibly starred American professional wrestler “Rowdy” Roddy Piper, the greatest “heel” character ever (although I was obviously partial to The Iron Sheik – Nikolai Volkoff tandem, mostly due to their well-thought-out – but never well-received – political diatribes directed at the audience.)

Many call Chaplin’s The Great Dictator the greatest political movie ever, but I’ve never been a big fan of his work and if I saw this I don’t recall it, like all of his movies. His vaudevillian style belongs to the 19th century and I just can’t relate, as I grew up with electricity.

But I am not insensitive to the charms of the olden days: Eisenstein’s October: 10 Days That Shook the World is stunning despite being a silent movie, and the famous and glorious scene of Lenin at the Finland railroad station (at the 10:00 mark here) should never fail to give chills to any socialist. I would also say that never has an actor looked more exactly like the historical figure he was portraying, LOL.

There are many leftist movies which are deliberately omitted from lists of “Top Political Movies”. The Grapes of Wrath is the definitive cinematic representation of the “American Holodomor”; it’s amazing how Ukrainians, Russians and Chinese died by the millions during that era but no American Dust Bowl farmers ever seemed to perish, not even the starving Joads or their many companions…at least that’s what they tell us. I cannot urge more strongly to re-assess what is often considered to be the biggest box office bomb of all time, Heavens Gate: I contend that the film gives such an obviously leftist and class-based reassessment of the Western settlement of the United States that it simply had to get a character assassination before it ever even premiered. However, at least it allowed director Michael Cimino to atone for one of the greatest counter-revolutionary movies ever, The Deer Hunter: the infamous Russian Roulette scene made the Vietnamese quite possibly the most ruthless, humanity-devaluing psychopaths in cinematic history, thus allowing 1978 America to feel justified about their (failed) invasion.

I talk about four political movies in this recent article which are often great but not the best: the unfairly maligned Soviet The Fall of Berlin; a mini-mea culpa but still elitist The Last Ten Days from Germany; the appallingly pro-Hitler Downfall, from Germany in 2004; and last year’s The Death of Stalin, which is not funny at all, unfortunately.

So I think we’ll agree – there are a LOT of movies produced decade after decade and yet we have a very, very short list of truly great political movies, all of which are rather flawed.

That brings me to Iran’s entry: The Death of Yazdgerd, which you can watch for free with English subtitles here and judge for yourself.

The movie is so good that this article will not include any spoilers whatsoever – that is how I much I encourage you to watch it!

But what is needed is just a bit of historical background – I’m sure many are asking, “What on earth is a ‘Yazdgerd’?” Great art encapsulates their time, and so we need to put ourselves in the shoes of the intended audience. This article will give just that information, and I’m sure viewers will at least not doubt me when I say that this movie explains and justifies the 1979 Islamic Revolution better than any other movie.

However, I can show how its genius is so universally-applicable & so necessary in 2018 that you might actually agree that it is also the greatest political movie of all-time.

Iran and cinema – no mere ‘mirror’ for society, but instruction & decision

Cinephiles know that Iran – pound for pound – produces more great movies than any other country. For decades they have routinely taken home top international prizes.

I think it’s somewhat unfortunate as movies are usually just a way turn off one’s brain – and clearly don’t produce very interesting political ideas – but cinema has undoubtedly become Iran’s main artistic passion. Iranian kids today, I’m telling ya…it’s all, “My cousin in Los Angeles says he is a producer! I wanna go to Hollywood!” Frankly, I have often joked that the entire Iranian Islamic Revolution was the singular result of seeing how terribly narcissistic our family members became after they moved to Los Angeles! “Oh no – we’ll have none of that over here, thank you! Somebody get Khomeini on the phone!”

Of course, most of the Iranian films which are lauded or even just distributed in the West seemingly have to meet a minimum quota of roughly 1.4 abused Iranian women per screen hour. But very few of our “not totally depressing” movies have snuck through the West’s mostly pro-Zionist film censors – like all socialist-inspired countries, Iran must be portrayed as gloomy, depressed, victimised, atrophied, etc.

It should finally be clear from this 11-part series that Iran was the world’s last great openly anti-capitalist revolution – it is only natural that their art would reflect that. This series is also essentially devoted to unveiling something Westerners on both the left and right have shown no inclination to admit: the obviously socialist nature of Iran.

But it is perhaps the world’s inability to see the global resonance of the Iranian Revolution which makes modern Iran so misunderstood. Despite the unprecedented role of religion, Iran’s revolution is as relevant and as applicable to every society as the great French and Russian revolutions; because this movie makes that universal relevance perfectly clear, it deserves the mantle of “the greatest political movie of all-time”.

Many will not watch this movie because they assume it is all about Islam, but that is not at all the case! This movie only subtly and very briefly supports Islam. The movie is far more focused on undoubtedly universal concerns: The Death of Yazdgerd is a two-hour machine-gunning of monarchy, aristocracy and outdated religion, with all these massacres being defended by the right of the People to wage class struggle.

Class warfare in 1978 Iran…not much different from class warfare in 578 BC Iran

This movie was written in 1979 but broadcast on Iranian public TV in 1982, with an all-star cast.

Frankly, it is a riveting but rather exhausting movie to watch: Just as reading Dostoyevsky is no walk in the park, the movie repeatedly exposes your own reactionary and thoughtless impulses. One is often struck on such a personal level that you feel compelled to stop and ponder your own sins, but unlike a book you cannot easily put a movie down and resume it when you have regained your equilibrium.

The movie first debuted as a play, and that explains why it is seemingly six hours of dialogue compressed into two hours of movie. The movie maintains a seemingly impossible fever pitch and tension throughout, and every emotion is played to its hysterical utmost. And why not – the movie is about a family on trial for allegedly killing a king. Surely that’s a moment of high drama!

But not just any king: Yazdgerd III was a real historical figure. He was the last in a thousand-year line of Persian & Zoroastrian-religion kings, as he was felled by the Arab Invasion and the Revolution of Islam. Like all Persian kings, Yazdgerd was the “king of kings”, but he was even more extra-ordinary than that; like Tsar Nicolas II or, more accurately, the Aztec Moctezuma II, Yazdgerd was the rare king who truly marked the absolute end for an entire cosmogony. Yazdgerd didn’t just get toppled in 651 AD – he was deposed by Allah…literally.

