As seen by the establishment: Oakland, the Last Refuge of Radical America

Oakland, the Last Refuge of Radical America
The New York Times
By JONATHAN MAHLER

The Anti-Capitalist Brigade started gathering early on May Day at Oakland’s Snow Park. There was free coffee, oatmeal, doughnuts, fliers with the day’s agenda and plenty of pot. A “street medic” — “I just finished a wilderness first-aid course,” he told me when I asked about his training — tended to his first case of the day, a man in his 20s whose leg had been beaten to a purple hue with a metal rod in an overnight fight in the park. Nearby, an organizer reminded protesters to take down the toll-free number for the National Lawyers Guild: “This is important. Do not put it in your cellphones, because if you get arrested, the cops will take those away. Write it on your bodies. In indelible ink. There are Sharpies on the table.”

No central action was planned. A coalition of labor unions had asked Occupy Oakland, with its proven ability to turn out large numbers of militant activists, to blockade the Golden Gate Bridge, but then withdrew the request at the last minute. Instead, thousands of Occupy protesters met at various “strike stations” and fanned out into the streets with shields and gas masks (or the homemade alternative: bandannas soaked in vinegar), transforming downtown Oakland into a roving carnival of keyed-up militants of every shape and size: graduate students, tenured professors, professional revolutionaries, members of the Black Bloc, dressed like ninjas, their faces obscured.

Joints were passed, but this was not a mellow crowd. A barefoot man known as Running Wolf grabbed an American flag from outside a popular cop bar and dragged it behind him. Packs of protesters charged into businesses, overturning tables, shattering windows and smashing A.T.M.’s. An activist spray-painted vulgarities on the window of a Bank of America branch. The Menace was loose again, as Hunter S. Thompson wrote about a different group of rabble-rousers, the Hell’s Angels. This riot had a soundtrack, too, a cacophony of chants — “Strike! Take Over!” and “Take Back Oakland! Kick Out the Yuppies!” — overlaid with beating snare drums and the rhythmic thump-thumping of the police and news helicopters hovering overhead.

Many businesses were closed, less in solidarity with May Day than out of fear of reprisal from protesters. The rumored targets weren’t just the big corporations, but smaller shops that were the quarry of the so-called antigentrification brigade. In an Occupy Oakland twist on the “Soul Brother” signs that shopkeepers used during the race riots of the 1960s, Awaken, an upscale cafe and art gallery, had plastered its windows with signs reading: “We are Oakland. We are the 99%.”

As the swarm made its way down Broadway, shouting, pounding on windows and throwing bottles at stores, two Asian immigrants hastily boarded up their small, sad-looking beauty-supply store. When I tried to talk to one of them, he shooed me away — “Too busy” — and reached for another board.

A few blocks away, I spotted Phil Tagami, a real estate developer who has taken to standing guard in the lobby of his downtown office building with a shotgun during protests. Dressed in black fatigue pants and combat boots, he was scuffling with a group of activists who were trying to force their way into another upscale cafe called Rudy’s Can’t Fail.

Clusters of cops in riot gear stood impassively outside a few strategic locations. Others jogged around the city in formation. At one point, a few officers knocked a protester in a black hoodie off her bicycle, pushed her facedown on the ground and roughly zip-tied her hands. An angry crowd quickly converged, chanting, “Pigs go home!” Then there was a pop — the firing of a tear-gas canister — and a cloud of chemical smoke quickly swept across the block, temporarily dispersing the protesters.

As the activists collected at the intersection outside City Hall, Scott Olsen, a 25-year-old Iraq war veteran who was shot at close range in the head last fall with a beanbag round by the Oakland Police, rolled a cigarette and calmly observed the chaos through glazed blue eyes, his long, stringy blond hair protruding from beneath a protective helmet. He looked less like an ex-Marine than a stoned, skinny teenager who had gotten lost on his way to the skate park. I asked him what brought him out. “I can’t stay home on a day like this,” he said.

Last spring, as the Occupy movement struggled, vainly, to recapture its lost energy in New York and elsewhere, in Oakland it remained vital. Occupy Oakland was the show that wouldn’t close, complete with its own cast of celebrities, including Olsen, the movement’s Ron Kovic; Tagami, the city’s Charles Bronson; its mayor, an ex-radical herself; her countless critics; and Oakland’s infamous police department — O.P.D.

In a sense, Oakland is the last place you would expect to find the most stubbornly active outpost of the Occupy movement. It’s a city almost entirely devoid of financial or corporate institutions, a city that “capital” fled decades ago. The shimmering skyscrapers of downtown San Francisco, packed with Pacific Heights investment bankers and venture capitalists, are all of 12 minutes away. Silicon Valley, bursting at the seams with dot-com millionaires, isn’t much farther. Why not take the fight there, to a more plausible surrogate for Wall Street?

Maybe because Occupy Oakland, whether its leaders have articulated it or not, isn’t a protest against what Oakland is, but rather what it’s in danger of becoming. Oakland may be broke, but all of the wealth being generated in its immediate vicinity needs someplace to go, and some of that wealth is already beginning to find its way to Oakland, to a place that has long been the catch basin of America’s radical energies and personalities.

Why are radicals so inexorably drawn to Oakland? The cheap rents don’t hurt (free, if you’re willing to squat in an abandoned house or industrial space, and hundreds apparently are). Oakland is urban, dangerous and poor — fertile social conditions for inciting revolution. What’s more, it has a long, easily romanticized history of militancy. America’s last citywide strike, in 1946, took place there; the Black Panthers were born in Oakland; and David Hilliard, a former Black Panthers chief of staff, still gives three-hour tours of the movement’s local landmarks and sells his own line of Black Panthers hot sauce: “Burn Baby Burn.”

Running parallel to this history of political militancy is a history of lawlessness. In the early 1970s, when the Hell’s Angels were scandalizing America, their most infamous clubhouse was located in East Oakland. The Oakland native Felix Mitchell was one of the first to scale up corner drug-dealing into a multimillion-dollar, gang-controlled business. On his death — he was stabbed in Leavenworth in 1986 — the city gave him a hero’s send-off: thousands came out to see his coffin borne through his old East Oakland neighborhood by a horse-drawn carriage trailed by more than a dozen Rolls Royces and limousines.

