Creating Resilient Communities

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=By= Robert C. Koehler

SpiderWeb

“Conflict happens in isolation.”

Wow, that’s it. A sense of awareness ignited as I listened to Kristin Famula, president of the National Peace Academy, make this seldom-acknowledged observation. When we feel wronged, violated, disrespected, suddenly we’re alone with our careening emotions.

Indeed, this is what makes it a “conflict”: the fact that we can’t see beyond the rage, the sense of injury, the wrongness of what has happened. It may last only a moment or two, after which we put the situation in perspective or, at the very least, shrug it off and move on. But perhaps the situation is ongoing, or the wrong was inexcusably offensive — and we can’t let go of it.

Maybe the aloneness we feel is what’s worst about the whole situation. We’re alone with our own intolerable emotions, reduced to fight-or-flight thinking, unable to address the matter beyond the perceptions of our reptile brain. And the only resolution we can imagine is a counterattack — no matter that, most likely, this will only aggravate, intensify and prolong the problem. And it will leave us feeling just as isolated.

But what else are we supposed to do?

Editor’s Note: This article offers some interesting ideas on the concept of community; however, what is missing is that on the group level, it is sometimes “conflict” that creates the need for, or sometimes sense of, community. The wrong done when enacted upon a group forges a shared need or interest. That shared situation rarely happens in isolation, but is part of a larger pattern (as with the example of Syrian refugees). On the other hand, privileged groups who perceive that their privilege may be threatened, may also form a communality around their interests (the White Power movement for example).

This question strikes me as indicative of the stalled state of our world, especially when we expand the hypothetical conflict situation beyond the personal. Imagine protesters in the streets of Ferguson, Mo., confronting a wall of helmeted, billyclub-wielding police officers. Imagine a boatload of desperate immigrants facing a mob of angry nationals telling them to go back home. Imagine a national leader in the wake of a terrorist attack, facing what he (or she) imagines to be evil itself . . . and wondering whom he should bomb.

Conflict happens in isolation — isolation from our larger consciousness. But the thing is, we have enormous resources for the sane and even productive handling of conflict, mostly, alas, under the social radar. The stories we tell ourselves — the movies and TV shows we watch, the pseudo-news we absorb in the media — are primarily about the consequence-free triumph of good violence over bad violence, and the endless necessity to stay on the aggressive defensive against our enemies. The “next war” is inevitable. And peace is simply the lull between wars.

But real peace — positive peace, which transcends violence and turns conflict into opportunity — is and always has been part of who we are as well. We know a lot more about how to create peace than we think we do. We’re perfectly capable of transcending violent solutions to our troubles and building a sustainable future. The first step is to take our conflicts out of isolation.

And it is in this context that I reintroduce the National Peace Academy, which came into being in the wake of a conference at Case Western Reserve University in Cleveland seven years ago, and since then has been in the process of creating partnerships, facilitating workshops and quietly helping to expand the American and global culture of peace.

Last week, the NPA took a crucial step in its becoming. It has established a partnership with George Mason University, near Washington, D.C., and will join forces with the university’s School for Conflict Analysis and Resolution, the oldest peace studies program in the country.

At a ribbon-cutting ceremony on April 6, the university opened Point of View, “a peacebuilding research and conference center in Lorton, Virginia, dedicated to teaching and learning, research, and a commitment to engagement and practice,” according to the NPA’s press release. The Peace Academy, as part of the peacebuilding center, plans soon to break ground on its own facility at Point of View, the Elise Boulding National Peace Academy House, a residence, according to the press release, that “will allow for on-site peacebuilding training, conflict resolution, dialogue, and more.”

Speaking at the ribbon-cutting ceremony, U.S. Rep. Donald S. Beyer of Virginia said of Point of View: “This unique human resource . . . is part of the new geography of hope.”

I see it as the concept of peace claiming realness.

“There are good people out there doing (peace) work already, but they’re not always connected,” Kristin Famula told me the other day. NPA’s role is to bring these people together and “deepen the impact.”

More specifically: The vision, Famula said, is to establish a center where parties involved in serious conflict — think Ferguson residents and the police — can come together to address the situation in a context capable of acknowledging and valuing all points of view and committed to finding a solution that transcends the problem.

“Envision having access to a wealth of people who can help do research and thinking about this,” she said. “Conflict happens in isolation” — but the vision is to create the infrastructure for putting even the biggest, thorniest social conflicts into a healing context.

Dot Maver, NPA co-founder and former president, said of the academy’s partnership with George Mason University — which resulted from her connection with Kevin Avruch, dean of the School for Conflict Analysis and Resolution — that it will “provide necessary connective tissue to help create . . . safe and resilient communities.” Indeed, NPA’s mission includes “helping communities become trauma-resilient.”

To which I cry hallelujah! It may not be obvious, but we are moving beyond a domination- and punishment-based social structure. Creating resilient communities, providing the resources that can take conflict out of isolation and put it into a constructive context, strike me as a crucial step in our social evolution.

More than 90 years ago, social visionary and management consultant Mary Parker-Follett wrote: “As conflict — difference — is here in the world, as we cannot avoid it, we should, I think, use it. Instead of condemning it, we should set it to work for us. . . . The transmission of power by belts depends on friction between the belt and the pulley. The friction between the driving wheel of the locomotive and the track is necessary to haul the train. All polishing is done by friction. The music of the violin we get by friction.”


Robert C. Koehler is a journalist who received acclaim in the mainstream media world. Then he turned his back on that and launched on the path of peace journalism. Peace journalism is when editors and reporters make choices — about what to report, and how to report it — that create opportunities for society at large to consider and to value nonviolent responses to conflict.” — Jake Lynch

Source: Common Wonders

 

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Venezuela’s Opposition: Attacking Its Own People

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=By= Eric Draitser

Venezuelan protests

Images from top to bottom, left to right: Opposition march in Caracas on 12 February 2014, Peaceful march in Maracaibo, Protests at Altamira Square, “Camp Freedom” outside of the UN headquarters in Caracas, March in Caracas following the arrest of Leopoldo Lopez. Zfigueroa

[dropcap]T[/dropcap]he corporate media would have you believe that Venezuela is a dictatorship on the verge of political and economic collapse; a country where human rights crusaders and anti-government, democracy-seeking activists are routinely rounded up and thrown in jail. Indeed, the picture from both private media in Venezuela, as well as the mainstream press in the U.S., is one of a corrupt and tyrannical government desperately trying to maintain its grip on power while the opposition seeks much-needed reforms. In fact, the opposite is true. 

