David Lynch is for most people, including critics, unclassifiable. A director who follows his own visions (which most auteurs do, anyhow) in this 1977 surrealist horror film Lynch (who also gave us Mulholland Drive and The Lost Highway) breaks most “sacred” rules to build an utterly strange dreamlike world mixing imagery redolent of steampunk and nightmarish biology, all along apparently drawing inspiration from the likes of Kafka and Dali. In sum, weird.
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The big social media —Google, Facebook, Instagram, Twitter, and a bunch of hidden agencies—are trying to silence us. Sign up with TGP so we can always reach you with our vital information. Don’t let the darkness win.
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t The Greanville Post not a single writer or editor gets paid. It’s all volunteer labour. Several of the most senior editors live on social security, a paltry income at best, but their lifelong commitment to social justice and world peace is strong and unyielding. Several have known war first hand. Our core editors often put in 12 to 16 hours a day. Technicians (webmaster and art people) get paid periodicallly, or in emergencies, but they also mostly volunteer or donate a large portion of their services. Since 2016, frequent attacks on our site and communicatons structure have cost us time and money to repair, and things are not getting easier, as the hacks and harassment by underhanded state agencies and social media giants and private individuals are making life extremely difficult for dissident sites like ours.
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Real heroes don’t follow the official script. A conspiracy so vast that it defies…
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Films and TV put in their cultural and political contexts. From time to time…
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