In Oakland, the revolutionary pilot light is always on. At the dawn of the 20th century, the Oakland writer and social activist Jack London said this to a group of wealthy New Yorkers: “A million years ago, the cave man, without tools, with small brain, and with nothing but the strength of his body, managed to feed his wife and children, so that through him the race survived. You on the other hand, armed with all the modern means of production, multiplying the productive capacity of the cave man a million times — you are incompetents and muddlers, you are unable to secure to millions even the paltry amount of bread that would sustain their physical life. You have mismanaged the world, and it shall be taken from you.

It’s a dream that still exists in Oakland — that the world can be taken from the haves and delivered to the have-nots. Like all dreams that are on the brink of being extinguished, its keepers cling to it with a fierceness that is both moving and an extreme exercise in the denial of the reality that is at their door.

“I’m not afraid to call myself a Communist,” the rapper and activist Boots Riley told me one morning last spring in the kitchen of his weather-beaten yellow Victorian house in Oakland’s Lower Bottoms section. “I think some people call themselves everything but, because they don’t want to associate themselves with the failures and mistakes that other folks who have called themselves Communists have made. But Christians don’t stop calling themselves Christians just because some other Christians made some mistakes.”

Riley was getting dressed as we talked, combing out his black-power Afro with a cake cutter, a once-popular African-American grooming accessory that he now has to order from online cooking sites. He covered his face unevenly with shaving cream and carefully sculptured his prominent sideburns — tapered muttonchops that stretch to the corners of his mouth like a pair of giant peninsulas. Virtually anywhere else, Riley would look and sound about as out of place as someone speaking Old English in colonial dress. But in Oakland, a kind of Amish village of retro-radicals, he makes perfect sense.

When Riley first visited Occupy Wall Street’s encampment in New York, it didn’t do much for him. “It bothered me that there was no agenda,” he said. “Just a lot of folks saying, ‘I don’t have an answer.’ ” But Occupy Oakland felt different. “Our strategy is not just to get people to say, ‘We don’t like the banks,’ ” he said. “This is about getting folks to confront the system where they are.”

In Oakland, Riley is radical royalty, which in hard-left circles helps offset the somewhat credibility-undermining fact that he’s also a legitimate hip-hop star, albeit one with a mostly cult following. His father was an N.A.A.C.P. pioneer, militant organizer and civil rights lawyer who met Riley’s mother at a 1968 student strike at San Francisco State University. Hanging in Riley’s kitchen is a picture of him as an infant, clutching a copy of Frantz Fanon’s “The Wretched of the Earth,” an anti-colonialist manifesto that was required reading for radical ’60s activists.

Many local radicals come to Oakland via a nearby U.C. campus: Berkeley, Davis or Santa Cruz. Riley is Oakland-bred. The first action he ever led, at age 15, was a strike to protest budget cuts at his predominantly black public high school. The rapping came later, after the rise of politically conscious, militant hip-hop. There’s a long history of popular musicians taking up revolutionary causes. Riley inverted the equation: He was a revolutionary who turned to music to get his message out to more people. His band is called the Coup — as in coup d’état.

Riley’s politics are extreme. He doesn’t want to see capitalism reformed; he wants to see it toppled. “We need a system that’s not based on profit, but that’s based on helping people, that’s based on some sort of mutual control of resources,” he says.

Recently, Riley has been trying to channel the radical energies that Occupy Oakland unleashed. He’s less interested in smashing windows — “that’s a tactic that . . . immediately draws a line between you and the people” — than in gathering new circles of supporters. This can be a challenge given the movement’s local record of vandalism and destruction.

Later that spring afternoon, I joined Riley as he canvassed a strip mall to let people know about an upcoming protest at a home-foreclosure auction.

“There’s this woman Nell who’s getting her home auctioned off from underneath her, and we need to go and stop that from happening,” he told an African-American man inside a Starbucks. “What do you think? Do you want to come through and help us save this woman’s home?”

“I don’t know,” the man replied. “You guys have been doing a lot of parading around, tearing stuff up and just getting people upset. It’s against the law to shut down the auction.”

“So was integrating coffee shops,” Riley said. “Should we not have done that? This would be a whites-only Starbucks if that hadn’t happened.”

It’s strange to think of Oakland, with its 19 miles of coastal waterfront, as a rust-belt town, but that’s exactly what it is. In the late 19th century, Oakland Point was the western terminus for the transcontinental railroad, which, coupled with the city’s access to the sea, made it an ideal destination for factories, canneries and warehouses.

During World War II, Oakland’s factories and shipyards churned out warships at a furious pace, providing jobs to tens of thousands of black migrant workers from the South. From 1940 to 1945, Oakland’s African-American population more than quadrupled. The influx of blacks ultimately drove many white residents either to the suburbs or north into the hills. Over the course of the ’60s and ’70s, the jobs disappeared, and the city spiraled downward.

Oakland is now a sprawling and diverse but segregated city of about 400,000, a real-life Monopoly board that operates on a de facto economic principle of urban design: it gets poorer and more dangerous as you descend from the eucalyptus-scented hills into the urban flatlands. Its downtown is still lined with architectural masterpieces, decaying reminders of the city’s haute bourgeois past amid unmistakable signs of a diminished present — like grand prewar hotels that have been converted into Section 8 housing.

Oakland’s civic core, such as it is, is shrinking. The city has three professional sports teams. One team, the A’s, are trying desperately to relocate to San Jose. Another, the Raiders, may wind up in Los Angeles soon — again. (The city continues to pay about $20 million a year for the deal that brought them back to Oakland.) The third, the Golden State Warriors, who conspicuously refuse to include “Oakland” in their name, are preparing to move to San Francisco.

Oakland is $2 billion in debt and counting. To balance its precarious budget, the city has been reduced to crude accounting tricks like selling the Kaiser Convention Center — shuttered in 2006, when the city could no longer afford to maintain it — to its own redevelopment agency for $28 million.

A couple of years ago, in an effort to shore up the city’s eroding tax base, members of Oakland’s City Council voted to allow the industrial-scale cultivation of medical marijuana and grant permits for four indoor pot plantations of unlimited size before Washington intervened. The city still receives millions in tax dollars from its medical-marijuana dispensaries, but that income stream may be in jeopardy. In April, federal agents descended on downtown Oakland and raided a dispensary and Oaksterdam University — the so-called Princeton of Pot, which offers classes in cannabis cultivation. (This being Oakland, as the agents filled a U-Haul with confiscated computers and enough pot plants to get much of the city stoned, a crowd gathered outside chanting: “Shame! Shame! Shame!”)

