FILMS: An interview with Indie great John Sayles [VIDEO INTERVU]

Patrice Greanville

As it usually happens in bankrupt cultures, those who deserve the most acclaim and recognition often dwell their entire lives in poverty and obscurity.  The history of neglected artists who only posthumously received their due is long.  Van Gogh is perhaps one of the best known examples, but there are many others. And in most cases the relative obscurity assigned to the artist is directly proportional to his or her willingness and talent to rock the boat of conventionality, or expose the status quo’s most egregious crimes.  From that perspective, being genuinely gifted and not being a “household” name in America is almost a badge of distinction.

Few multidisciplinary artists have escaped this enforced “submerged notoriety” better than John Sayles, without a doubt one of the towering pioneers of independent American cinema, a director of tremendous originality and power, and a master novelist of stature in his own right. For here is a man who has literally fought the system to something of a standoff, insisted on his own terms, and while pointing his lens and pen to those who make the wounds, has clawed his way to a measure of grudging recognition. In the process he has accumulated a resume that most audiovisual artists would envy.

Beating the odds

Invariably perceptive and unapologetically political, Sayles is the man behind classics such as MATEWAN, a must-see film with a backdrop in early labor struggles; BABY IT’S YOU, a quirky,  insightful “sociological” look at the exotic realm of the American high-school and the dreams and realities of class and youth intermingled; and of course his first film,  Return of the Secaucus 7, the movie that put him on the map (made with a ridiculously small budget, $30,000, a sum that in today’s bloated Hollywood would be regarded as cigarette money). Sayles is also the man who way ahead of mainstream Hollywood delivered a now unjustly forgotten gem, LIANNA, a sympathetic story in which a woman becomes discontented with her marriage and falls in love with another woman. In February 2010, Sayles began shooting his 17th feature film, the historical war drama AMIGO, in the Philippines. The film is a fictional account of events during the Philippine–American War, with a cast that includes Joel Torre, Chris Cooper, and Garret Dillahunt. His novel A Moment in the Sun, set during the same period as Amigo, in the Philippines, Cuba, and the US, was released in 2011 by McSweeney’s. —Patrice Greanville
[Thanks to WIKIPEDIA for invaluable information.] WATCH VIDEO BELOW

nyc-arts profile: john sayles
Legendary filmmaker John Sayles has directed 17 films over the past three decades including “Return of the Secaucus Seven,” “Matewan,” “Eight Men Out,” “Passion Fish” and “Lone Star.” But before he was a filmmaker, Sayles was an award-winning fiction writer, having already published two novels and a collection of short stories before turning 30. Rafael Pi Roman joins the director-novelist at his Hoboken office to talk about his most recent film, his latest novel and his unique career.

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Media Perfidy: Brought to You by…Big Oil?

 

FAIR Action Alert

Brought to You by…Big Oil?
Washington Post hides industry sponsorship of energy debate

The Washington Post had a two-page spread in its September 11 edition devoted to a “debate” on energy policy. But industry critics were missing from the picture. Why? Perhaps because the oil industry, undisclosed to Post readers, was sponsoring the discussion.

“Ahead of 2012 Vote, Energy Generates a Lively Debate,” read the headline on page 14. Washington PostLive editor Mary Jordan explained, “Huge natural gas and oil finds…have drastically changed America’s energy outlook.” She went on to note, “Gas burns cleaner than coal,” before admitting that “there are environmental concerns with ‘fracking.'”

The two-page spread that followed was presented as an election-year discussion of U.S. energy policy. As Jordan explained, the debate grew out of discussions held at both the Republican and Democratic conventions. Those forums were sponsored by the Post and the Bipartisan Policy Center, a Washington think tank.

Vote4Energy? It’s a project of the American Petroleum Institute, the main lobbying group of the oil and gas industries.

discussion at the Republican convention posted on the paper’s website, Emily Akhtarzandi–the Post‘s “strategic partnership executive”–credited the American Petroleum Institute in her opening remarks, saying the group “saw value in making today’s conversation possible.”

9/09). Draft marketing materials promoted the project as a chance for industry reps to “build crucial relationships withWashington Post news executives in a neutral and informal setting.”

7/2/09) broke the story, the resulting uproar scrapped the plan before it got off the ground. This time around, the paper has gotten even more brazen, selling not access to journalists but essentially two critic-free pages of advocacy presented as news.