Of course, readers can understand that in 1979 Iranians were celebrating the exact same thing about Shah Mohammad Reza Pahlavi.

One should now see the genius of the author for drawing the historical parallel with Yazdgerd, who represents not just a societal “sea change”, but an incredible inversion of sea with sky.

The legend is that Yazdgerd III was killed by a simple miller at the behest of the aristocracy, who wanted to avoid the bad karma associated with killing “the Shadow of Ahura Mazda on Earth”. (Ahura Mazda is the sole god of Zoroastrianism, and this monotheism is why Zoroastrianism is tolerated in the Islamic Republic of Iran today – the fires in their fire temples have not gone out for 2500 years.)

There’s no need to change that fine story…unless you are that miller!

And the movie’s plot is essentially that: The miller and his family are forced into concocting subterfuge after subterfuge at their impromptu trial for regicide, with the goal of creating confusion about if it was the miller who killed the king in order to greedily ascend his throne, or if it was the king who killed the miller in order to hide from the invading Arabs.

The Miller, his Wife and Daughter don’t just spin a web, they spin webs within webs in order to save the family from the false justice of the 1%, as represented by an aristocratic knight, a graying warrior horseman, and a mubad (a Zoroastrian priest: called “magus” in Latin, the plural of which is “magi”). These are essentially the only six characters.

Sympathy for the miller…we can see this movie is a class-based retelling of the legendary death of Yazdgerd. And it’s not a movie-ruining “spoiler alert” to reveal the main message: we 99% have all been the Miller, whether under Yazdgerd, Shah Mohammad Reza, Moctezuma II, Louis I through Louis XVI, or any unelected monarch. My claim of “greatest political movie of all-time” becomes clearer when we remember that the Iranian situation prior to 1979 had not been any measurably different from anyone else’s: From the pre-literate time until 1979 (or even in 2018 for some nations) the People have been oppressed in the exact same manner around the world.

Every country without a modern, socialist-inspired government has always ultimately been ruled by feudalism, monarchy, thieves of your wages, abusers of your taxes, rapers of your women, murderers of your sons whom they send off to fight the elite’s wars, the unjust jailers of your nephews, the intimidators of your nieces, as well as by unregulated capitalism, bluffing technocratism, colluding holy men, bullying aristocracies, intellectual leaders who are actually anti-science, and other outright reactionaries who seek to retard social progress so they can jealously guard the gains of economic progress for only themselves.

A movie which uses a 20th century medium to demand modern political policies, universally

Those are (some of) the explicit points the movie tries to fit in – like some jam-packed Persian carpet. The author refuses to omit any of the monarchy’s / aristocracies atrocious crimes because an average Miller’s family would have been spared none of them.

That makes it an obvious defense of the 1979 Iranian Islamic Revolution and an ideological massacre of the pro-Shah ideology which just fell. One need not be Muslim to grasp this nor to agree with it.

A common slogan in 1979 was “The Martyr Is the Heart of History”, and that’s because political history (without socialism) is actually timeless: the oppressor always exists in the same form, regardless of the date on the calendar. This movie, had it been written in 600 BC and in any part of the world, would have made the exact same points and described the exact same abuses of average person.

And that is what artistic genius achieves – cultural and historical universality. This is not a movie about Iran, Iranian-ness nor Islam – it’s a movie about politics, a universal human practice.

Such universality is only possible with a socialist worldview, and it is only socialism which universally speaks truth to power. In 1982 viewers around Iran undoubtedly saw the story of the Miller, his Wife and his Daughter and thought: “Well, come what may, at least I’m not forced to put up with THAT anymore.”

For the viewers in 1982 Iran, all of whom were involved in both revolution and under unjust attack by Iraq, it is made crystal clear the only way to break this feudal chain – on an economic and political level – is via the socioeconomic equality of socialism.

Iranians back then would also have easily comprehend how old religious ideas – which while being fundamentally sound have not benefitted from the wisdom of centuries of human experience – hindered the revolutionary, all-embracing unity and compassion of Islam and its concomitant Abrahamic faiths.

I don’t think you have to even watch the movie to agree: there is no other movie in history which has tried to make these points in such a 100% overt manner. There is no discreet charm here – this is a movie which demands to be listened to on the most vital of social issues, demands your sympathy for the Miller and his family, demands your condemnation for his oppressors, and demands you choose sides.

In that sense it is very much in line with the Brechtian philosophy of drama. However, instead of their totalitarian-style austerity and love of bitter irony, there is a culturally-Persian luxuriation in excessive and disorienting sentiment, as well their ability to effortlessly evoke the highest emotional raptures and the lowest wraths as only committed monotheists can.

The movie is Joycean in not only its rapid shifting of time and consciousness – as the Miller’s family is constantly donning and discarding the persona of each other (i.e., the Wife now plays the role of the Daughter, the Daughter now plays the role of the King, etc.) – but in the staggering amount of political detail contained in the incredibly dense dialogue.

The final point which must be made is to note how amazingly it captured the essence of its time: I would LOVE to discuss the final scene, and how it so starkly encapsulated Iran’s exact situation in 1982, and how truly breathless it must have left every single one of its viewers…but that would be to spoil it for you. Again, if a viewer considers the situation of 1982 Iran, the ending’s intense, quaking urgency will be abundantly clear. All I can say on this score is: it is stunning how universally applicable and yet how also immediately appropriate the film was upon its release – most works of art can’t even satisfy just one of either category.

If this movie was only politics…it wouldn’t be a ‘movie’, would it?

[dropcap]C[/dropcap]all up all your favourite Italian neorealism-inspired films and I contend that Yazdgerd still holds the crown of crowns.


(Still from the 1982 production)


It has to work on the level of mere entertainment: Well, there are only six characters but two hours of intense dialogue. The family is trying to outwit their judges in order to save their lives, therefore they are forced to employ a dizzying array of intellectual gambits. Even an astute viewer will have difficulty keeping track of what is what, who is who, and which Rashomon-like reality is being recounted to the judges at any given time. Even if one is not prepared with the necessary cultural background to fully enjoy it, the movie is relentless from start to finish for the simple fact that there is no capitalist-feudal horror which is not realistically and accurately presented: Murder, rape, starvation, cheating, lying, deception, theft, humiliation, sickness, alienation, poverty, agitation, distraction, swallowed shame, death of children, etc. (and all cause by the lack of socioeconomic & political equality).