When Oakland officials leave the city government, they tend to not go quietly. Last year, Oakland’s departing attorney, John Russo, said he was resigning because he had “moral objections” to the way the city was being run. “The government is led by people who have spent their whole lives fighting authority,” Russo told me. “Now they are the authority, and they don’t know how to deal with that. It’s a uniquely immature and narcissistic leadership group, and that’s why they’re always fighting with each other.”

For a few weeks last fall, Mayor Jean Quan could look out her third-floor office window and into Occupy Oakland’s teeming encampment, where, among other goings on, Running Wolf was living in a tree house in an old oak, lowering his waste down in a bucket.

The encampment was equal parts revolutionary base camp and modern-day Hooverville. Its kitchen was a popular destination for the hungry, homeless and mentally ill, many of whom were already sleeping in the plaza when the tents appeared. Others weren’t far behind. One homeless man, who has since become a prominent figure in the movement, first visited the camp with the intention of stealing pot from the hippies who were living there. It turned out that the pot, like everything else, was free. “We spent a lot of time counting people to see if we could move some of the mentally ill people out, but a lot of them didn’t want to move,” Quan told me recently. “These kids were giving them free food, free wine and free dope. I’d stay here, too, if I were them.”

Quan’s first instinct when the tents rose on Oct. 10 was to let the protesters stay. There were just a few issues that needed addressing: the illegal open fires, the unauthorized and possibly dangerous use of City Hall’s power outlets, the 911 calls reporting incidents of violence and sexual harassment inside the camp.

Arturo Sanchez, an earnest young deputy city administrator, was dispatched to serve as Oakland’s liaison to the movement. His brief was to both express the city’s concerns about the camp and to listen to the protesters’ complaints. He quickly learned that the protesters wanted nothing to do with him or anyone else representing the city. “It’s a shame,” he says. “If they had come to us with an agenda, we’re probably one of the few cities that would have written resolutions and lobbied our state legislators and sent a message along with our mayor when she went to the White House.”

Oakland’s government mistakenly treated an insurrectionist movement as a progressive one. Occupy Oakland’s organizers weren’t disenfranchised liberals but committed anarchists operating from a revolutionary playbook that prohibited all negotiations with government officials. In fact, government officials were at the top of their target list. As one Occupy Oakland blogger put it, the goal was to launch “unmediated assaults on our enemies: local government, the downtown business elite and transnational capital.”

Once Quan decided later in October to dismantle the camp, everything that could possibly go wrong did. The police moved in on the morning of Oct. 25, a day before she was expecting them to, and while she was on her way back to Oakland from Washington. During the raid, they injured an Iraq war veteran, of all people.

Quan is not on the best of terms with her own Police Department. She was herself named in a police report shortly before she took office in January 2011 for her conduct at a police-brutality protest, and the police union spent thousands of dollars backing one of her opponents. “The theory among some of my left friends and among some members of my family was that I was set up,” she said. “You know, I was out of town, they closed down the camp a day early and then overreacted. Certain people in the police had tried to set me up before. I mean, my car got booted right after the election.”

“Why?” I asked.

“To send the message that they can do what they want,” Quan said. “That I better watch out.”

Quan’s efforts at damage control only compounded the mess. After the first eviction, she permitted the protesters to return to the plaza in front of City Hall and set up a second encampment. Days later, thousands of people — estimates range from 7,000 to 100,000 — participated in a strike that shut down most of the city’s businesses and the port of Oakland, a vital source of jobs and revenues, prompting Quan to label them “economic terrorists.”

The police union, for its part, publicly criticized the mayor for sending “mixed messages” about Occupy. On Nov. 14, she kicked the protesters out of the plaza for a second time.

By that point, Quan’s popularity was in free fall. In December, her approval rating dropped to 19 percent, and she became the target of two recall efforts (both of which have been abandoned).

When I met with her in March, Quan told me that she didn’t want to waste too much time talking about Occupy. “It was just a blip,” she said. “It came and went.”

Several weeks later, on May Day, the protesters were again rampaging through Oakland.

By the time Riley and I arrived at the home-foreclosure auction at the Alameda County Courthouse, dozens of protesters were already trying to push their way into the building via a side entrance. The crowd parted for Riley, and he wove his way toward the metal detector in the entryway. A muscular African-American police officer blocked his path. Riley grew annoyed.

“I respect your frustration,” the officer said. “I also respect your artistry. I’m a big fan of your music.”

The officer started quoting from one of Riley’s early songs, “Fat Cats and Bigga Fish,” the story of a small-time hustler who sneaks into a black-tie party planning to steal anything he can. It’s a comic narrative that builds to an ironic, political twist: the hustler winds up getting a lesson in real hustling when he overhears his city’s mayor talking to a corrupt real estate developer. (“Ain’t no one player that could beat this lunacy/Ain’t no hustler on the street could do a whole community.”)

“ ‘All right then, let’s begin this,’ ” the police officer rapped, picking up midway through the song. “ ‘Nights like this is good for business.’ ”

“You didn’t listen to any of the lyrics,” Riley interrupted.

“Yes I did,” the officer replied.

“The lyrics are talking about the people being able to express their power and control their environment,” Riley said. “And you’re stopping that.”

“That has nothing to do with what I’m doing right now.”

Word quickly spread that the auction could be taking place around the corner on the steps of the courthouse. “That’s perfect proof of why this movement has to exist as opposed to just art,” Riley told me as we followed the crowd around to the front of the building. “Because you can listen to my music and just still be manipulated by other things and end up becoming a cop.”

Hundreds of protesters soon gathered on the courthouse steps, chanting: “Hey, hey! Go home! Our house will not be sold today!” No one was quite sure what was going on. Was that the auctioneer they had seen walking to his car? Had the auction been postponed?

A few protesters spotted a man in khaki shorts, a red Titleist baseball cap and sunglasses, clutching a clipboard with a list of addresses — a prospective investor, they surmised, who had come to the courthouse to snatch up a foreclosed home or two. A large circle of activists rapidly closed in on him, moving within inches of his face, chanting: “Scumbag! Scumbag! Scumbag!”