The sad reality of Venezuela is that it is the Bolivarian Revolution that is being undermined, targeted, and destabilized. It is the Socialist Party, its leftist supporters (and critics), Chavista activists and journalists, and assorted forces on the Left that are being victimized by an opposition whose singular goal is power. This opposition, now in the majority in the National Assembly, uses the sacrosanct terminology of “freedom,” “democracy,” and “human rights” to conceal the inescapable fact that it has committed, and continues to commit, grave crimes against the people of Venezuela in the service of its iniquitous agenda, shaped and guided, as always, by its patrons in the United States.

This so-called opposition – little more than the political manifestation of the former ruling elites of Venezuela – wants nothing less than the total reversal of the gains of the Bolivarian Revolution, the end of Chavismo, and the return of Venezuela to its former status as oil colony and wholly owned subsidiary of the United States. And how are these repugnant goals being achieved? Economic destabilization, street violence and politically motivated assassinations, and psychological warfare are just some of the potent weapons being employed.

Making the Economy Scream

In what is perhaps the most infamous example of U.S. imperialism in Latin America in the last half century, the Nixon administration, led by Henry Kissinger, orchestrated the 1973 overthrow of Salvador Allende, the Socialist president of Chile. In declassified CIA documents, it has been revealed that President Nixon famously ordered U.S. intelligence to “make (Chile’s) economy scream,” a reference to the need to undermine and destabilize the Chilean economy using both U.S. financial weapons, and a powerful business elite inside Chile, in order to pave the way for either the collapse of the government or a coup d’etat. Sadly, U.S. efforts proved successful, leading to a brutal dictatorship that lasted nearly two decades.

The same effort is currently underway in Venezuela, where the economic difficulties the country is facing can be directly attributed to the insidious efforts of Venezuela’s right-wing opposition, and its backers in the United States. While corporate media reports over the last two years have shown viscerally shocking images of empty store shelves, blaming supply problems on the incompetence and corruption of the Maduro government, none of the stories bother to examine the question of why supplies have dwindled in the way they have.

There is analysis pointing to corruption, an important problem to be tackled, to be sure, as well as lack of access to capital, and myriad other issues. But never does one find the real crux of the problem being discussed: supply and distribution remains in the hands of the right-wing elites whose interests are served by making life unbearable for the masses of poor and working people.

As renowned economist and former Venezuelan ambassador to the United Nations, Julio Escalona explained in Caracas on the eve of the December 2015 elections which ushered the right-wing back into the National Assembly: “The majority of Venezuela’s imports and distribution networks are in the hands of the elite … Many of the goods needed for Venezuelan consumption are diverted to Brazil and Colombia. We are experiencing manufactured scarcity, a crisis deliberately induced as a means of destabilization against the government … This is psychological war waged against the people of Venezuela in an attempt to intimidate them into abandoning the government and the socialist project entirely.”

The significance of this point cannot be overstated, as the lack of basic necessities, coupled with daily obstacles such as long lines at supermarkets, is enough to bring hardened Chavista activists, let alone ordinary Venezuelans, to question or even abandon the political project. And that is precisely the goal – make the economy scream, so the Chavistas will shut their mouths.

Of course, there’s little doubt that the scarcity of goods is largely manufactured for political ends. One need only look at the conspicuous reappearance of goods in the immediate aftermath of the right-wing Unity Roundtable victory in the December 2015 elections to see how connected the supply problems are with political agendas. Additionally, massive hoarding of basic consumer goods in warehouses owned by prominent Venezuelan business interests sheds added light on the lengths to which the right-wing opposition and elites will go to make their own country’s economy scream.

And then there’s the economic elephant in the room: oil. According to OPEC figures, oil revenue accounts for roughly 95 percent of Venezuela’s export earnings, with the energy sector comprising roughly a quarter of the gross domestic product. In eighteen months, from April 2014 to January 2016, the price per barrel of crude oil has dropped from US$108 to under US$30, a drop of nearly 75 percent. This price collapse has devastated Venezuela’s economy as oil revenue is needed to provide everything from basic services to the continuation of the public housing mission. And while President Maduro has refused to implement austerity, the drop has undeniably impacted the overall economy.

But is this price collapse merely the product of “simple economics” as the New York Times recently wrote? Or is it yet another orchestrated assault on oil-producing nations targeted by the U.S.? Russian President Vladimir Putin certainly implied that in late 2014 as the oil plunge took shape. Putin stated, “There’s lots of talk about what’s causing (the lowering of the oil price). Could it be the agreement between the U.S. and Saudi Arabia to punish Iran and affect the economies of Russia and Venezuela? It could.” Indeed, the collapse of oil couldn’t have come at a more opportune time for the U.S. globally, or for the U.S. proxy opposition inside Venezuela, as the effects of the plunge had obvious and immediate political ramifications.

One should also include hyper-speculation against Venezuela’s currency on the list of economic weapons being employed. Everything from the removal of currency and commodities out of the country, to the fostering and promotion of black market currency exchanges, has driven inflation through the roof in the country. While economic policy and mismanagement indeed play a role in this, it is equally true that the bolivar is yet another victim of the economic war.

It would be very difficult for any country to manage to ride out the confluence of negative economic developments and domestic economic subversion that Venezuela has had to endure. But coupled with a campaign of political violence and psychological war, the destabilization has taken on new dimensions.

In the U.S., and throughout North America and Europe, when one hears of violence in Venezuela, it is almost always either in the context of street violence or alleged “brutal crackdowns” on political protesters. However, the real political violence is carried out by the right-wing opposition, its paramilitary allies, and their backers in the U.S.

Violence sends a very clear message throughout Venezuelan society: do not stand up for your rights, do not try to defend the Revolution.

Perhaps no targeted killing has had a greater impact on the country and the Revolution than the 2014 assassination of Robert Serra, a young, up-and-coming legislator from the PSUV who was murdered by individuals connected to former Colombian President and self-declared enemy of the Bolivarian Revolution, Alvaro Uribe. Serra was seen by many as the future of the PSUV and of the Chavista movement in the country. His murder was interpreted by millions as a direct assault on the Revolution and the future of the country.

Just this year, Venezuela has seen a number of other assassinations carried out by the same networks backed by the right wing and their international allies. The well-respected journalist and prominent Chavista Ricardo Duran was murdered outside his home in Caracas. Likewise, Fritz St. Louis, International Coordinator of the United Socialist Haitian Movement and Secretary General of the Haitian Cultural House Bolivariana de Venezuela, was assassinated. Recently, Venezuela also saw opposition “activists” in the western city of San Cristobal brutally run down two police officers after the “protesters” hijacked a bus.