It has to work on the poetic level: Poetry is nearly a national birthright for Iran, so you symbolic-types can rest assured that the classic poetic and cinematic language & semiotics are presented in master form. The writer and director, Bahram Beyzai, is the son, nephew, grandson and great-grandson of notable Iranian poets. Beyzai is perhaps Iran’s greatest playwright and one of the most influential movie directors – he is obviously not just another political ideologue.

It has to work on the psychological level: Should we really kill the “king” – our ego? What happens afterwards, then? How did our king get this way and who are we really? Even humble Millers are not exempted from asking such questions. When I become too confused by such human questions I will take heart from a superb line in the movie: “A man who is lost is still also a man.” That’s just one example of the pithy philosophical writing in the movie, and over such a huge range of human experiences.

There is also plenty of humor: “No one has ever disobeyed the King of Kings,” shouts the CEO, excuse me, the aristocratic knight. “Oh really?” questions the Miller’s wife, “Then order the Arab army to retreat!” The lampooning also gets serious and sharper: “Do you put kings at the same level as bandits?” The laugh-to-keep-from-crying response: “Unlike kings, bandits show mercy to the poor.”

Furthermore, the movie is also an in-depth examination of the only other institution as revered in Iran as Islam – the family. This reverence doesn’t make Iran unique in the slightest, but its addition is another element which makes the film so great. Without getting into spoiler specifics: Force a father, mother and daughter to talk and recount their lives for two hours – and to play-act the roles of each other – and it would be impossible for family politics to not surface. Iranian social life is inextricable from family life, so of course the author has salient things to say in what is truly the junior topic of this movie.

Indeed, innumerable other topics besides “political” politics are broached and commented upon: marriage politics, parent-child politics, gender politics, sexual politics, puberty, money, gossip, etc.

The reason this explanation of Revolutionary Shi’ism is so universal is because: while its pro-socialist propaganda could not be more blindingly obvious, its pro-Islam propaganda is so subtle that it is likely missed by many viewers. This is a political tract and not a religious one…but it also got approved for mass broadcast amid humankind’s only other Cultural Revolution for a reason. Can you tell which two lines of dialogue likely clinched its official approval?

But, again, the massacring of feudalism (and thus capitalism) does not necessarily have anything to do with Islam because the former is universal whereas Islam is region-specific. That’s why this movie should be required viewing for any nation with a monarchy. Any nation which is a republic has the right to feel superior, but they should watch it to remind themselves of our shared humanity & what will result by reactionary backsliding. The entire Western Hemisphere, lacking any monarch (save Queen Elizabeth II) should watch it as well because they wiped out all the aboriginal monarchies (while under the banner of West European monarchies, of course, so no credit is due).

Once the king dies, the nation is dead,” is a line from the movie but we can never forget that it was a universal & rock-hard belief for millennia – how many of your sociopolitical-economic beliefs stem from that era, and how many come from after Marx? For the Miller’s Wife, and for modern Iranians, that line provokes grinning disbelief: “What is this I just heard…?”

Incredibly, in Western Europe and many other places such a line produces misty-eyed, reactionary conservatism. That is a huge political problem in 2018; economic problems cannot help but follow, as a result. Iran resolved this problem in 1979, and that is the ultimate point of this movie, which stands as a testament to this political fight which claimed countless billions of martyrs, prisoners & victims since time immemorial.

Even if, as doubters claim, religion only exists as a cautionary tale to spur proper social choices, The Death of Yazdgerd is the greatest political movie ever because it so clearly shows what humanity got and will continue to get by refusing the socio-economic, ethnic and political equality only offered by socialism and never by capitalism: To watch it is to be converted to political modernity.

What other movie can possibly make such a claim?

Greatest Political Movie of All-Time – The Death of Yazdgerd.

***********************************

This is the 10th article in an 11-part series which explains the economics, history, religion and culture of Iran’s Revolutionary Shi’ism, which produced modern Iranian Islamic Socialism.

Here is the list of articles slated to be published, and I hope you will find them useful in your leftist struggle!

ism: an 11-part series

How Iran Got Economically Socialist, and then Islamic Socialist

What privatisation in Iran? or Definitely not THAT privatisation

Parallels between Irans Basij and the Chinese Communist Party

Irans Basij: The reason why land or civil war inside Iran is impossible

A leftist analysis of Irans Basij – likely the first ever in the West

Irans Basij: Restructuring society and/or class warfare

Permanent Revolution’ in Iranian Revolutionary Shiism

on Youtube here)

Iran détente after Trump’s JCPOA pull out? We can wait 2 more years, or 6, or…


About the author
 RAMIN MAZAHERI, Senior Correspondent & Contributing Editor, Dispatch from Paris •  Mazaheri is the chief correspondent in Paris for Press TV and has lived in France since 2009. He has been a daily newspaper reporter in the US, and has reported from Iran, Cuba, Egypt, Tunisia, South Korea and elsewhere. His work has appeared in various journals, magazines and websites, as well as on radio and television.


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Making sense of a few rumors about Russian aircraft, tanks, and aircraft carriers

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The (already) feared Su-57. Russian aircraft advances have been admired even by Western rival designers.


By The Saker

[dropcap]R[/dropcap]ussians are typically good at some things, and not so good at others.  One of the things which Russian politicians are still terrible at, is avoiding self-inflicted PR disasters.  Remember how Russian officials mismanaged the entire topic of “S-300s for Syria” (if not, then check out “part six” of this analysis)?  Something similar is happening again, but this time with the procurement of new advanced and expensive weapons systems.

We have all seen the “Russia is canceling the Su-57!” and “Russia cannot afford the new Armata T-14 tank!” headlines. Pretty soon I expect to see something along the lines of “US sanctions force Putin to abandon the XXXX” (fill the blank with whatever weapon system you want).  So is there any truth to any of that?

Well, yes and no.