8/4/12) complaining about the Post‘s failure to cover a large anti-fracking protest in D.C. that ended at the offices of…the American Petroleum Institute.

ACTION:
Ask the Washington Post to explain why it failed to disclose that its September 11 energy feature was essentially sponsored by the oil industry.

CONTACT:
Washington Post
Ombud
Patrick Pexton
202-334-7582
ombudsman@washpost.com

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PR Watch report: “Won’t Back Down” Film Pushes ALEC Parent Trigger Proposal

NEWS

As usual, we ask: Do actors ever think before lending their talents to such deceitful trash? Does Maggie Gyllenhaal understand what forces she’s serving?

By Mary Bottari and Sara Jerving, PR Watch, whom we thank

While Parent Trigger was first promoted by a small charter school operator in California, it was taken up and launched into hyperdrive by two controversial right-wing organizations: the American Legislative Exchange Council(ALEC) and the Heartland Institute.

40 major U.S. companies, including Wal-Mart, Coca-Cola, Kraft, and General Motors, have severed ties with ALEC.

Similarly, the Heartland Institute recently suffered an exodus of corporate sponsors after it launched a billboard comparing those who believe in the science behind global warming to the Unabomber, Ted Kaczynski.

Hollywood Fiction vs. the Facts on Parent Trigger

always present. Charter schools are privately managed, taxpayer-funded public schools which are granted greater autonomy from regulations applicable to other public schools, ostensibly in exchange for greater accountability for results, but they have been criticized for uneven and mediocre track records.

door-to-door convincing parents to sign a petition to trigger a transformation.

paid individuals to collect signatures to hand the school over to a charter school operator, but the courts threw out the petitions.

In Adelanto, parents first signed petitions, then had second thoughts. The school board rejected the petition after parents withdrew their support, resulting in a lawsuit. The courts ruled that parents could not rescind their signatures. The parents had advocated for turning the school into a charter school, a plan which was rejected by the school board. Instead, an advisory panel was created and headed by the superintendent. The legal battles are continuing.

ALEC Spreads Parent Trigger Nationwide

The first Parent Trigger law was enacted in 2010 in California and, with an assist from Heartland and ALEC, the idea is rapidly spreading.

The California law was based on a proposal from Ben Austin, a policy consultant for a small non-profit education organization called Green Dot Public Schools, which manages charter schools for the city of Los Angeles. Austin subsequently formed Parent Revolution, which promotes these laws across the country. But this is not your local PTA. Parent Revolution is backed by big money, including receiving funding from the conservative Walton Family Foundation (think Wal-Mart), which has spent over a billion to promote school privatization.

Charles Koch

While ALEC has a governing board of state legislators it also has a governing board of corporations, packed with tobacco firms, giant pharmaceutical firms, and energy companies like Exxon Mobil. The ultra-conservative, billionaire Koch Brothers, have had a representative on the board for years and Koch-controlled money has funded ALEC to the tune of at least $1 million, according to estimates calculated by the Center for Media and Democracy (CMD).

chaired by the for-profit education firm Connections Academy, which specializes in K-12 online education. Others on the task force include tech companies, testing companies and higher-education diploma mills like Bridgepoint Education and Corinthian Education, both of which are under investigation by state Attorneys General for aggressive recruiting policies that leave too many students in debt with no degree.

bring the bill to ALEC which helped it spread to two dozen other states in short order.

more than 30 yearsof effort to privatize public education through an ever-expanding network of school vouchers, an idea first advocated by economist Milton Friedman in the 1950s. ALEC bills also allow schools to loosen standards for teachers and administrators, exclude students with physical disabilities and special educational needs, eschew collective bargaining, and experiment with other pet causes like merit pay, single-sex education, school uniforms, and political and religious indoctrination of students.

But does it work? The support for Parent Trigger, according to University of Illinois Professor Christopher Lubienski, is based more on ideology than empirical data. Lubienski is an Associate Professor in the Department of Educational Organization.

study conducted at Stanford University’s Hoover Institution presents evidence that students in only 17 percent of charter school show greater improvement in math and reading than students in similar traditional public schools, whereas 37 percent, deliver learning results that are significantly worse than the student would have realized had they remained in public schools. However, the conversion to charter schools has proven profitable to many U.S. firms such as ALEC member National Heritage Academies, a for-profit charter school management organization operating in eight states, and K-12, Inc., which promotes “virtual” charter schools as well as “virtual” voucher schools. K-12, Inc. is under investigation in Florida for improperly certifying teachers and asking them to cover it up.

according to Diane Ravitch, an education historian and former U.S. Assistant Secretary of Education in the first Bush Administration.