Sadly, there are many more killings that could be listed here. Such political violence is yet another indication of the “dirty war” – to borrow a term all too familiar in Latin America – being waged against the Bolivarian Revolution and Venezuela’s government.

This sort of violence sends a very clear message throughout Venezuelan society: do not stand up for your rights, do not try to defend the Revolution.

And that message is continually hammered home by a right-wing media that is, in effect, the propaganda arm of the right-wing opposition and the United States. As author and investigative journalist Eva Golinger revealed in 2007, the U.S. funded a program to provide financial support to Venezuelan journalists hostile to Chavez and the Bolivarian Revolution. This was a concerted effort aimed at influencing public opinion through the right-wing media, shaping the views of Venezuelans against their government. And that propaganda assault continues to this day, utilizing every possible means of disinformation and misinformation to turn the people of Venezuela against the Bolivarian Revolution, and against the socialist project.

The opposition and its U.S. patrons ceaselessly trumpet democracy and human rights, while having no regard for either in Venezuela. From quite literally taking food from the mouths of Venezuelans, to wantonly killing Chavistas and citizens alike, the opposition has proven itself to be not just reactionary and anti-democratic, but brazenly criminal.

In these times of political and economic turmoil in the Bolivarian Republic, one must recall just what exactly the so-called “opposition” is. And one must equally consider what sort of country Venezuela will become were they to be given even the slightest bit more power.


Eric Draitser is the founder of Stop Imperialism and is a freelance journalist.

Source: TeleSur


 

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Beyond Pedagogies of Repression

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=By= Henry A. Giroux

Students protest in Red Square at Georgetown University. (CC By 3.0)

Introduction

[dropcap]A[/dropcap]t a time when the public good is under attack and there seems to be a growing apathy toward the social contract or any other civic-minded investment in public values and the larger common good, education has to be seen as more than a credential or a pathway to a job, and pedagogy as more than teaching to the test. Against pedagogies of repression such as high-stakes testing, which largely serve as neoliberal forms of discipline to promote conformity and limit the imagination, critical pedagogy must be viewed as crucial to understanding and overcoming the current crises of agency, politics, and historical memory faced by many young people today. One of the challenges facing the current generation of educators and students is the need to reclaim the role that education has historically played in developing critical literacies and civic capacities. Education must mobilize students to be critically engaged agents, attentive to important social issues and alert to the responsibility of deepening and expanding the meaning and practices of a vibrant democracy.

At the heart of such a challenge is the question of what education should accomplish in a democracy. What work do educators have to do to create the economic, political, and ethical conditions necessary to endow young people with the capacities to think, question, and doubt, to imagine the unimaginable, and to defend education as essential for inspiring and energizing the citizens necessary for a robust democracy? In a world that has largely abandoned egalitarian and democratic impulses, what will it take to educate young people to challenge authority, resist the notion that education is only training, and redefine public and higher education as democratic public spheres?

What role might education and critical pedagogy have in a society in which the social has been individualized, emotional life has been collapsed into the therapeutic, and education has been relegated to either a private affair or a kind of algorithmic mode of regulation in which everything is reduced to a desired measurable economic outcome? Feedback loops and testing regimes now replace politics, and the concept of progress is defined through a narrow culture of metrics, measurement, and efficiency.1 In a culture drowning in a new love affair with empiricism and data, that which is not measurable withers. Lost here are the registers of compassion, care for others, the radical imagination, a democratic vision, and a passion for justice. In its place emerges what Goya, in one of his etchings, termed: “The Sleep of Reason Produces Monsters.” Goya’s title is richly suggestive, particularly about the role of education and pedagogy in compelling students to recognize, as my colleague David Clark points out, “that an inattentiveness to the never-ending task of critique breeds horrors: the failures of conscience, the wars against thought, and the flirtations with irrationality that lie at the heart of the triumph of every-day aggression, the withering of political life, and the withdrawal into private obsessions.”2

Given the multiple crises that haunt the current historical conjuncture, educators need a new language for addressing the changing contexts and issues facing a world in which an unprecedented convergence of resources—financial, cultural, political, economic, scientific, military, and technological—is increasingly used to concentrate powerful and diverse forms of control and domination. Such a language must be political without being dogmatic, and needs to recognize that pedagogy is always political, because it is connected to the struggle over agency. In this instance, making the pedagogical more political means being vigilant about those very “moments in which identities are being produced and groups are being constituted, or objects are being created.”3

The testing regimes now promoted by the anti-reformers such as Bill Gates, the Walton family, and others from the “billionaires’ club” function as dis-imagination regimes, undercutting the autonomy of teachers, unions, and the intellectual and political capacities of students to be informed and critically engaged citizens. The educational establishment’s obsession with testing and teaching to the test is part of a pedagogy of repression that attempts to camouflage the role that education plays in distorting history, silencing the voices of marginalized groups, and undercutting the relationship between learning and social change. Too many teachers suffer under regimes of testing, which trap them in a labor process that not only produces political and ethical servility, transforming them into deskilled technicians, but also obscures the role that schools might play in creating the formative cultures that make a democracy possible, and in addressing pedagogy as a moral and political practice.

Testing regimes make power invisible by defining education as a form of training, and pedagogy as strictly a method designed to teach pre-defined, standardized skills. Purposely missing from this discourse is education’s role in shaping identities, desires, values, and notions of agency. Lost from the prison house of testing regimes is any consideration for educators to be attentive to those practices in which critical modes of agency and particular identities are being denied. For example, the Tucson Unified School District Board not only eliminated its famed Mexican American Studies Program, but also banned Chicano and Native American books it deemed dangerous. The ban also included Shakespeare’s play The Tempest and Pedagogy of the Oppressed by the famed Brazilian educator Paulo Freire. This act of censorship provides a particularly disturbing case of the war being waged in the United States against not only young people marginalized by race and class, but also against the very spaces and pedagogical practices that make critical thinking possible.