Aircraft and main battle tanks

What is true is that Russian officials have been way too eager to declare that the Russian military will soon have many weapons systems much superior to anything produced in the West. Alas, these same officials rarely bothered explaining where, why, when and how many of these weapons systems actually would be deployed. That kind of ambiguous message makes it look like Russia is zig-zagging (again!). Perfect example: Russia deploys 4 Su-57s to Syria and then appears to more or less cancel or, at least, dramatically reduce the procurement of this weapons system.  The reality is both much simpler and a little more complex.  And to explain what is taking place we need to first understand the difference in military procurement in the West and in Russia.

In the West, the main goal of any procurement of any weapons system is the transfer of as much money as possible from the government to the pockets of the private individuals controlling the Military-Industrial Complex. Put differently, Western force planning (especially in the US) is not threat or mission-driven, but profit driven. And while some outrageously expensive weapons systems do get canceled (like the Boeing–Sikorsky RAH-66 Comanche attack helicopter), other even more expensive and poorly designed ones remain funded (such as the F-35). This is the kind of situation only a fantastically corrupt country with no real threat to itself can afford. In contrast, Russia is far less corrupt and has potential enemies right across most of her borders.

In contrast, Russian force planning is threat/mission driven.  This means that before the Russian military decides that it needs X number of Su-57 or T-14s it has to make the case that there is a threat which only Su-57s and T-14s can counter (or, at least, that it makes more sense – human, economic or tactical – to use new systems).

In the West, the main goal of any procurement of any weapons system is the transfer of as much money as possible from the government to the pockets of the private individuals controlling the Military-Industrial Complex. Put differently, Western force planning (especially in the US) is not threat or mission-driven, but profit driven.
  During the Cold War, the general rule (there were exceptions, of course!) was that the US was typically the first side to deploy a new technology/capability which the Soviets then studied before developing a counter-capability once the strengths and weaknesses of the new US technologies/capabilities were fully understood. The price to pay for that method was that the Soviets were usually one step behind the US in deploying a new technology. The main advantage of this dynamic for the Soviets was that their weapons systems typically ended up being both cheaper and superior. A good example of this kind of dynamic is the development of the Su-27 in response to the US development of the F-15 or the development of the Akula-class SSN in response to the Los Angeles-class SSN by the USN.

Today the situation is quite different.  If you compare Russian and western weapons systems (say, the latest versions of the Su-35/Su-30s vs the latest versions of the F-15s/16s/18s or the T-90/T-72B3/B3M vs the Abrams/Leopard MBTs) you realize that the current Russians systems are at least as good as their US/EU counterparts, if not better. This happened because with the official end of the Cold War US/EU force planners decided to waste money on hugely expensive weapons systems instead of modernizing their aging aircraft or tanks. After all, 20-30-year-old tanks and aircraft were more than adequate to deal with such “threats” as Iraq or Yugoslavia, so why waste the money: nobody expected Russia to be able to rebound as fast as she did.

All this begs the question of what threats the Su-57s or T-14s were supposed to deal with?  Logically this threat would have to be a threat which already existing Su-35s or modernized T-72/80/90s could not deal with.  Can such threats be identified?  Probably yes, both in the West and, in the case of aircraft, in the East.  But how big (in terms of numbers) this threat will actually be is a huge question.  For example, I would argue that the only strategic direction in which the deployment of T-14 would make sense is the West, specifically for the First Guards Tank Army which would have to fight NATO in case of a war. And even in this case, there is an optimal mix of old/new MBTs inside the two divisions composing the backbone of this Army which would make more sense than replacing all their current MBTs with T-14s (this will be especially true if a 152mm gun version of the Armata is ever deployed). As for deploying the T-14s to the South or East of Russia, it would make no sense at all since no opposing force in these directions would have armor superior to the Russians. In the case of air-power, this issue is not so much a geographical one (tactical air-power can be rapidly moved from one location to another one) as it is the number of F-22s/F-35s/(X-2s?) the US and its allies could deploy against Russia (assuming air-to-air refueling and that the F-35 actually works as advertised).

[Sidebar: in reality only comparing tactical aircraft to tactical aircraft and MBTs to other MBTs is a gross oversimplification; in the real world you would have to compare the full spectrum of capabilities of both sides, such as MBTs vs anti-tank weapons or attack helicopters (in the case or air combat this would be even much more complicated), so I kept it simple just for illustration purposes.]

For the foreseeable future, the threat to Russia will come from the latest iterations of the F-16/15/18s in which case the Su-35s/Su-30SM/Mig-25SMT/MiG-35/MiG31BM will be more than enough to deal with that threat, especially with their new radar+missile combos. And for a more advanced threat, a combination of Su-57s and already existing generation 4++ aircraft makes more sense than trying to deploy thousands of 5th generation aircraft (which is what the US is currently doing).

Finally, there is the issue of exports.  While exports can help finance the costs of new and very pricey systems, the export potential of already existing Russian systems is much bigger than the one of recently deployed systems.  Originally, the Russians had hoped to basically co-develop the Su-57 with India, but the pressures of the very powerful pro-US lobby inside India combined with differences in design philosophy and technical requirements have made the future of this collaboration rather uncertain.  Of course, there is China, but the Chinese also have to ask themselves the question of how many Su-57 they would really want to purchase from Russia, especially considering that they have already purchased many Su-35s and are still working on their own 5th generation aircraft.

The Cold War years illustrate how the Soviet Union dealt with this problem: both the advanced and expensive Su-27 and the cheaper, but still very effective, MiG-29 were developed and deployed more or less simultaneously (along with some very good missiles) and while the Sukhoi was a much more complex aircraft with a much bigger upgrade potential, the MiG was cheap, fantastically maneuverable and superbly adapted to its “front line fighter” mission in spite of not even having fly-by-wire! It is therefore hardly surprising that Russian force planners today would like similar options.

Which makes me wonder which major weapon procurement program will be “mothballed” next?

Russian aircraft carriers and aircraft-carrying assault ships

My vote goes for the much announced Russian Project 23000 “Storm” super aircraft carrier (check out this article by Andrei Martyanov on this topic). Without going into the issue of whether Russia needs aircraft carriers and, if yes, what kind exactly (I personally think that the Russian Navy has more important programs to spend money on), it strikes me as extremely premature to declare, in 2018, that Russia plans to deploy not one, but three or even four (!), such super aircraft carriers.  The reality is that for the foreseeable future budgetary and technological constraints will only allow Russia to build one carrier and that that carrier will probably be what Martyanov calls a “niche” carrier.  Oh sure, if the Russian military budget was anywhere near the US one and if the Russian MIC was anywhere near as corrupt as the one of the United States, three or four carriers would be possible, but as long as every ruble has to be accounted for and justified through a comparison of  opportunity costs and mission requirements, this will not happen.  I am still waiting to see if the Russian Navy will ever get the promised “Priboi” universal assault ships to replace the French “Mistrals” and, if that happens, what the Priboi-class will actually look like, how they will be equipped and when they will be accepted for operation by the Russian Navy.