Philip Anschutz, Right-Wing Billionaire, Owns Production Company

Philip Anschutz

Philip Anschutz

participates in the Koch brothers’ secretive political strategy summits and funds David Koch’s Americans for Prosperity group, which backed Wisconsin Governor Scott Walker‘s union busting proposal and is working to defeat Barack Obama and other Democratic candidates across the country.

Anschutz bankrolls ALEC and ALEC member groups. In 2010, The Anschutz Foundation, gave ALEC $10,000 and his Union Pacific firm was an ALEC sponsorthe following year. The Foundation funded three ALEC members who sat on the ALEC Education Task Force which approved the Parent Trigger Proposal: The Independence Institute, Center for Education Reform, and Pacific Research Institute.

Waiting for ‘Superman’.” This film was criticized by Diane Ravitch as propaganda and as “a powerful weapon on behalf of those championing the ‘free market’ and privatization.”

Rupert Murdoch, Media Mogul and Owner of Education Testing Company, Distributes Film

Rupert Murdoch

Rupert Murdoch

describes as a “500 billion sector in the U.S. alone that is waiting desperately to be transformed.” News Corp’s senior Vice President in charge of its education division is none other than former Chancellor of New York City Schools, Joel Klein, who promoted a corporatist model of education reform.

Michelle Rhee, Former D.C. Chancellor of Schools, Pushes Parent Trigger

Michelle Rhee

Michelle Rhee

USA Today investigation that suggested that test score gains during her term may have been the result of cheating on the part of school officials. The report found extremely high erasure rates that were statistically anomalous.

Parent Trigger. Derrell Bradford, a state director for StudentsFirst, spoke on “Enacting a Comprehensive K-12 Education Reform Agenda” at the 2011 ALEC annual meeting.

serves on her organization’s board. Other supporters include New Jersey hedge funder manager David Tepper, and Alan Fournier (reportedly big backers of Romney).

Reform or Russian Roulette?

The movie ends when the hard work of turning around a struggling school begins. The Hoover Institution study discussed above shows that only 17 percent of charter schools do a better job educating students.

With no data backing the benefits of the Parent Trigger proposal, many doubt that throwing a school system into chaos is the best way to improve troubled schools. Chaos does however give the privatizers and the profiteers starring roles in the ongoing debate over the future of the American educational system.


The Center for Media and Democracy is a non-profit investigative reporting group whose work aids public awareness about the people, companies, and groups attempting to shape the media and our democracy. CMD launched its award winning ALEC Exposed project in July 2011. Our websites are ALECExposed.orgPR Watch.orgSourceWatch.orgBanksterUSA.org, and FoodRightsNetwork.org.

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Greanville’s Tweetios—No “serious” issues debated

 

19 September 13:48

Woody NinetyNiner Konopak says:  

The disagreements occur in the social/wedge issues, where the consequences are miniscule but the rhetoric is enormous.

Woody NinetyNiner is an independent thinker living in Albuquerque, New Mexico

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Bageant’s Lost Chronicles: In the footsteps of Neal Cassady’s ghost

INTRODUCTORY NOTE

The Colorado Daily, March 9, 1976
In the footsteps of Neal Cassady’s ghost


By Joe Bageant

By the time of his death in Mexico in 1968 at the age of 43, Neal Cassady’s turbulent passage across the American landscape had already left its mark upon literature. This was mostly through his effect on writers of the Beat Generation, the key figures of which were his closest friends. His attitude, mores than the small body of writing he left behind, was a source of inspiration to such people as Kerouac, Ginsberg, Corso, Burroughs, and Kesey. This attitude might best be described as that of an American Zen Buddhist Drugstore Cowboy Poolshooting Mystic, with a terrible fascination for the relationship between velocity and life.