Oakland’s chief of police, Howard Jordan, a 23-year member of the force, had the misfortune of taking over the department three days after the first Occupy Oakland encampment went up. “Our chief goal has always been to facilitate people’s right to assemble and give them a right to exercise their First Amendment rights,” he told me shortly after May Day in his office at Police Headquarters, which overlooks a medical-marijuana dispensary, Oakland Organics.

That’s not exactly how it has looked in viral videos of flash grenades and police-baton beatings at Occupy Oakland protests. In February, the federal monitor charged with overseeing the Police Department said he was “thoroughly dismayed” by some of its behavior. In particular, he criticized the department’s “overwhelming military-style” response to the Occupy protesters. The clashes that took place the night Scott Olsen was injured triggered a record number of internal-affairs complaints. The department has since missed its court-imposed deadline for investigating these complaints; to expedite the process, it outsourced the cases to law firms and investigators, an added expense of $750,000.

Jordan was not going to be unprepared for May Day, calling in hundreds of mutual-aid officers from neighboring towns, including SWAT teams. The day proved to be a relative success for the Police Department. Considerable damage was done to the city, and one police car was set on fire, but tear gas and other so-called nonlethal munitions were used only sparingly. There were no serious injuries, and only 39 protesters were arrested, compared with 400 at the last major Occupy action.

But Occupy is just the beginning of Jordan’s problems. On the most basic level, his department can’t protect its citizens. Budget cuts continue to reduce the size of the force — to 640 today from 800 officers in 2010 — even as incidents of violent crime continue to rise: Oakland’s murder rate is up 5 percent over last year, when 110 were killed, and robberies are up 24 percent.

Oakland’s police force already consumes more than 40 percent of the city’s general-purpose fund. Clearly, this is not enough. After a round of layoffs in 2010, the department announced that it would no longer respond to burglaries and break-ins that were not in progress. (They have since amended the policy so officers will now respond to home burglaries “when possible.”) Officers have not discouraged store owners in especially dangerous neighborhoods from arming themselves.

The department’s every move is scrutinized by federally appointed independent monitors, a result of a settlement agreement reached with the city in 2003, when four Oakland police officers were accused of planting evidence, falsifying reports and using excessive force. It gets worse. The department’s efforts to comply with the settlement agreement and implement reforms have cost it millions in extra payments to independent consultants. And that’s in addition to the $57 million the department has paid over the last decade to settle various police-misconduct lawsuits.

According to the city’s former police chief, Anthony Batts, the federal scrutiny has, perversely, hurt the department’s ability to fight violent crime in Oakland, forcing the department to assign more detectives to internal affairs than to homicides. “You wind up with tons of police officers inside a building counting data so you can check off boxes,” Batts told me. “Meanwhile, people are dying in the streets.”

Batts resigned abruptly in October after just two years on the job, taking the customary potshots at the city on his way out the door. (He told a reporter that Oakland treats its Police Department like “a necessary evil.”)

His successor, Jordan, now finds himself dealing with a demoralized force, only 15 percent of whose officers actually live in Oakland, according to Quan. Jordan is also dealing with a community that doesn’t trust the men and women sworn to protect them. Like everything else in Oakland, the negative perception of the department is entangled with the city’s history: in the aftermath of World War II, Oakland’s municipal leaders recruited white Southerners to police their increasingly black city.

Jordan’s department is running out of time to comply with the reforms mandated by the settlement agreement. In a matter of months, the O.P.D. could be placed in federal receivership. I asked Jordan how the federal government would go about running a municipal police department. “I don’t know,” he said. “I don’t think there’s ever been a police department that has gone into receivership. It’s not something that I want to be the first to do.” He paused for a moment to give the matter a little further thought. “I imagine that I would become an assistant chief.”

“Why is this happening to Oakland?” Ignacio De La Fuente, a city councilman, asked me, gesturing toward his office window in the midst of the May Day chaos. “It’s our fault. The mayor failed to recognize that this was a problem that if we let grow would have a detrimental impact on the city. The mayor failed miserably dealing with Occupy, and she’s failing miserably now.”

We were sitting on the second floor of Oakland’s deserted City Hall, a gorgeous, cream-colored, Beaux-Arts wedding cake of a building — America’s first government skyscraper — that rose from the rubble of the Great Earthquake of 1906. Downstairs, police officers in riot gear stood guard in front of the building’s entrance. Their presence was by no means a symbolic gesture: when Occupy protesters turned out en masse for an action in late January, City Hall was ransacked. Windows and glass display cases were smashed, flags stolen and burned, an architectural model of City Hall itself toppled.

De La Fuente, a small, tough-looking man with a raspy, Spanish-inflected voice, sneaked across the Mexican border in 1970, unable to speak a word of English. He started out as a dishwasher, then became a machinist and labor leader. He was elected in 1992 to Oakland’s City Council as part of a wave of left-wing political reformers fighting for impoverished neighborhoods devastated by unemployment, crack cocaine and municipal neglect in the ’80s.

As he ranted, De La Fuente sounded more like a law-and-order Republican than a former illegal immigrant and militant union organizer. “This incredible amount of money we have spent baby-sitting these people,” he said, referring to the protesters. “It should be absolutely unacceptable.”

Oakland can have a peculiar effect on progressive politicians. In 1999, the corporate-America-bashing former-and-future California governor Jerry Brown swept into the mayor’s office and promptly set about undertaking an ambitious, aggressively pro-business agenda for the city. Brown, who had a Labrador named Dharma, was soon cozying up to real estate developers, lobbying the state to loosen its environmental review process on urban construction and conjuring visions of a new Oakland, with a downtown ballpark for the A’s and a luxury resort hotel and casino. The centerpiece of his redevelopment plan, the 10K Project, was to lure 10,000 well-off residents to gleaming downtown condominium towers, establishing a new tax base and driving the growth of retail stores and restaurants.

De La Fuente was now straining to be heard over the protest raging outside. An aide closed the window, but the noise continued to seep in. The councilman went on, almost shouting: “The national and international bad reputation, the perception and the reality unfortunately that Oakland is a place where they can do things that they cannot do anywhere else, that it’s a magnet for troublemakers — we’re seeing that here again today.”

As if on cue, a loud bang rang out — the detonation of a flash grenade from the Oakland Police.