Testing regimes have nothing to say about the oppressive ideologies that function as part of a hidden curriculum that produces and legitimates tracking, social sorting, segregated schools, the defunding of public schools, and the power exercised over the production and control of knowledge. For instance, the testing movement seriously undermines the critical capacities of students, and gives them no tools to recognize how right-wing religious and political fundamentalists are shaping textbooks. What tools does teaching to the test offer students that might enable them to recognize that in a recently published McGraw-Hill world geography textbook, a speech bubble in a section on Patterns of Immigration pointed to the continent of Africa and read: “The Atlantic Slave Trade between the 1500s and 1800s brought millions of workers from Africa to the southern United States to work on agricultural plantations”?4 Calling slaves “workers,” and the forced migration of Africans to the United States an act of “immigration,” is something that could have been written by the Ku Klux Klan or other white supremacist groups. And it is precisely this kind of historical and political erasure that is central to the testing regimes pushed by dominant financial and class interests.

Such actions are not innocent or free from the working of dominant power and ideology. The damaging ideology underlying the testing mania and its pedagogical forms of oppression suggests the need for faculty to develop forms of critical pedagogy that not only challenge testing regimes but also inspire and energize students. That is, they should be able to challenge a growing number of anti-democratic practices and policies while also resurrecting a radical democratic project that provides the basis for imagining a life beyond a social order immersed in inequality, environmental degradation, and the elevation of war and militarization to national ideals. Under such circumstances, education becomes more than an obsession with accountability schemes, an audit culture, market values, and an unreflective immersion in the crude empiricism of a data-obsessed market-driven society. It becomes part of a formative culture in which thoughtlessness prevails, providing the foundation for what Hannah Arendt called “the curse of totalitarianism.”

At a time of increased repression, it is all the more crucial for educators to reject the notion that public and higher education are simply sites for training students for the workforce, and that the culture of education is synonymous with the culture of business. At issue here is the need for educators to recognize the power of education in creating the formative cultures necessary to challenge the various threats being mobilized against the ideas of justice and democracy, while also fighting for those public spheres, ideals, values, and policies that offer alternative modes of identity, thinking, social relations, and politics.

In both conservative and progressive discourses, pedagogy is often treated simply as a set of strategies and skills used to teach and test for pre-specified subject matter. In this context, pedagogy becomes synonymous with teaching as a technique or the practice of a craft-like skill. Any viable notion of critical pedagogy must grasp the limitations of this definition and its endless slavish imitations, even when they are claimed as part of a radical discourse or project. In opposition to the instrumental reduction of pedagogy to a method—which has no language for relating the self to public life, social responsibility, or the demands of citizenship—critical pedagogy illuminates the relationships among knowledge, authority, and power.5

Central to any viable notion of what makes pedagogy critical is, in part, the recognition that pedagogy is always a deliberate attempt on the part of educators to influence how and what knowledge and subjectivities are produced within particular sets of social relations. This approach to critical pedagogy does not reduce educational practice to the mastery of methodologies. It stresses instead the importance of understanding what actually happens in classrooms and other educational settings by raising questions: What is the relationship between learning and social change? What knowledge is of most worth? What does it mean to know something, and in what direction should one desire? Pedagogy is always about power, because it cannot be separated from how subjectivities are formed or desires mobilized, how some experiences are legitimated and others are not, or how some knowledge is considered acceptable while other forms are excluded from the curriculum.

Pedagogy is a moral and political practice because it offers particular versions and visions of civic life, community, the future, and how we might construct representations of ourselves, others, and our physical and social environment. But it does more; it also, as Roger Simon has written, “represents a version of our own dreams for ourselves, our children, and our communities. But such dreams are never neutral; they are always someone’s dreams and to the degree that they are implicated in organizing the future for others they always have a moral and political dimension.”6

It is in this respect that any discussion of pedagogy must begin with a discussion of educational practice as a particular way in which a sense of identity, place, worth, and above all value is informed by practices that organize knowledge and meaning.7 Central to my argument is the assumption that politics is not only about the exercise of economic and political power, but also, as Cornelius Castoriadis points out, “has to do with political judgements and value choices,” indicating that questions of civic education and critical pedagogy—learning how to become a skilled citizen—are central to the struggle over political agency and democracy.8

In this instance, critical pedagogy emphasizes critical reflection, bridging the gap between learning and everyday life, understanding the connection between power and difficult knowledge, and extending democratic rights and identities by using the resources of history and theory. However, many educators and social theorists refuse to recognize that education does not only take place in schools, but also through what can be called the educative nature of the culture. That is, there are a range of cultural institutions extending from the mainstream media to new digital screen cultures that engage in what I have called forms of public pedagogy, which are central to the tasks of either expanding and enabling political and civic agency, or of shutting them down. At stake here is the crucial recognition that pedagogy is central to politics itself, because it is about changing the way people see things, recognizing that politics is educative and, as the late Pierre Bourdieu reminded us, “the most important forms of domination are not only economic but also intellectual and pedagogical, and lie on the side of belief and persuasion.”9

Just as I would argue that pedagogy has to be made meaningful in order to be made critical and transformative, I think it is fair to argue that there is no politics without a pedagogy of identification; that is, people must invest something of themselves in how they are addressed, or recognize that any mode of education, argument, idea, or pedagogy has to speak to their condition and provide a moment of recognition. Lacking this understanding, pedagogy all too easily becomes a form of symbolic and intellectual violence, one that assaults rather than educates. Once again, one can see this in forms of high-stakes testing and empirically driven teaching approaches that dull the critical impulse and produce what might be called dead zones of the imagination. We also see such violence in schools whose chief function is repression. Such schools often employ modes of instruction that are punitive and mean-spirited, largely driven by regimes of memorization and conformity. Pedagogies of repression are largely disciplinary and have little regard for analyzing contexts and history, making knowledge meaningful, or expanding upon what it means for students to be critically engaged agents.

Expanding critical pedagogy as a mode of public pedagogy suggests being attentive to and addressing modes of knowledge and social practices in a variety of sites that not only encourage critical thinking, thoughtfulness, and meaningful dialogue, but also offer opportunities to mobilize instances of moral outrage, social responsibility, and collective action. Such mobilization opposes glaring material inequities and the growing cynical belief that today’s culture of investment and finance makes it impossible to address social problems facing the United States, Canada, Latin America, and the larger world. Most importantly, such work points to the link between civic education, critical pedagogy, and modes of oppositional political agency that are pivotal to creating a politics that promotes democratic values, relations, autonomy, and social change.