Early childhood found him growing up in the wino dive hotels of lower Denver, while his last years saw him careening through the acid antics of Key Kesey’s now famous Merry Pranksters. In between he left nothing untouched. Poetry, jazz, cafeterias, fast cars, women, and drugs, all were part of his experientially based philosophy.

As in the 60s, a new wave of interest turns toward the Beat Scene, Cassady’s role looms ever larger for its inclusiveness. The search for the visions of a man now gone is best begun by experiencing the sounds and moods from which his inspiration was drawn. Much of Neal Cassady’s were drawn from his brooding Larimer Street beginnings.

———-

Cassady and Leary (forefront)

There are no last names on skid row, except on police blotters. Hence, the ragged tramps at the Western Palace Hotel all have vague names like Slim, Red, Shorty, and Boe. These bums are rich as winos go, with the most of them living on small pensions; and the Western is what is called in these circles a solid flop (meaning that most of its residents live here permanently).

Housing about 60 wined-out old men who manage to come up with the $16.20 a week required to call it home. A verifiable address like this is as extravagant as life gets for those drowned in a well of muscatel. Scaley and bruised white ankles of their less fortunate brothers can be seen protruding from under dumpsters or jutting from phone booths up and down Champa street. February’s nasty and biting winds have no favorites but prey upon the derelicts of the Larimer district with special viciousness.

Torpid life in flop America has remained unchanged since the turn of the century and the smiling women with a cause still glom oatmeal onto tin plates as policemen pick up comatose bodies clad in long overcoats, taking care to avoid the areas of the rancid armpit or the slimy sock. But the company at the Western Palace is select and though no one here will ever win any hygiene awards, encounters with the police are rare. They take much pride in the fact of always having a roof over their heads but the truth lies more in luck than accomplishment and they will turn up dead somewhere in the same rat-like fashion as the rest of them. And each knows it.

“You say you were around here in the 30s? That was a while back. You must be getting up there in years.”

“Well, I’s 64 las’ April. Sheeit, I was jus’ a young fart, mebbe 20 somethin’. But I wasn’t drinkin’ none then. Naw, I was workin’ for the city on the streets, but I always did live round this neighborhood.”

“Did you ever know a fella name of Cassady that lived down here back then? Had a little boy with him for a while. He used to do barbering.”

“Was he a bum?”

“Yeah.”

“There wasn’t many bums with kids. I knowed all the bums for years an’ there wasn’t but a couple what had kids.”

“This guy’s boy was named Neal.”

“I think I might’a knowed him. Them kids was always watchin’ but never said much. Ain’t much you could say about ’em. They were just there.”

“Now and again, when with child energy, I burst into the room, I would catch Shorty playing with himself. (I thought it was fried eggs littering the floor.) Even though he was past 40, any preoccupation with this form of diversion was justified . . . since judging from his appearance, he must not have had a woman since his youth, if then”

About nine o’clock the cry “lights out” sends the card players to the sheetless, waxy mattresses coated with the dried-up orgasms of secretive indulgers of the hand. Since the beds have no springs to squeak betrayal, total privacy swallows the solitary fantasies of unwashed manhood and darkness. Tiny pathetic flames of desire flicker once, then die in the night.

Neal Cassady growing up in this grizzled stench of sallow expiration. The clear-eyed dreamer in mission relief knickers, glancing into the oil rail-road puddles of March, catching that distinct angle at which they reflect back broken blue fragments of sky. Him laughing amid the traffic noise or sinking the four-ball into the side pocket. Breathing in deep the Denver night.

The light of morning and evening are virtually indistinguishable through the blind, greasy windows of the Western Palace, giving them the appearance of yellow rectangles that merely brighten or dim. the yellow light’s waxing brings a spattering hoof water in grimy sinks and a flourish of clogged razors as those men who are still capable of desiring food leaving for the Guardian Angel.

Breakfast at the Guardian Angel Mission is as uninspiring as breakfast can possibly be. Food in the skids has always been regarded chiefly as fuel by both the cooks and the ulcerated stomachs that consume it. Not even an hour wait in the block-long line increases the anticipation for that dab of lukewarm oatmeal and paper cup of weak coffee that appears on your steel tray.

“The line moved slowly at any time . . . If alone, I could whiz through the entire operation in less than half an hour, for then some kindly line crawlers would push me past them. I would edge around a couple dozen of these indulgent men who, while committing the cheat for me, gave a sly wink and a shortly of self-satisfaction.”