Manifesto Bicycles is a boutique bike shop in downtown Oakland that specializes in single-speed and fixed-gear bikes, or “fixies,” and also sells a small selection of Oakland-made apparel, like a T-shirt featuring a bicycle tire, a razor blade, a syringe and the words “Welcome to Oakland.” Its owners are the husband-and-wife team of Sam Cunningham, a 44-year-old former professional skateboarder and herpetologist, and MacKay Gibbs, who describes herself as a “music fanatic with a passion for vintage everything and a nose for business.”

Their small capitalist enterprise — named to evoke the famous anti-capitalist tract — represents another side of Oakland, albeit one that’s still in its infancy. Think of it as a less twee, more D.I.Y. version of artisanal Brooklyn. Oakland even has its own take on the Brooklyn Flea, known as the Art Murmur, a sprawling hipster street fair, cultural bazaar and gallery-and-pub-crawl. At the Flea, you can buy refurbished manual typewriters; at the Murmur, you can buy Sharpie-on-foam-cup drawings by a local artist.

The collision between Oakland’s growing cadre of small-business owners and the local Occupy movement has produced some memorable moments of low comedy. In November, 30-year-old Alanna Rayford, who owns a showroom for local fashion designers in a Gothic Revival building downtown, closed up shop to join the march to the port. She returned the following morning to find the windows of her store smashed and some artwork missing. One of the paintings, a gorilla smoking a blunt, had been placed on prominent display at the entrance to the Occupy encampment.

Investment money tends not to flow into cities with soaring violent-crime rates and large numbers of militant nihilists for whom revolution is less a branding opportunity than an active, ongoing goal. And Governor Brown just eliminated the state’s economic redevelopment agencies, which will make it much harder for small businesses to open in Oakland.

Like pioneers in an unsettled urban frontier, Oakland’s small-business owners have had to band together. They are talking about creating an emergency fund for those who can’t cover their payments in a given month and are experimenting with the reseeding of neighborhoods. Recently, a “pop-up hood” appeared in Old Oakland, the city’s original downtown. Six small businesses temporarily operated rent-free in order to test the viability of adding retail stores to a quaint enclave that has been experiencing a boomlet in bars, restaurants and residential conversions and construction.

For all its fragility, a transformation is clearly under way in Oakland. The tent poles of the new American city have already arrived — the urban bike shops, the restaurants with locally sourced fare, the cafes with fair-trade coffee, a Whole Foods. There is a distinctly Oakland character to many of these businesses — Awaken, whose menu includes a Santa Cruz-brewed ginger ale at $3.50 a bottle, says its mission is to “bring people together and launch movements” — but it’s an unmistakable part of the same trend that has been taking hold across urban America for years.

It is, in a word, gentrification, and what’s most striking about its arrival in Oakland is that it’s just now getting there — that the city has existed for so long as a kind of living museum of 1970s radicalism, its culture of militancy, poverty, crime rates and dysfunctional government all conspiring to delay what now seems inevitable. “For years, Oakland has been the black hole in the middle of the great galaxy of Northern California as it shimmered its way into the electronic age,” says Richard Walker, an urban-geography professor who recently retired from the University of California, Berkeley.

In this context, May Day — and Occupy Oakland, more broadly — looks less like an expression of the city’s indomitable radical spirit than the last gasp of a protest movement overmatched by the encroaching forces of capitalism. Oakland is simply too geographically well positioned and financially underexploited not to absorb the creative, professional and entrepreneurial overflow from more expensive places like San Francisco, Silicon Valley and Berkeley. And as it continues to develop its own gritty-chic cachet, there’s a good chance Oakland might become more than just a default option for some of the Bay Area’s nouveau riche.

What will this transformation mean for Oakland? It should produce a bigger tax base that can help improve city services and maybe even create a more effective police force. But gentrification is not a recipe for job creation. In the end, Oakland’s income inequality can only grow, making it not so different from so many other American cities. “You will still have poverty, decay and decline in the midst of immense plenty,” Walker says.

The utopian vision for a post-capitalist Oakland clung to by Boots Riley and the rest of the city’s revolutionaries will soon be dead. But radical Oakland will live on, awaiting its next opportunity to rise up, even as the city itself evolves. For every young tech worker moving into a downtown condominium tower or entrepreneur gobbling up cheap, deserted retail space, there’s sure to be a militant graduate student drawn to a city that has just added another chapter to its long radical history.

Ever since its encampments were dismantled, Occupy Oakland has been talking about reoccupying a public space and establishing a new beachhead for the revolution. Earlier this year, the protesters tried, unsuccessfully, to take over the abandoned Kaiser Convention Center.

On May Day, rumors were rampant that after the protests wound down, they would take back the City Hall plaza. As dusk fell, thousands of activists converged on City Hall, dancing, drumming, distributing leaflets for their various revolutionary movements.

But when the sky darkened, the number of officers on Broadway multiplied. The familiar warning followed: “I hereby declare this to be an unlawful assembly and . . . command all those assembled to immediately leave. If you do not do so, you may be arrested or subject to other police action . . . which may result in serious injury. . . . If you refuse to move, chemical agents will be used.”

The threat worked. Soon, just a few hundred determined protesters remained, rattling their metal shields, hurling obscenities and glass bottles at the police. The Menace’s last stand. Only this group was small enough to manage. The police charged the crowd, pushing it north up Telegraph Avenue. People raced past Awaken, with its “We Are Oakland. We Are the 99%” signs. The cafe’s tattoo-covered owner hastily unlocked the door to let a few fleeing protesters in as the riot cops chased the retreating herd from downtown.

Jonathan Mahler is a contributing writer and the author of “The Challenge” and “Ladies and Gentlemen, the Bronx Is Burning.”

Editor: Dean Robinson

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Gore Vidal—An Interview

Our Rome correspondent Gaither Stewart has filed this little gem of an interview with the controversial author. We trust it will be of interest to many of our readers.—Ed

Vidal lived large, unapologetically, and his villa in Ravello, on the Amalfi coast,  remains a must-see location for the knowledgeable visitor.

DATELINE (Gaither Stewart in Rome) When I interviewed Gore Vidal in October, 1983, in his penthouse apartment on Largo (Piazza) Argentina in the very center of Rome, he related the time a lady from the New York Times asked as her first question: “Mr. Vidal, you really hate the United States, don’t you.” He answered: “No, I hate the New York Times.”

Like the time, he recalled, he was introduced on an NBC television show as “the outrageous Gore Vidal”, he stopped the show when he asked why outrageous. “Ronald Reagan is outrageous,” he replied.