Rather than viewing teaching as a technical practice, pedagogy in the broadest critical sense is premised on the assumption that learning is not about processing received knowledge, but actually transforming it, as part of a more expansive struggle for individual rights and social justice. The fundamental challenge facing educators in the current age of neoliberalism, militarism, and religious fundamentalism is to provide the conditions for students to address how knowledge is related to the power of both self-definition and social agency. In part, this suggests providing students with the skills, ideas, values, and authority necessary for them to nourish a substantive democracy, recognize anti-democratic forms of power, and to fight deeply rooted injustices in a society and world founded on systemic economic, racial, and gendered inequalities. I want to take up these issues by addressing a number of related pedagogical concerns, including the notion of teachers as public intellectuals, pedagogy and the project of insurrectional democracy, pedagogy and the politics of responsibility, and finally, pedagogy as a form of resistance and educated hope.

The Responsibility of Teachers as Engaged Intellectuals

In the age of irresponsible privatization, unchecked individualism, celebrity culture, unfettered consumerism, and a massive flight from moral responsibility, it has become more and more difficult to acknowledge that educators and other cultural workers bear an enormous responsibility in opposing the current threat to the planet and everyday life by reviving democratic political cultures. Lacking a self-consciously democratic political focus or project, teachers are often reduced either to technicians or functionaries, engaged in formalistic rituals, absorbed with bureaucratic demands, and unconcerned either with disturbing and urgent social problems that confront the larger society or the consequences of one’s pedagogical practices and research. In opposition to this model, with its claims to and conceit of political neutrality, I argue that teachers and academics should combine the mutually interdependent roles of critical educator and active citizen. This requires finding ways to connect the practice of classroom teaching with issues that bear on their lives and the larger society, and to provide the conditions for students to view themselves as critical agents capable of making those who exercise authority and power answerable for their actions. The role of a critical education is not to train students solely for jobs, but to educate them to question critically the institutions, policies, and values that shape their lives, their relationships to others, and their myriad of connections to the larger world.

Stuart Hall, one of the founders of cultural studies, was on target when he insisted that educators as public intellectuals have a responsibility to provide students with “critical knowledge that has to be ahead of traditional knowledge: it has to be better than anything that traditional knowledge can produce, because only serious ideas are going to stand up.”10 At the same time, he insisted on the need for educators to “actually engage, contest, and learn from the best that is locked up in other traditions,” especially those attached to traditional academic paradigms.11 It is also important to remember that education as a form of educated hope is not simply about fostering critical consciousness, but also about teaching students, as Zygmunt Bauman has put it, to “take responsibility for one’s responsibilities,” be they personal, political, or global. Students should be made aware of the ideological and structural forces that promote needless human suffering, while also recognizing that it takes more than awareness to resolve them.

What role might educators in both public and higher education play as public intellectuals in light of the poisonous assaults waged on public schools by the forces of neoliberalism and other fundamentalisms? In the most immediate sense, they can raise their collective voices against the influence of corporations that are flooding societies with a culture of violence, fear, anti-intellectualism, commercialism, and privatization. They can show how this culture of commodified cruelty and violence is only one part of a broader and all-embracing militarized culture of war, the arms industry, and a social Darwinian survival-of-the-fittest ethic that increasingly disconnects schools from public values, the common good, and democracy itself. They can bring all of their intellectual and collective resources together to critique and dismantle the imposition of high-stakes testing and other commercially driven modes of accountability on schools.

They can speak out against modes of governance that have reduced teachers and faculty to the status of part-time Walmart employees, and they can struggle collectively to take back public and higher education from a new class of hedge fund managers, corporate elites, and the rich, who want to privatize education and strip it of its civic values and its role as a democratic public good. This suggests that educators must join with parents, young people, social movements, intellectuals, and other cultural workers to resist the ongoing corporatization of public and higher education. It also means developing a comprehensive understanding of the interconnections between the ideology of financial elites, the testing industries, the criminal justice system, and other apparatuses whose purpose is to reduce teachers to the status of clerks, technicians, or “entrepreneurs,” a subaltern class of deskilled workers with little power, few benefits, and excessive teaching loads. As Noam Chomsky has observed, this neoliberal mode of austerity and precarity is part of a business model “designed to reduce labor costs and to increase labor servility,” while at the same time making clear that “what matters is the bottom line.”12

In addition, educators, parents, workers, and others can work together to develop a broader, comprehensive vision of education and schooling that is capable of waging a war against those who would deny both their critical functions—and this applies to all forms of dogmatism and political purity, across the ideological spectrum. As my friend, the late Paulo Freire, once argued, educators have a responsibility to not only develop a critical consciousness in students, but to provide the conditions for students to be engaged individuals and social agents. As Stanley Aronowitz has argued, such a project is not a call to shape students in the manner of Pygmalion, but to encourage human agency, not mold it. Since human life is conditioned rather than determined, educators cannot escape the ethical responsibility of addressing education as an act of intervention whose purpose is to provide the conditions for students to become the subjects and makers of history. This requires dismissing a repressive system of education designed to turn students into simply passive, disconnected objects, or mere consumers and not producers of knowledge, values, and ideas.13

This calls for a pedagogy in which educators would be afraid neither of controversy nor of the willingness to make connections that are otherwise hidden. Nor would they be afraid of making clear the connection between private troubles and broader social problems. One of the most important tasks for educators engaged in critical pedagogy is to teach students how to translate private issues into public considerations. One measure of the demise of vibrant democracy and the corresponding impoverishment of political life can be found in the increasing inability of a society to make private issues public, to translate individual problems into larger social issues. As the public collapses into the personal, the personal becomes “the only politics there is, the only politics with a tangible referent or emotional valence.”14 This is a central feature of neoliberalism as an educative tool, and can be termed the individualization of the social. Under such circumstances, the language of the social is either devalued or ignored, as public life is often reduced to a form of pathology or deficit (as in public schools, transportation, and welfare) and all dreams of the future are modeled increasingly around the narcissistic, privatized, and self-indulgent needs of consumer culture and the dictates of the allegedly free market. Similarly, all problems, whether they are structural or caused by larger social forces, are now attributed to individual failings, matters of character, or individual ignorance. In this case, poverty is reduced to a matter of individual lifestyle, personal responsibility, bad choices, or flawed character.

Pedagogy as a Practice of Freedom

In opposition to dominant views of instrumental and test-driven modes of education and pedagogy, I want to argue for a notion of pedagogy as a practice of freedom—rooted in a broader project of a resurgent and insurrectional democracy—one that relentlessly questions the kinds of labor practices and forms of production enacted in public and higher education. While such a pedagogy does not offer guarantees, it does recognize that its own position is grounded in particular modes of authority, values, and ethical principles that must be constantly debated for the ways in which they both open and close democratic relations, values, and identities. Needless to say, such a project should be principled, relational, and contextual, as well as self-reflective and theoretically rigorous. By relational, I mean that the current crisis of schooling must be understood in relation to the broader assault being waged against all aspects of democratic public life. At the same time, any critical comprehension of those wider forces shaping public and higher education must also be supplemented by an attention to the historical and conditional nature of pedagogy itself. This suggests that pedagogy can never be treated as a fixed set of principles and practices that can be applied indiscriminately across a variety of pedagogical sites. On the contrary, it must always be attentive to the specificity of different contexts and the different conditions, formations, and problems that arise in various sites in which education takes place. Such a project suggests recasting pedagogy as a practice that is indeterminate, open to constant revision, and constantly in dialogue with its own assumptions.