Once seated at the long tables, the bland trance of a Larimer Street morning begins to give way to small schemes of wine procurement. Scoring wine is often a joint venture of two or more parties, a venture that struggles well into an afternoon of the shakes before the goal is accomplished. Amputees and those with obvious physical infirmities have a distinct advantage in this game. They need only park in front of a likely place of business with their hats before them, while for the rest it is a day afflicted with minor squabbles as one plan after another falls apart with pitiful anguish.

Pawn, panhandle, or scrounge is the action, with the term junkie here meaning a salvage dealer. Junkies are are an absolutely merciless breed being generally bitchy and cheap, bargaining with the flops in terms of police threats or savage dogs. It is a strange moody sensation indeed to watch the bent-over tramps with their shopping bags of junk at dusk, entering the salvage dealer’s dim interior which is guarded by a pair of fierce green flashing eyes.

“From these modest Larimer beginnings I was to become so bewitched by going junking that in following years I developed my scavangering into regular weekend tours conducted through all Denver’s alleys. Laboring under what bulge of rescued discards my gunnysack contained, I would turn my snow-chilled feet homeward, and while pausing to rest, enjoyed watching the spectacle, as to the west, white peeks rose slowly curtaining the perfect orb of a descending winter sun.”

These days, getting to where the scavangering is good entails a walk of 15 or 20 blocks and even then there are droves of little Mexican kids to compete with. Coming back in the chilling evening air, the oatmeal energy gives out about the time the more intrepid of the waif packs creep from behind buildings to place stealthy feet lightly into your shadow. Year in, year out, expeditions of tottering men move like a silent net across Denver, gathering the humblest of treasures before the sharp glances of housewives shaking mops and dark-eyed children of grassless back yards.

By the time the street lights come on the day has yielded whatever it is about to, leaving some the flushed smile of a wine glow; others shivering. Like everywhere else on this planet, the haves tend to hang out with the haves, and the have-nots are cast to their own devices. Bombay or Denver, it’s all the same.

“Yeah, I know all about Neal Cassady. Grew up to be some kind of writer, didn’t he? Haven’t heard anything about him for years though.”

“He died about eight years ago in Mexico.”

“You don’t say! Well I heard he was on some kind of dope or something back years and years ago. Is that what killed him?”

“You might say it was a combination of things.”

“That’s too bad.”

Evening meal at the mission is somewhat more complex than breakfast because dinner is a religious proposition. Since the missions are supported for the most part by churches, a conversion to Christ is expected nightly from the ranks of drooling bums. From a lot that has elected the wretchedest of life’s paths, this is expecting quite a bit. Wino attitude toward this evangelism is best expressed in the term they use for these conversions. They call it “taking a dive.” Sooner or later the hungriest one in the crowd goes down in a fit of religious ecstasy and after a thorough cross-examination, dinner is served.

With the problems of sustaining the flesh taken care of for another day, activity turns to such things as trading life-stories or articles of clothing (or maybe eyeballing those you intend to steal off your sleeping buddies). Shoes seem to be the big item in demand and about the only way to keep a pair is to sleep with them tied around your neck. As for the stories, they are always delivered in the same even monotone and have a strange dirge-like quality.

Though each is a different tale of demise, they all weave together to make a fabric, while the bleak lights of the hotel wash the men of Larimer in a certain cast of loneliness unknown to most. More often than not, they were once tradesmen practicing a skill that enabled them to raise families, make house payments, spout political opinions, and do all those things working men spend their three score and ten doing. But the weft and warp of this fabric is guilt and its escape through booze. Booze that brings new guilt feelings and a worthless self-persecuting sense of humility.

And often as the pages of this tome are turned in the hotel night, a policeman walks through the dismal lobby, and as he leafs through the registry book it is noticed that one of the boys is not with us tonight. One hand of cards will not be dealt and one empty bed by the window is frozen in the streetlight’s glare. It was Neal Cassady who said “To have seen a specter isn’t everything,” and it was he too who said “There are death masks piled one atop another clear to heaven.” The truth of it tumbles from February’s aching skies, to run down the spine like ice, and as sure as ice melts, February is forgotten by June, the doors of the pool rooms are propped open and the young girls go by in their magnificent way.

———————-

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