During the over two hours we spoke about politics and literature which I recorded on tape, Vidal never once minced his words or resorted to niceties toward anyone or anything. Forever irreverent as was his nature.

From the huge transcript, I fashioned articles subsequently published in various European leftwing newspapers and magazines, including L’Unità, the official daily newspaper of the Italian Communist Party, De Morgen, the major Belgian Socialist daily in Gent, The Haagse Post, an Amsterdam leftwing weekly, and others I no longer recall.

We tried sitting on his terrace overlooking Piazza Argentina and the ruins of four Roman temples but the noise from the late Sunday afternoon traffic was so deafening we soon retired to the huge salon. Yet this apartment that he had owned for 20 years, he called his retreat, reserved for work—reading and writing and thinking. The only reason he agreed to the interview here was because I lived in Rome.

American artists were all over a cheap Europe in the early post-war period. And they all passed through Rome: that catastrophic driver Tennessee Williams, writer and composer Paul Bowles, William Styron, Normal Mailer and Saul Bellow. Here on the loud Rome piazza he wrote his famous Myra Breckenbridge. Though the figure of Gore Vidal that Sunday loomed larger than expected against the reflections of the flashing lights from the heart of Rome below us, I had the thought that we could just as well have been in New York or his beloved California.

Rather than try to reconstruct the interview, I have recalled here some of his chief political points, familiar to older readers, but most likely new to the younger generation, which Vidal describes as a ‘non-reading generation.’ Surprisingly, most of his words of nearly 30 years ago ring quite contemporary today.

“American leaders never deal with real political and social problems. The Founding Fathers feared most of all democracy and monarchy and saw to it that we could never have either. We should scrap the Constitution and start over. It is only a document to protect property owners while America has the weakest union movement in the Western world, with only 20% of workers organized. I attack the system that has done this to the American people. Meanwhile we should get rid of both the New York Times and the Constitution.

“On the other hand the people are not concerned about real problems either. Americans don’t vote, while corporations select and pay for the politicians and get the Senators and Presidents they pay for. They function like Italy’s mafia that buys its votes.

“The Left-Right classifications are complex. I have said I am a man of the Left. But I think we need a new definition of the Left and its goals and how they can be achieved. It’s a good thing for people to govern themselves but it must be explained how it can be done. We need a new document, a new analysis, a new synthesis of those goals.”

Gore Vidal, 30 years ago, saw literature in a grim situation. “In my visits to some 125 university campuses I have seen that literature has become something that is taught, not actually read. Literature is chiefly a subject of university study. Even that wouldn’t be so bad if the universities preserved the best of our literary past, Instead, it is often a case of Professor x writing a book and Professor y teaching it in his classes. The university campus is not real life, but 90% of our writers are connected with universities.”

Punto Press Publishing.

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Deranged Angels Of Self-Preservation: Second Amendment fetishism and the empty grandiosity of Hollywood’s comic book boilerplate.

Phil Rockstroh

“Stupid is as stupid does, sir…”

In the contest between Stupid and Evil, Stupid reaps far more destruction. Why? Stupid prevails by the sheer force of numbers in its ranks. 

But the argument is moot: Because all too often Stupid is working for Evil…believing it is serving as a force for good…and, I might add, for degrading wages as well.

German born filmmaker, Leni Riefenstahl (1902-2003) insisted to her dying breath that her 1936 masterwork of visual bravura, “Olympia,” documenting the 1936 Summer Olympics, held in Berlin, Germany, and funded and promoted by Adolf Hitler and the Nazi state, was not a political film nor was intended as propaganda for the Third Reich…as writer/director Christopher Nolan is claiming his “The Dark Knight Rises” is not a political movie. 



Yet, for some reason, the villains of the movie just happen to resemble the febrile stuff of right-wing delusion regarding Occupy Wall Street activists, and the beleaguered victims of the movie’s vengeance-seeking, blood-drunk rabble’s reign of mindless terror happen to resemble the denizens of the One Percent.

But we are told to relax…ruminate on a jumbo bucket of popcorn and suck down the high-fructose soda of our choice…We should allow our limbic system to ascend to the throne room of consciousness…to simply let the spectacle pull us along, as in a trip through a high-tech funhouse.

Historically, a component of fascism has been the visceral appeal of mass spectacle — the drowning of the burdens of Industrial Age selfhood into an intoxicating immersion in the anonymity of the mob. Another aspect is the promotion of shadow projection i.e., the attempt to lessen inner conflict and shame involving dark-tinged, hidden emotions and yearnings by projecting those traits on outside groups e.g., the political use of racism to displace class-based resentment; the caricatures created to demonize the enemy, appropriated by governments and promulgated in popular culture to mobilize support for war.

In “The Dark Knight Rises,” Nolan (perhaps unconsciously…he doesn’t seem all that bright and self-aware) deploys the psychological trope of shadow projection by portraying members of an Occupy Wall Street-type popular insurgency as boilerplate, comic book villains who rise from the city’s underbelly, compelled by murderous grievances, to inflict a reign of chaos, reminiscent of Terror-gripped, late 18th Century/ early 19th Century France, on the city’s economic elite.

What is the writer/director getting at here? 

Whether Nolan is aware of it or not, he has made a fascist epic. Batman, from its inception was always a hyper-authoritarian myth. Comic Books, at their inception and rise during the Great Depression of the 1930s, reflected a middle/upper class unease regarding those popular heroes of the disaffected laboring class such as Pretty Boy Floyd and John Dillinger. 

Woody Guthrie’s take on song writing is germane to the subject of movies as well. Woody averred: All songs are political.

Hollywood movies are suffused with capitalist false consciousness? And how could they not be? The “successful” members of the entertainment “business” have done quite well by the system, thus have been bestowed with all the privileges of the One Percent.

Moreover, certain self-appointed arbiters of good taste and social propriety have posited the canard that the recent madman-inflicted, firearm-wrought tragedy at an Aurora, Colorado cinema exhibiting Nolan’s The Dark Knight Rises should not be politicized. Nonsense. The assertion, in itself, is political, for it is a (tacit) admonition to refrain from challenging the status quo — and the status quo of U.S. gun culture comes down to this: blood-drenched shooting spree followed by blood-drenched shooting spree.

Withal, the 2nd Amendment is not the word of God writ large across the eternal heavens. It is an archaic notion of a past, rural/agrarian era, and crafted by an assembly of land-holding, powdered wig-clad aristocrats.