The notion of a neutral, objective education is an oxymoron. Education and pedagogy do not exist outside of relations of power, values, and politics. Ethics on the pedagogical front demand an openness to the other, a willingness to engage a “politics of possibility” through a continual critical engagement with texts, images, events, and other registers of meaning as they are transformed into pedagogical practices, both within and outside the classroom.15 Pedagogy is never innocent, and if it is to be understood and problematized as a form of academic labor, educators have the opportunity not only to critically question and register their own subjective involvement in how and what they teach, but also to resist all calls to depoliticize pedagogy through appeals to either scientific objectivity or ideological dogmatism. This suggests the need for educators to rethink the cultural and ideological baggage they bring to each educational encounter. It also highlights the need to make educators ethically and politically accountable and self-reflective for the stories they produce, the claims they make upon public memory, and the images of the future they deem legitimate. Hence, crucial to any viable notion of critical pedagogy is the necessity for critical educators to be attentive to the ethical dimensions of their own practice.

The Promise of a Democracy to Come

As a practice of freedom, critical pedagogy needs to be grounded in a project that not only problematizes its own location, mechanisms of transmission, and effects, but also functions as part of a wider project to help students think critically about how existing social, political, and economic arrangements might better address the promise of a democracy to come. Understood as a form of educated hope, pedagogy in this sense is not an antidote to politics, a nostalgic yearning for a better time, or for some “inconceivably alternative future.” Instead, it is an “attempt to find a bridge between the present and future in those forces within the present which are potentially able to transform it.”16

What has become clear in this current climate of casino capitalism is that the corporatization of education cancels out the teaching of democratic values, impulses, and practices of a civil society by either devaluing or absorbing them within the logic of the market. Educators need a critical language to address these challenges to public and higher education. But they also need to join with other groups outside of the spheres of public and higher education, in order to create broad national and international social movements that share a willingness to defend education as a civic value and public good and to engage in a broader struggle to deepen the imperatives of democratic public life. The quality of educational reform can, in part, be gauged by the caliber of public discourse concerning the role that education plays in furthering, not the market driven agenda of corporate interests, but the imperatives of critical agency, social justice, and an operational democracy.

If we define pedagogy as a moral and political exercise, then education can highlight the performative character of schooling and civic pedagogy as a practice that moves beyond simple matters of critique and understanding. Pedagogy is not simply about competency or teaching young people the great books, established knowledge, predefined skills, and values, it is also about the possibility of interpretation as an act of intervention in the world. Such a pedagogy should challenge common sense and take on the task as the poet Robert Hass once put it, “to refresh the idea of justice going dead in us all the time.”17 Within this perspective, critical pedagogy foregrounds the diverse conditions under which authority, knowledge, values, and subject positions are produced and interact within unequal relations of power. Pedagogy in this view also stresses the labor conditions necessary for teacher autonomy, cooperation, decent working conditions, and the relations of power necessary to give teachers and students the capacity to restage power in productive ways that point to self-development, self-determination, and social agency.

Making Pedagogy Critical and Transformative

Any analysis of critical pedagogy needs to address the importance that affect, meaning, and emotion play in the formation of individual identity and social agency. Any viable approach to critical pedagogy suggests taking seriously those maps of meaning, affective investments, and sedimented desires that enable students to connect their own lives and everyday experiences to what they learn. Pedagogy in this sense becomes more than a mere transfer of received knowledge, a disciplinary system of repression, an inscription of a unified and static identity, or a rigid methodology; it presupposes that students are moved by their passions and motivated, in part, by the identifications, range of experiences, and commitments they bring to the learning process. In part, this suggests connecting what is taught in classrooms to the cultural capital and worlds that young people inhabit.

For instance, schools often have little to say about the new media, digital culture, and social media that dominate the lives of young people. Hence, questions concerning both the emancipatory and oppressive aspects of these media are often ignored, and students find themselves bored in classrooms in which print culture and its older modes of transmission operate. Or they find themselves using new technologies with no understanding of how they might be understood as more than retrieval machines—that is, as technologies deeply connected to matters of power, ideology, and politics. The issue here is not a call for teachers to simply become familiar with the new digital technologies, however crucial, but to address how they are being used as a form of cultural politics and pedagogical practice to produce certain kinds of citizens, desires, values, and social relations. At stake here is the larger question of how these technologies enhance or shut down the meaning and deepening of democracy. Understanding the new media is a political issue and not merely a technological one. Sherry Turkle is right in arguing that the place of technology can only be addressed if one has a set of values from which to work. This is particularly important given the growth of the surveillance state in the United States and the growing retreat from privacy on the part of a generation that is now hooked on the corporate-controlled social media such as Twitter, Instagram, and Facebook.

The experiences that shape young people’s lives are often mediated modes of experiences in which some are viewed as more valued than others, especially around matters of race, sexuality, and class. Low-income white students and poor minorities are often defined through experiences that are viewed as deficits. In this instance, different styles of speech, clothing, and body language can be used as weapons to punish certain students. How else to explain the high rate of black students in the United States who are punished, suspended, and expelled from their schools because they violate dress codes or engage in what can be considered minor rule violations.

Experiences also tie many students to modes of behavior that are regressive, punishing, self-defeating, and in some cases violent. We see too many students dominated by the values of malls, shopping centers, and fashion meccas. They not only fill their worlds with commodities but have become working commodities. Clearly, such experiences must be critically engaged and understood within a range of broader forces that subject students to a narrow range of values, identities, and social relations. Such experiences should be both questioned and unlearned, where possible. This suggests a pedagogical approach in which such experiences are interrogated through what Roger Simon and Deborah Britzman call troubling or difficult knowledge. For instance, it is sometimes difficult for students to take a critical look at Disney culture not just as a form of entertainment, but also as an expression of corporate power that produces a range of demeaning stereotypes for young people, while it endlessly carpet bombs them with commercial products. Crucial here is developing pedagogical practices that not only interrogate how knowledge, identifications, and subject positions are produced, unfolded, and remembered but also how such knowledges can be unlearned, particularly as they become complicit with existing relations of power.