Conclusion: less hype, more common sense please!

Russia has, and will develop, new, expensive and advanced weapons systems simply because she needs to maintain the technological and industrial capabilities to keep up with the evolving threats. You cannot build a 6th generation fighter if you have not ever developed a 5th-generation one. However, Russia has had to tackle the immensely complicated task of replacing all the systems components previously developed abroad (say, in the Ukraine) with indigenous ones. Following western sanctions, it has become absolutely self-evident that Russian weapons systems must be built exclusively with Russian technologies and components (which, by the way, their US counterparts are not). While Russia did benefit from the brain-drain from the Ukraine (and other ex-Soviet republics) which saw many highly skilled engineers and scientists leave following the collapse of the Ukrainian industrial base, Russian resources have still been severely stretched by the urgent need to create a truly autonomous military-industrial complex, most of it ex nihilo.  Furthermore, there are still technological and industrial bottlenecks which need to be dealt with before Russia can produce her new weapon systems in sufficient numbers (that is especially true of large warships).  As of today, the goal of full “import substitution” has not been fully realized, even if immense progress towards it has already been made.

The one thing Russia could – and should – immediately do is learn how to present a consistent and balanced message to her public opinion.  Every time loud and triumphant declarations are followed by more sober assessments, the anti-Putin forces in Russia (and abroad) scream to high heavens about “Putin” having promised the sky and delivered nothing (again, the entire mess with S-300s for Syria is a perfect example of this).  So yes, Russia public relations still often suck.  But there is nothing wrong with Russian force planning.

—The Saker

 

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ABOUT THE SAKER
THE SAKER  is the nom de guerre of a former Russian-born military and geopolitical analyst, working at one point for the West. He has described his former career as that of "the proverbial 'armchair strategist', with all the flaws which derive from that situation. Like The Greanville Post, with which it is now allied in his war against official disinformation, the Saker's site, VINEYARD OF THE SAKER, is the hub of an international network of sites devoted to fighting the "billion-dollar deception machinery" supporting the empire's wars against Russia, China, Iran, Syria, Venezuela and any other independent nation opposing or standing in the way of Washington's drive for global hegemony.  The Saker is published in more than half a dozen languages. A Saker is a very large falcon, native to Europe and Asia. 

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The Russian Peace Threat examines Russophobia, American Exceptionalism and other urgent topics




EU ‘disinfo-busting’ outlet targets ‘Russophiles’ in McCarthyist campaign to push own narrative

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By Danielle Ryan, RT.com

In a stunt that would have made Joe McCarthy proud, a Brussels-based think tank endeavoured to brand Twitter users posting about a scandal involving French President Emmanuel Macron’s former bodyguard as ‘Russophiles’

EU DisinfoLab, whose raison d’etre is to “fight disinformation with innovative methodology,” published a report about “hyperactive” Twitter accounts that were sharing news about Alexandre Benalla, Macron’s former deputy chief of staff and bodyguard who was fired in July when it was revealed that he had violently assaulted a protester during an annual May Day rally.



French media excitedly latched onto the DisinfoLab report (The Russians! The Russians!) and soon headlines appeared about Russian “bots” and their apparent involvement in the Benalla scandal, prompting national discussions about what could be done to combat social media manipulation by the “Russophile” accounts. During all the hysteria, the EU DisinfoLab graciously decided to clarify its findings to say that not all of the accounts posting about Benalla were of the ‘Russophile’ variety. But, according to the NGO’s co-founder Nicolas Vanderbiest, the case was a hot topic for the “Russophile ecosystem” and a sizable 27 percent of the accounts were part of the “Russian disinformation system”.

If you were wondering, the “Russian disinformation system” is, according to DisinfoLab, comprised of anyone sharing content from RT or Sputnik or anyone promoting the “Russian narrative” in any way.

Because remember, in good, free, open Democratic societies, questioning established narratives is unacceptable and grounds for public shaming and having your name immediately placed on some kind of Twitter blacklist. You might also be as surprised as I was to hear there is apparently an overarching “Russian narrative” for every world event, regardless of whether or not it relates to Moscow in any way.

Making matters worse, the NGO released the raw data which it used in its research which appeared to categorize users with labels such as “jew,”“lesbian” and “homo” – prompting questions from users about why they were being politically profiled in such a public way. The NGO then seemingly deleted those files and denied posting them before appearing to admit to publishing them and releasing an apology to those affected.

Included on that list were well-known Russian agents Greta van Susteren, Gloria Steinem, Bob Woodward, Dick Cheney, Naomi Klein, Kofi Annan, Perez Hilton, Denzel Washington and Pierce Brosnan.

The think tanks that produce utterly pointless reports like this claim that it is all in an effort to fight disinformation and cleanse the news environment of false or misleading information. In reality, these reports are nothing more than exercises in public shaming and serve no legitimate, useful purpose whatsoever. They are not designed to protect or promote truth per se, but to bolster their preferred narrative and ensure that no-one is exposed to any other dangerous ideas or perspectives — and that if they are, they quickly discount them in favor of the safer, sanctioned narratives.

They are part of a long history in the West – but particularly in the US – of linking political opponents or dissidents to Russia in an attempt to discredit them. They are the modern-day incarnation (if far less effective) of the McCarthyist pamphlets of the 1950s, denigrating public figures (or these days just random Twitter users) for the alleged crime of being sympathetic to the Soviet Union/Russia.

The infamous Red Channels pamphlet which listed 150 actors, writers, journalists, musicians and other entertainers who were purportedly communist sympathisers ended careers and threatened to ruin lives. No doubt, the likes of EU DisinfoLab and European Values would love to be so influential, but luckily, in today’s media landscape, it’s much easier to call them out for the chancers that they are.