Does the uncertainty of these times and the fading of cherished concepts evoke feelings of unease within you? Then how about trying this? Quit stroking your guns and hyperventilating over the depleted embers of dying delusion: Get over the hagiography of this sham democratic republic, and begin to re-imagine and remake the world anew.

Regarding all the bombast and braggadocio of rightist 2nd Amendment true believers, who claim that guns are the last, best hope to stand against government tyranny: Where were these sentinels of freedom when the operatives and enforcers of the U.S. national security/police state brought its brutality down on peaceful Occupy Wall Street dissidents?

Neither they nor the vast majority of people in the U.S. possess any concept of — nor do they give a rodent’s rectum about freedom.

Because the fledgling nation’s solution to what they termed the “Indian problem” was addressed by the use of firearms, the habit of viewing and deploying guns as a solution to societal ills has bequeathed a violent, blood-sodden legacy upon the culture.

To all you compulsive gun-strokers — heirs of the hateful legacy of your genocidal ancestors — I ask you this — how do you like existing under dismal, degraded conditions such as these?

Seemingly, from their graves, my Native American ancestors (My late father was born of half native descent.) have cursed you. But the grim truth is, on a collective basis, through our acceptance of a toxic cultural mythos, the people of this nation have conjured this curse, and have, by their clinging to death-besotted attitudes and attendant actions, seeded the winds of fate.

Regarding gun violence in the U.S., the situation is very simple. The 2nd Amendment is not only antiquated, but is an outright menace to public good. 

Nations that do not fetishize guns, and have said fetish codified into law and imprinted into the public’s imagination are not afflicted by any degree of violent gun deaths.

Although its origins and workings seem to us mysterious and evanescent, evil remains proliferate because our traumatized psyches see it as a force of good. Evil is a deranged angel of self-preservation, convinced his wicked machinations and destructive fury are bulwarks against outside forces aligned to bear his doom.

“A man who is unconscious of himself acts in a blind, instinctive way and is in addition fooled by all the illusions that arise when he sees everything that he is not conscious of in himself coming to meet him from outside as projections upon his neighbor.” — Carl Jung: “The Philosophical Tree” (1945). In CW 13: Alchemical Studies. P.335

To those firearm apologists who proffer the assertion that one should not blame guns for the acts of madmen…let me ask you this? There are unstable individuals residing all over the world, and have throughout every era, what is it about the U.S. that engenders a social milieu wherein so many unhinged individuals go on murderous rampages, and why is the death toll so high therein? The startlingly obvious answer: The easy availability of firearms and a toxic mythos surrounding these weapons that promotes their ownership and drowns out reasoned discourse on the subject.

Restricting the manufacture, thus profit motive, of firearms is a must…to keep them out of the hands of criminals, psychopaths, and idiots, and that includes the cops.

The problem of evil would be more easily remedied if evil people saw themselves as evil. But evil does not arrive in the form of a new computer application (Irredeemable Wickedness, version 13. 13) that foul-minded types can download into their psyches.

Evil creeps up on you when you’re going about the mundane business of the day.

Will we, as a people — inculcated by cultural mythos and saturated by shallow, sensationalist mass media narratives — learn anything about the hideous, tragic nature of non-virtual reality violence from this latest in a long series of gun-wrought mass murder?

In grim contrast to comic book-based, movie-style, violence porn, these repeated incidents of gun violence displayed for us the effects of actual violence. These events should serve as object lessons in the consequences of having large segments of a population, stressed to the point of collective madness and dwelling in a nation that, culturally, evinces demonstrably psychotic attitudes regarding firearms.

Gun-clutching pathology — and sorry, people, that is exactly what it is — is engendered by emotionally displaced feelings of powerlessness. The ridiculous number of guns, combined with racism and wealth inequity, in this deeply troubled nation, contributes to the endless number of firearm-related tragedies that nations that have sane gun laws — meaning tight restrictions — don’t suffer.

You boys and girls can swoon in all the hyper-macho, retrograde, Sarah Palin-level, 2nd Amendment-conflating fantasies that your besieged minds can conjure — but it will not change the reality that it is the people of this country’s sacred illusions and attendant fetishizing of guns that makes worse the very situation of which they live in fear. What a waste of human life and mental real estate.

Accordingly, the work of Hollywood artificers, such as Christopher Nolan, reflects collective pathologies at large in the culture.

All too many big budget, Hollywood action movies, epic in scale and one dimensional in content, are saturated with the empty grandiosity of fascist thought. Carl Jung noted that evil generally comes with an aura of emotional detached coldness.  Apropos: The shop-worn device of the super-villain is fascist conceit — a projection of the coldness and overkill of the U.S. police state/militarist empire on imaginary villains.

Evidently, Nolan has internalized the fascist inclinations inherent to late stage capitalism. His cinematic images are over-wrought, yet cold — a fascist paradox that are catnip to troubled personalities, such as James Holmes, whose inner torments and concomitant actions mirror the collective nature of this violence-worshipping culture.

Only a society as violently (and, I fear, irredeemably) bughouse crazy as the one extant in the U.S. would arrive at the assertion that an individual who carried out a deadly shooting rampage in a packed movie theatre could be feigning madness, or, in the words of a corporate press headline, “James Holmes’ behavior sign of psychosis or faking it, expert says.” http://gma.yahoo.com/james-holmes-goofy-behavior-sign-psychosis-faking-expert-142209134–abc-news-topstories.html

In a nation that, for example, accepts as normal the deaths of hundreds of thousands of Iraqis, supports state-applied torture, and the slaughter of children by predator drone attack, yet gibbers on about the latest outrage committed by some sub-cretinous, Reality Television celebrity — the standard for psychosis and the standard of so-called normal will dovetail. To paraphrase one wit: Fish should be the last creatures queried regarding the existence of water.

Phil Rockstroh is a poet, lyricist and philosopher bard living in New York City. He may be contacted at: phil@philrockstroh.com and at FaceBook: http://www.facebook.com/phil.rockstroh

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CHICK-FIL-A INTRODUCES NEW HATE SAUCE

Posted on The New Yorker by Andy Borowitz

NEW YORK (The Borowitz Report)—Customers across the nation who turned out for Chick-fil-A Appreciation Day were in for a surprise, as the chicken restaurant chose today to launch a new product, Hate Sauce.