Conclusion

At the dawn of the twenty-first century, the notion of the social and the public are not being erased as much as they are being reconstructed under circumstances in which public forums for serious debate, including public education, are being eroded. Reduced either to a crude instrumentalism, business culture, or defined as a purely private right rather than a public good, teaching and learning are removed from the discourse of democracy and civic culture. Pedagogies of repression wedded to diverse regimes of testing now shamelessly parade under the manner of a new reform movement. In actuality, they constitute not only a hijacking of public and higher education so as to serve the interests of the financial and corporate elite, they also constitute an attack on the best elements of the enlightenment and further undermine any viable notion of democratic socialism.

Under the influence of powerful financial interests, we have witnessed the takeover of public and increasingly higher education by a corporate logic and pedagogy that both numbs the mind and the soul, emphasizing repressive modes of learning that promote winning at all costs, learning how not to question authority, and undermining the hard work of becoming thoughtful, critical, and attentive to the power relations that shape everyday life and the larger world. As learning is privatized, treated as a form of entertainment, depoliticized, and reduced to teaching students how to be good consumers, any viable notions of the social, public values, citizenship, and democracy wither and die. I am not suggesting that we must defend an abstract and empty notion of the public sphere, but those public spheres capable of producing thoughtful citizens, critically engaged agents, and an ethically and socially responsible society.

The greatest threat to young people does not come from lowered standards, the absence of privatized choice schemes, or the lack of rigid testing measures. On the contrary, it comes from societies that refuse to view children as a social investment, consign millions of youth to poverty, reduce critical learning to massive mind-deadening testing programs, promote policies that eliminate the most crucial health and public services, and define masculinity through the degrading celebration of a gun culture, extreme sports, and the spectacles of violence that permeate corporate controlled media industries. Students are not at risk because of the absence of market incentives in the schools, they are at risk because education is being stripped of public funding, public values, handed over to corporate interests, and devalued as a public good. Students are at risk because schools have become dis-imagination machines killing any vestige of creativity, passion, and critical thinking that students might learn and exhibit as part of their schooling. Children and young adults are under siege in both public and higher education because far too many of these institutions have become breeding grounds for commercialism, segregation by class and race, social intolerance, sexism, homophobia, consumerism, surveillance, and the increased presence of the police, all of which are spurred on by the right-wing discourse of pundits, politicians, educators, and a supine mainstream media.

As a central element of a broad-based cultural politics, critical pedagogy, in its various forms, when linked to the ongoing project of democratization can provide opportunities for educators and other cultural workers to redefine and transform the connections among language, desire, meaning, everyday life, and material relations of power as part of a broader social movement to reclaim the promise and possibilities of a democratic public life. Critical pedagogy is dangerous to many educators and others because it provides the conditions for students to develop their intellectual capacities, hold power accountable, and embrace a sense of social responsibility.

One of the most serious challenges facing teachers, artists, journalists, writers, and other cultural workers is the task of developing a discourse of both critique and possibility. This means developing languages and pedagogical practices that connect reading the word with reading the world, and doing so in ways that enhance the capacities of young people as critical agents and engaged citizens. In taking up this project, educators and others should attempt to create the conditions that give students the opportunity to become autonomous actors who have the knowledge and courage to struggle in order to make desolation and cynicism unconvincing and hope practical. Educated hope is not a call to overlook the difficult conditions that shape both schools and the larger social order. On the contrary, it is the precondition for providing those languages and values that point the way to a more democratic and just world. As Judith Butler has argued, there is more hope in the world when we can question common sense assumptions and believe that what we know is directly related to our ability to help change the world around us, though it is far from the only condition necessary for such change.18 There is more hope in the world when educators and others take seriously John Dewey’s insistence that “a democracy needs to be reborn in each generation, and education is its midwife.”19 Today, Dewey’s once vaunted claim is more important than ever, and reminds us that democracy begins to fail and political life becomes impoverished in the absence of those vital public spheres such as public and higher education in which civic values, public scholarship, and social engagement allow for a more imaginative grasp of a future that takes seriously the demands of justice, equity, and civic courage. Democracy should be a way of thinking about education, one that thrives on connecting equity to excellence, learning to ethics, and agency to the imperatives of social responsibility and the public good.20 We may live in dark times, but the future is still open. The time has come to develop a pedagogical language in which civic values, social responsibility, and the institutions that support them become central to invigorating and fortifying a new era of civic imagination, a renewed sense of social agency, and an impassioned international social movement with a vision, organization, and set of strategies to challenge the anti-democratic forces engulfing the planet. My friend the late Howard Zinn got it right in his insistence that hope is the willingness “to hold out, even in times of pessimism, the possibility of surprise.”21 Or, to add to this eloquent plea, I would say, resistance is no longer an option, it is a necessity.

Notes

  1. See for instance Evgeny Morozov, “The Rise of Data and the Death of Politics,”The Guardian, July 20, 2014.
  2. Author’s correspondence with David Clark.
  3. Gary Olson and Lynn Worsham, “Staging the Politics of Difference: Homi Bhabha’s Critical Literacy,”Journal of Advanced Composition 18 (1998): 361–91.
  4. Yanan Wang, “Changes due for ‘revisionist’ textbook,”The Hamilton Spectator, October 6, 2015.
  5. For examples of this tradition, see Maria Nikolakaki, ed.,Critical Pedagogy in the Dark Ages: Challenges and Possibilities (New York: Peter Lang, 2012); Henry A. Giroux,On Critical Pedagogy (New York: Continuum, 2011).
  6. Roger Simon, “Empowerment as a Pedagogy of Possibility,”Language Arts64, no. 4 (1987): 372.
  7. Henry A. Giroux,Education and the Crisis of Public Values, 2nd ed. (New York: Peter Lang, 2015).
  8. Cornelius Castoriadis, “Institutions and Autonomy,” in Peter Osborne, ed.,A Critical Sense (New York: Routledge, 1996), 8.
  9. Pierre Bourdieu and Gunter Grass, “The ‘Progressive’ Restoration: A Franco-German Dialogue,”New Left Review 14 (2002): 66.
  10. Greig de Peuter, “Universities, Intellectuals and Multitudes: An Interview with Stuart Hall,” in Mark Cote, Richard J. F. Day, and Greig de Peuter, eds.,Utopian Pedagogy: Radical Experiments Against Neoliberal Globalization (Toronto: University of Toronto Press, 2007), 113–14.
  11. Ibid., 117.
  12. Noam Chomsky, “The Death of American Universities,”Reader Supported News, March 30, 2015, http://readersupportednews.org.
  13. This idea is central to the work of Paulo Freire, especially hisPedagogy of the Oppressed andPedagogy of Freedom.
  14. Jean Comaroff and John L. Comaroff, “Millennial Capitalism: First Thoughts on a Second Coming,”Public Culture 12, no. 2 (2000): 305–06.
  15. For an informative discussion of the ethics and politics of deconstruction, see Thomas Keenan,Fables of Responsibility: Aberrations and Predicaments in Ethics and Politics (Stanford, CA: Stanford University Press, 1997), 2.
  16. Terry Eagleton,The Idea of Culture (Malden, MA: Blackwell, 2000), 22.
  17. Robert Hass, cited in Sarah Pollock, “Robert Hass,”Mother Jones (March/April 1992), 22.
  18. Cited in Gary Olson and Lynn Worsham, “Changing the Subject: Judith Butler’s Politics of Radical Resignification,”Journal of Advanced Composition 20, no. 4 (200), 765.
  19. John Dewey, cited in E. L. Hollander, “The Engaged University,”Academe 86, no. 4 (2000): 29–32.
  20. Andrew Delbanco,College: What It Was, Is, and Should Be (Princeton, NJ: Princeton University Press, 2006).
  21. Howard Zinn,A People’s History of the United States. (New York: Harper Perennial, 2003), 634.

