RICHARD SANDERS—BRD was first spawned in 1985 by pro-NATO, anti-Soviet East European émigré groups in Toronto whose founding leaders were riddled with fascist collaborators, SS veterans, Holocaust perpetrators, and top officials of Nazi puppet regimes. In 2009, Liberal MP (Ontario’s former NDP premier) Bob Rae’s pro-BRD motion received all-party support in Parliament. Cda’s fascist-rooted groups have never been closer to power! The most egregious of them represent the far-right Ukrainian diaspora with which Freeland was worked for 30+ years.
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Up until the end of his life, Gehlen enjoyed the protection of German and American leaders. They were willing to overlook his Nazi past in order to use his skills. As the German newspaper, Der Spiegel, noted decades after Gehlen’s death: “If there was ignorance on the matter, it was only because no one wanted to know.”
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A brief but important reminder/warning from Luciana Bohne about the rapidly expanding repression of communist and populist ideas throughout the so-called “free West”.
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PAUL EDWARDS—The PR arm of our corrupt, deceiving Deep State frames—as it always has—the latest Israeli massacre as a contest of equals, matched opponents, not a clear case of the sadist Zionist army shooting fish in a barrel. Israel attempts to deflect criticism of the sickening brutality of its Einsatzgruppen military-style on grounds that criticism of that sick, evil, murderous state is reprehensible “Anti-Semitism”. This trope, invented by the Holocaust Industry it has assiduously cultivated ever since that grim Nazi horror, is run up the flagpole whenever Zionist governments need cover for the criminal, racist violence they perpetrate at will on demonized Palestinians.
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MAX PARRY—What none of these yellow journalists bother to explain is how any Serbian film can faithfully portray WWII history, during which Serbs were disproportionate victims at the hands of their fellow countrymen in collaboration with the Axis invaders, without provoking such accusations of nativism. The trumped-up charge is that the filmic representation of atrocities committed by the Ustaša during WWII is to somehow excuse or legitimate war crimes carried out five decades later during the Yugoslav Wars (of which Serbs were assigned excessive blame), when this too proceeds from a false historical premise.