Considering that, as EU DisinfoLab admitted, only 27 percent of those posting about the Benalla affair are ‘Russophiles’ (and the rest were presumably not) and that there was no evidence of any Russian government “interference” in the case, it would seem more likely that a wide variety of French citizens, from all points on the political spectrum, were not wholly delighted with the fact that their president’s bodyguard pretended to be a police officer and beat people up at a protest— and decided to tweet their frustrations, as is their prerogative.

But it would be a bit more difficult to produce a “disinformation” report about that.

The statements, views and opinions expressed in this column are solely those of the author and do not necessarily represent those of RT.

ABOUT THE AUTHOR
Danielle Ryan

Danielle Ryan is an Irish freelance writer based in Dublin. Her work has appeared also in Salon, The Nation, Rethinking Russia, teleSUR, RBTH, The Calvert Journal and others. Follow her on Twitter @DanielleRyanJ

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Parting shot—a word from the editors
The Best Definition of Donald Trump We Have Found

In his zeal to prove to his antagonists in the War Party that he is as bloodthirsty as their champion, Hillary Clinton, and more manly than Barack Obama, Trump seems to have gone “play-crazy” — acting like an unpredictable maniac in order to terrorize the Russians into forcing some kind of dramatic concessions from their Syrian allies, or risk Armageddon.However, the “play-crazy” gambit can only work when the leader is, in real life, a disciplined and intelligent actor, who knows precisely what actual boundaries must not be crossed. That ain’t Donald Trump — a pitifully shallow and ill-disciplined man, emotionally handicapped by obscene privilege and cognitively crippled by white American chauvinism. By pushing Trump into a corner and demanding that he display his most bellicose self, or be ceaselessly mocked as a “puppet” and minion of Russia, a lesser power, the War Party and its media and clandestine services have created a perfect storm of mayhem that may consume us all. Glen Ford, Editor in Chief, Black Agenda Report




German government places Socialist Equality Party on subversive watch-list

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By the Sozialistische Gleichheitspartei 


Merkel at the WEF. She obviously has no problem with outlawing the freedom of speech of anticapitalist parties. A fine democrats she is. But we knew that already.

[dropcap]L[/dropcap]ast month, the Federal Office for the Protection of the Constitution (BfV), Germany’s domestic intelligence agency, added the Socialist Equality Party to its official list of “left-wing extremist” organizations subject to state monitoring in its annual “constitutional protection report.” It is a calculated political attack on the Sozialistische Gleichheitspartei (Socialist Equality Party—SGP).

In previous years, the annual report did not mention the SGP. Now it appears twice—as one of three “left-wing extremist parties” and as an “object of observation,” to be monitored by the secret service.

Monitoring by the secret service means massive restriction on basic democratic rights, and is a precursor to a possible ban. The SGP and its members must assume that they are being watched, their communications are being intercepted and they are being spied on by covert means. They are branded as “enemies of the Constitution” and can expect to face harassment in regard to elections, public appearances, renting rooms or looking for a job.

For example, the RCDS, the student organisation of the governing Christian Democratic parties (Christian Democratic Union and Christian Social Union), demands that organizations and their members that are subject to monitoring by the secret service be excluded from universities.

The secret service has made no accusation that the SGP is breaking any law or is engaged in violent activity. It even explicitly confirms that the SGP pursues its goals by legal means—that it “tries to gain public attention for its political ideas by participating in elections and through lectures.”

It justifies the monitoring of the SGP exclusively by the fact that it advocates a socialist program, criticizes capitalism and rejects the establishment parties and the trade unions. The BfV report states: “The agitation of the SGP is directed in its program against the existing state and social order, as a generalized disparagement of ‘capitalism,’ against the EU, against alleged nationalism, imperialism and militarism and against social democracy, the unions and also against the party DIE LINKE [Left Party].”

The general introduction to the chapter “Left-Wing Extremism” makes clear that the secret service is intent on suppressing any socialist critique of capitalism and its social consequences. 

The capitalist ruling class is obviously testing the waters with these fascistoid measures. They will surely study the reaction in Germany not just in Berlin, but in London, Paris and Washington.
The “ideological basis” of “left-wing extremists,” it says, “is the rejection of the ‘capitalist system as a whole,’ because ‘capitalism’ is more than just an economic form for left-wing extremists: it is seen as a basis as well as a guarantor of ‘bourgeois rule’ through ‘repression’ at home and ‘aggression’ abroad. ‘Capitalism’ is therefore responsible for all societal and political ills, such as social injustice, the ‘destruction’ of housing, wars, right-wing extremism and racism, as well as environmental disasters.”

According to the secret service, such a critique of capitalism, which millions of people share, is an attack on “our state and social order and thus liberal democracy.” Anyone who bases himself or herself on “Marx, Engels and Lenin” as “leading theoretical figures,” or considers the “revolutionary violence” of the “oppressed against the rulers” in principle as “legitimate” is, in the eyes of the secret service, a “left-wing extremist” and “enemy of the Constitution.”

This falls within a tradition of the suppression of socialist parties that has a long and disastrous history in Germany. In 1878, German Chancellor Otto Von Bismarck enacted the infamous Anti-Socialist Law “against the homicidal aspirations of social democracy,” which forced the Social Democratic Party (SPD) into illegality for twelve years. In 1933, Hitler first smashed the Communist Party and then the SPD to clear the way for Nazi dictatorship, the Second World War and the extermination of the Jews. Now, the grand coalition of the Christian Democrats and Social Democrats and its intelligence agency are preparing a third version of the Anti-Socialist Law. They are adopting the policy of the Alternative for Germany (AfD) and threaten anyone who opposes this far-right party with illegality.

Although leading representatives of the AfD regularly agitate against migrants, incite racism, glorify Hitler’s Wehrmacht (Army) and downplay the crimes of National Socialism (Nazism), there is not a single mention of this party in the chapter on “right-wing extremism” in the BfV report. This also applies to the representatives of its völkisch-racist wing, the New Right Network and the xenophobic Pegida, which are closely linked with the AfD.

The AfD spokesman in Thuringia, Björn Höcke, against whom the AfD itself has initiated two disciplinary proceedings for making right-wing extremist statements, also does not appear in the report. Neither does the “Institute for State Policy” of neo-right ideologist Götz Kubitschek, the Compact magazine of Jürgen Elsässers or the weekly Junge Freiheit. The Identarian Movement is mentioned, but only as a “suspicious case.”