Delighted customers mobbed the restaurants to try the zesty new sauce, with many chicken fanciers ordering their sandwiches with extra hate. “It’s so spicy it makes your mouth feel like it’s on fire—like a gay couple in hell,” said Harland Dorrinson, who sampled the sauce at a Chick-fil-A in Orlando.

But even as Chick-fil-A prepared to call its new hate sauce an instant hit, it faced a challenge from an upstart rival, Wing-n-nuts.

The rival chain, based in Falls Church, Virginia, chose today to introduce a new product targeting Chick-fil-A patrons, the Chicken Bacon Bigotwich.

“We think we’re going to take a big bite out of Chick-fil-A’s customer base,” said Wing-n-nuts corporate spokesperson Carol Foyler. “Their founder is anti-gay. But ours is anti-gay, anti-immigrant, and anti-woman. When word gets out about that, there’ll be lines around the block.”

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Photograph: Chick-fil-A.

Read more http://www.newyorker.com/online/blogs/borowitzreport/2012/08/chick-fil-a-introduces-new-hate-sauce.html#ixzz22VmTMBAZ

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Freedom Rider: Michael Eric Dyson and Barack Obama

By Black Agenda Report editor and senior columnist Margaret Kimberley

The presidential election cycle is underway, which means that Michael Erick Dyson is pledging his undying love for Barack Obama. Apparently, the president’s handlers have favored Dyson with “access” – a quality that is worth far more to some folks than truth and self-respect. “What it all comes down to in Dyson’s world, is rubbing elbows with the president and bragging about it.”

“Why does the only response to Obama have to be slavish devotion and a political stand down?”

Not only is there no longer a black press [4] which represents the interests of black people, but the presence of black people in corporate media is also of dubious value. Take the case of “public intellectual” Michael Erick Dyson. Dyson has recently been a substitute host on MSNBC’s Ed Schultz Show, and he has displayed his unique gifts for spouting nonsense and/or boldly displaying opportunism when speaking on the subject of Barack Obama.

Dyson can’t seem to make up his mind about Obama. In January 2008 Dyson debated Black Agenda Report Executive Editor Glen Ford on the subject of black support for Obama on Democracy Now [5]. Dyson made it clear that he was a wholehearted Obama supporter who advocated suspending any and all criticism or questioning of the candidate in order to reach the holy grail of seeing him elected president.

That debate took place shortly after the Iowa caucus victory proved that Obama could get votes from white people. At that time Dyson proudly proclaimed his unwavering support of Obama, gave him a pass on speaking up for black people, and directly stated the phony mantra of the Obama sycophant in 2008, that they would “hold his feet to the fire” after he won.
The Dyson/Obama love fest didn’t last for very long, however. Just a few months after Obama’s 2009 inauguration, Dyson was interviewed by Davey D [6] and had rather scathing words of criticism for the man whom just a year earlier he said should be treated as if infallible.

“He is willing to sacrifice the interests of African Americans in deference to a conception of universalism because it won’t offend white people.”

“We are so grateful for having a black person in the office we don’t demand anything of him.”

“I expect the president of the United States to address issues of race.”

“He’s fallen short and we must hold him accountable.”

These words, while truthful, didn’t last long either. Now Dyson is not only an Obama lover again, but appears to be in part because he now has up close and personal access to POTUS. Dyson can now preface his statements with words like this, “A couple of years ago when he and I were in the Oval Office talking…”

On the July 25th broadcast [7] of the Ed Show, one of Dyson’s guests rather obliquely mentioned that there is some criticism of Obama because he delivers on issues of importance to the gay and latino communities while doing nothing of the sort for black Americans.

“What is wrong with questioning or criticizing Obama?”

According to Dyson, this mild observation unleashed the wrath of Obama worshippers in social media, and on the July 26th show [8] Dyson let everyone know that he is still an Obama guy and the president is a Dyson guy too. “I ain`t one of them [haters]. How do I know? He [Obama] told me so at the Olympic warm up game the other day in D.C. when he hugged me and thanked me for my love and support. When you get at that level, holler back at me.” Yes, that is what it all comes down to in Dyson’s world, rubbing elbows with the president and bragging about it.

He went further. “Make no mistake, I`m riding hard on the Obama bandwagon. I`ve been on that journey a lot longer than the Black Willy come latelies who voted overwhelmingly against Obama when he ran for Congress and who initially spurned him when he asked for their votes for the presidency because they were beholden to Hillary and Bill Clinton.”
Dyson is an academic, a writer and a minister, but as guest host on The Ed Show, he should act as a journalist. The response to his critics should have been that as such, he has a duty to present a wide variety of viewpoints, even as they relate to dear leader Obama.

Dyson had a unique opportunity to ask questions which are still fraught in the black community. What is wrong with questioning or criticizing Obama? Why does the only response to Obama have to be slavish devotion and a political stand down?

Of course, it may be unfair to expect professional ethics from Dyson when the rest of the journalistic profession is no better. There are huge incentives to being a court scribe instead of a journalist. Scribes get plum assignments, access to movers and shakers, prestigious prizes, and big paychecks because they represent the interests of the people they cover when they should be asking them hard questions.

Dyson’s routine makes it easy to make fun of him. His gift of gab borders on buffoonery, but it has made him a hot commodity. He could put his glibness to good use and spark a conversation about Obama, but that is not to be. Now we get “black Willy come latelies” and man crush hugs.

The hard truth is that Black Agenda Report and its allies are unique in their determination to continue advocating for self-determination and movement based leftist politics, and not just idol worship of the black face in the high place. Dyson is not alone in changing his mind about Obama depending upon whether or not he has access to the Oval Office. There are not many principled people in the world of political commentary, but anyone reading these words doesn’t have to be concerned about that. No one at Black Agenda Report is in danger of mincing words about Obama, or the rest of American political leadership. We also aren’t in danger of getting any hugs.

Margaret Kimberley’s Freedom Rider column appears weekly in BAR, and is widely reprinted elsewhere. She maintains a frequently updated blog as well as at http://freedomrider.blogspot.com. [9] Ms. Kimberley lives in New York City, and can be reached via e-Mail at Margaret.Kimberley@BlackAgendaReport.com.
[10]
Michael Eric Dyson Obamarama
Source URL: http://blackagendareport.com/content/freedom-rider-michael-eric-dyson-and-barack-obama

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