In the chapter on “left-wing extremism,” the AfD is mentioned several times—as the victim of supposed “left-wing extremists”! Those who protest against the AfD and against right-wing extremism or collect information about them are considered to be “left-wing extremists.”

“Protests against the two party congresses of the AfD, in April in Cologne and in December in Hanover,” are cited in the BfV report as evidence of “extreme left” sentiment. The same applies to the “ongoing fight against right-wing extremists” and the gathering of “information about alleged or actual right-wing extremists and their structures.”

Large parts of the BfV report read as if they were written in AfD party headquarters. Many passages bear its imprimatur. It has since been confirmed by the Interior Ministry that BfV head Hans-Georg Maassen met several times with leading AfD representatives. According to the official statement of the ministry, since taking office six years ago, Maassen has conducted “about 196” discussions with politicians from the CDU / CSU, the SPD, the Greens, the Left Party, the Free Democratic Party (FDP) and also the AfD.

Maassen’s interlocutors include AfD chief Alexander Gauland and his predecessor Frauke Petry. According to a former employee of Petry, Maassen allegedly assured her that he himself “did not wish the AfD to be monitored by the BfV” and advised them on how to avoid such monitoring. Although Maassen denies this, the fact that the AfD is not mentioned in the BfV report suggests that Petry’s colleague was right.

A right-wing conspiracy

The federal government is responsible for the secret service, which answers directly to the interior minister, who wrote the foreword to the BfV report. Without the approval of the grand coalition of the CDU, CSU and SPD, the report could not have appeared in this form. The decision to attack the SGP and support the AfD was taken at the highest levels of the government.

The grand coalition is reacting to the increasing radicalization of the working class and youth, who, by a large majority, reject its policy of permanent welfare cuts, military rearmament and the building of a police state. In the general election last September, the CDU, CSU and SPD had their worst results in 70 years. If elections to the Bundestag (federal parliament) were held today, the grand coalition would no longer have a majority.

Under these conditions, official politics assume the character of a permanent conspiracy that fortifies extreme right-wing forces.

As early as 2013, the formation of a government was preceded by months of behind-the-scenes negotiations culminating in a commitment to militarism. Leading government officials announced the “end of military restraint” and supported the right-wing coup in Ukraine, which sparked a sharp conflict with Russia. Germany has participated in the deployment of NATO forces right up to the Russian border.

This time, the coalition negotiations lasted six months—a historic record. The CDU, CSU and SPD agreed upon the most right-wing program since 1945. They decided on a comprehensive rearmament policy and the establishment of a police state. Military expenditure is expected to increase to 2 percent of gross domestic product (GDP), which means nearly doubling the military budget. Meanwhile, the reintroduction of compulsory military service and the nuclear armament of the Bundeswehr (armed forces) are also under discussion.

The aspirations of the ruling class to realize its imperialist ambitions by means of military might require the trivialization and revival of the criminal politics of the past. Long before AfD leader Gauland declared the crimes of the Nazis to be merely “bird shit in over a thousand years of successful German history,” the then-foreign minister and today’s federal president, Frank-Walter Steinmeier (SPD), proclaimed that Germany was “too big to only comment on world politics from the sidelines.” Political scientist Herfried Münkler added: “It’s not possible to pursue a responsible policy in Europe if you have the idea that we have been guilty of everything.”

In the population, however, the return of German militarism meets with overwhelming opposition, which now coincides with an intensification of the class struggle. After 20 years of social redistribution from those at the bottom to those at the top by both SPD- and CDU-led governments, social relations are torn to shreds. Several labour market reforms have created the largest low-wage sector in Western Europe. Young people are hardly able to find a regular job; only 44 percent of new employees receive a permanent contract. Poverty is exploding. On the other hand, 45 super-rich individuals possess as much wealth as the poorer half of the population.

Many workers and young people can sense that capitalist society is bankrupt and are looking for an alternative. The lectures “200 Years of Karl Marx—The Actuality of Marxism,” organized at seven universities by the youth organization of the SGP, the International Youth and Students for Social Equality (IYSSE), attracted an audience of a thousand.

The ruling class is responding to this radicalization by returning to the authoritarian policies of the 1930s, cracking down on socialists and adopting the policies of the far right. This crisis is stripping off the “democratic” facade of German capitalism to reveal the original brown paint.

During the Weimar Republic that preceded Nazi rule, the secret service, police and judiciary ruthlessly persecuted socialists and opponents of war and strengthened the Nazis. In 1923, while Hitler was sent to prison for nine months for a bloody coup attempt, where he wrote Mein Kampf, the judiciary put the editor of Weltbühne, Carl von Ossietzky, in prison for twice as long for anti-militarism. He was then tortured to death.

In the end, Hitler did not come to power through a popular movement, but through a conspiracy within the state apparatus that gathered around Reich President Paul von Hindenburg. The Nazis had suffered a serious defeat in the parliamentary election two months earlier and faced financial bankruptcy. Hardly had Hitler consolidated his power than the judiciary, secret service, police and military seamlessly subordinated themselves to him.

These are the traditions behind which the grand coalition and the secret service are now falling into line. Today, however, they cannot rest upon a fascist mass movement. The AfD is hated by the vast majority of the population. It is a creation of the state, the establishment parties and the media, which are eager to spread its right-wing propaganda. Its leaders stem to a large extent from the CDU, the CSU and the SPD, from the military, the intelligence services, the judiciary and the police.

With its decision to continue the grand coalition despite electoral defeat, the SPD has deliberately strengthened the AfD. Although the AfD received only 12.6 percent of the vote in the federal election, it now leads the opposition in parliament. Its anti-refugee agitation has become the official policy of the grand coalition, which uses it to increase the powers of the state, divide the working class and fuel chauvinism.

The BfV plays a key role in this right-wing conspiracy. It has deep roots in the right-wing swamp. Already 15 years ago, Germany’s Supreme Court rejected a ban on the far-right German National Party (NPD) on the grounds that its leadership contained so many BfV undercover informants that the NPD was a “state matter.” The close periphery of the National Socialist underground (NSU), which killed nine immigrants and a policewoman between 2000 and 2004, included several dozen active BfV undercover informants. One informant was even present at the scene during a murder, supposedly without noticing anything. The Thuringia Homeland Security, from which the NSU recruited support, was built with funds provided by the BfV.

Defend the SGP

The SGP has become the target of this conspiracy because it consistently advocates a socialist program. It has not adapted to the anti-refugee agitation of the establishment parties nor to the identity politics of the middle class. It is fighting to mobilize the international working class behind a socialist program to overthrow capitalism. As a section of the International Committee of the Fourth International, it stands in the tradition of Leon Trotsky’s Left Opposition to Stalinism.

The Trotskyist movement fought persistently against the rise of the Nazis in the 1930s. Leon Trotsky’s analysis of National Socialism, his warnings of its consequences, and his criticism of the fatal policy of the Stalinist German Communist Party (KPD), which refused to draw a distinction between the SPD and the Nazis and fight for a united front against Hitler, are still of burning relevance and are among the best works ever written on the subject.

The Trotskyists were brutally persecuted by the Nazi secret police, the Gestapo. In 1937, a court in Gdansk sentenced ten Trotskyists to long prison sentences in a spectacular trial. The Trotskyist victims of the Nazis include Abraham Léon, author of a Marxist study of the Jewish question, who conducted illegal socialist work in occupied Belgium and France and was murdered in the gas chambers of Auschwitz. The fact that the Trotskyist movement is being persecuted again, just after the first right-wing extremist party has entered the Bundestag, underscores the shift to the right of official politics.

In contrast to the lies spread by the so-called Federal Office for the Protection of the Constitution, the SGP fully defends democratic rights. The fundamental rights guaranteed by the Constitution—for the inviolability of life and physical integrity, for equality before the law, freedom of conscience, expression, assembly and the press, the free choice of profession, etc.—remain, however, dead letters and turn into their opposite so long as the economic foundations of society remain in the stranglehold of the private owners of capital. A socialist program is the prerequisite for the realization of real democracy.

If the working class does not overthrow capitalism in the foreseeable future and build a socialist society, a relapse into barbarism and a Third World War is inevitable. This is not only the lesson of the catastrophes of the twentieth century, it is inherent in the tremendous pace with which all the imperialist powers, led by the United States under Donald Trump, are expanding their military forces, intensifying existing wars and preparing new ones.

The BfV has targeted the SGP because its Marxist analysis is being increasingly confirmed. Alarmed by growing opposition to exploitation, inequality, repression, war and right-wing extremism, the BfV and its masters in the grand coalition want to prevent the SGP’s socialist program from gaining influence. The BfV report explicitly states that a year ago, the party changed its name from the “Party for Social Equality” to the “Socialist Equality Party” and thus expressed its socialist aims in the party name.

The SGP has for years been the subject of media denunciations for opposing the revision of German history and rehabilitation of the Nazis. When the SGP and the IYSSE criticized right-wing extremist historian Jörg Baberowski, the media unleashed a storm of indignation.

Baberowski defended the Nazi apologist Ernst Nolte and publicly declared that Hitler was “not vicious.” The IYSSE linked this directly to the return of German militarism. Germany could not return to a policy of militarism, it explained, without developing “a new narrative of the twentieth century,” “a falsification of history that diminishes and justifies the crimes of German imperialism.”

The criticism of Baberowski found substantial support among students. Numerous student representative bodies agreed with it. The ruling circles were alarmed. The conservative Frankfurter Allgemeine Zeitung accused the SGP of “mobbing” and complained about its “effectiveness.” The presidium of Humboldt University backed up the right-wing extremist professor and declared criticism of him to be “inadmissible.” For more than a year, Google, in close consultation with German government circles, has been censoring left-wing, anti-war, and progressive websites, most notably the World Socialist Web Site.

From the Left Party and the Greens have come only a cowardly silence, or they have supported Baberowski and the actions of the grand coalition. They do nothing to counter the growing influence of the right wing or even—like the Green Party mayor of Tübingen, Boris Palmer, and the Left Party politicians Sahra Wagenknecht and Oskar Lafontaine—join in its chorus of refugee-baiting.

Even the academic “left,” including many followers of the Left Party, have been silent, apart from a few laudable exceptions, and knelt before the right-wing offensive. This did not change even when Baberowski publicly agitated against refugees and founded a discussion group in Berlin in which numerous figures from the right-wing extremist scene participate.

The BfV’s classification of our party as a “left-wing extremist” organization is another attempt to suppress the SGP and its socialist politics. It is aimed at the SGP, but targets anyone who is fighting against social inequality, militarism and oppression and who advocates a socialist perspective.

The SGP will not be intimidated by this attack by the grand coalition and its intelligence agency. It originates from an unpopular government that is despised and rejected by large sections of the population. We reserve the right to take legal action against it. We will continue our work and strengthen our efforts to develop the influence of the SGP among workers, youth and students by all legal means at our disposal. Among other things, we plan to participate in the European elections next spring.

We turn to all those who want to oppose the growth of the right, including serious members of the Left Party, the SPD and the Greens, and call on them to protest against the attack by the BfV and defend the SGP. We demand that the intelligence service cease the monitoring of the SGP and all other left-wing organizations, and that this right-wing hotbed of anti-democratic conspiracies be dissolved.

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Parting shot—a word from the editors
The Best Definition of Donald Trump We Have Found

In his zeal to prove to his antagonists in the War Party that he is as bloodthirsty as their champion, Hillary Clinton, and more manly than Barack Obama, Trump seems to have gone “play-crazy” — acting like an unpredictable maniac in order to terrorize the Russians into forcing some kind of dramatic concessions from their Syrian allies, or risk Armageddon.However, the “play-crazy” gambit can only work when the leader is, in real life, a disciplined and intelligent actor, who knows precisely what actual boundaries must not be crossed. That ain’t Donald Trump — a pitifully shallow and ill-disciplined man, emotionally handicapped by obscene privilege and cognitively crippled by white American chauvinism. By pushing Trump into a corner and demanding that he display his most bellicose self, or be ceaselessly mocked as a “puppet” and minion of Russia, a lesser power, the War Party and its media and clandestine services have created a perfect storm of mayhem that may consume us all. Glen Ford, Editor in Chief, Black Agenda Report