 


henry-girouxContributing Editor Henry A. Giroux currently holds the Global TV Network Chair Professorship at McMaster University in the English and Cultural Studies Department and a Distinguished Visiting Professorship at Ryerson University. His books include: Zombie Politics and Culture in the Age of Casino Capitalism (Peter Land 2011), On Critical Pedagogy (Continuum, 2011), Twilight of the Social: Resurgent Publics in the Age of Disposability (Paradigm 2012), Disposable Youth: Racialized Memories and the Culture of Cruelty (Routledge 2012), Youth in Revolt: Reclaiming a Democratic Future (Paradigm 2013). Giroux’s most recent books are America’s Education Deficit and the War on Youth (Monthly Review Press, 2013), are Neoliberalism’s War on Higher Education, America’s Disimagination Machine (City Lights) and Higher Education After Neoliberalism (Haymarket) will be published in 2014). He is also a Contributing Editor of Cyrano’s Journal Today / The Greanville Post, and member of Truthout’s Board of Directors and has his own page The Public Intellectual. His web site is www.henryagiroux.com.

Source: Republished at Dr. Giroux’s request from the Monthly Review.

 

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Salvador: Film Narrative Challenges US Myths About El Salvador in the 1980s

black-horizontalDISPATCHES FROM MIKE KUHLENBECK
SPECIAL ROVING CORRESPONDENT
working to impede war and social injustice through simple truth

displaced

Picture from the video El Salvador War Documentaries

Screen Shot 2016-01-23 at 2.38.28 PM[dropcap]T[/dropcap]hirty years since the release of director Oliver Stone’s film Salvador, the tragic events depicted onscreen have largely been forgotten. Collaborating with rogue journalist Richard Boyle, Stone attempts to treat America’s deadly case of historical amnesia by telling the shameful history of the United States government supporting the fascist death squads against the people of El Salvador in the 1980s.

Salvador poster

Poster for the film “Salvador”

During the Cold War, the US supported right wing terrorists in Latin America to make the world safe for capitalism. Salvador is based on the experiences of journalist Richard Boyle in El Salvador in 1980-82. By the late 70s, he had left journalism to take up various lines of work. He returned to the profession in 1979 to cover the civil wars in El Salvador and Nicaragua for NBC radio and CNN, as well as producing a documentary called Below the Volcano.

For over a century, an oligarchy of wealthy landowners ruled over the poverty-stricken masses of El Salvador using intimidation and violence. Rumblings of revolt against the landowners had been reverberating throughout the country, leading to the outbreak of a civil war that lasted 12 years. The US government sided with the landowners and by the mid-1980s El Salvador became the largest recipient of US military aid.

In the original theatrical production notes, actor James Woods, who portrayed Boyle in the film, said, “[Boyle] goes back to El Salvador just to make some money. But then he gets swept up on a personal level and becomes truly interested in finding the truth.”

This was not the first time the intrepid reporter was exposed to the disastrous folly of American foreign policy. During his career Boyle has reported on Cambodia, Laos, Israel and Vietnam, where he obtained firsthand accounts of the horror as it unfolded. He wrote the explosive underground exposé The Flower of the Dragon: The Breakdown of the U.S. Army in Vietnam, published in 1972 by Ramparts Press, based on these experiences.

Boyle found a kindred spirit with fellow veteran Oliver Stone, who served in the US Army from September 1967 to November 1968 in the 25th Infantry Division and the 1st Air Calvary in Vietnam. Returning with a Bronze Star for Valor and a Purple Heart, Stone studied film at New York University. He graduated in 1971 and went on to pen the screenplays for Brian De Palma’s Scarface and Alan Parker’s Midnight Express, for which he was honored with an Academy Award for best adapted screenplay.

In December 1984, Boyle handed Stone an unpublished manuscript about his experiences as a reporter in El Salvador. Upon reading it, Stone said it was a “good story” and was determined to adapt it for the big screen. He initially wanted to focus on Boyle rather than the political side of what Boyle was covering. But when Stone visited El Salvador, Nicaragua, Honduras and Costa Rica in January 1985, he was struck by an eerie sense of déjà vu. Recalling his experiences in Central America, Stone had a kind of “flashback on the order of a Back to the Future Spielberg movie.”

“I thought I had returned to Vietnam, 1965, Saigon. It was hot, wet, and the American kids were 19 again in green uniforms…We were ‘saving’ Honduras. Some of these people were women now, and I suddenly felt like a forgotten older man who was wandering around wondering how this could happen again so quickly in my lifetime.”

Jim Belushi played Boyle’s friend Dr. Rock, a radio disc jockey in San Francisco. Belushi said his character represents a kind of vessel for the audience to discover the heart of darkness: “My character is ignorant of Central American issues, [as is] most of the American general public. So I feel I’m a touchstone for the audience at the beginning of the movie. My character discovers El Salvador as the audience does.”

Media critic Carl Jensen (and the non-profit group Project Censored) writes:

“The U.S. media coverage of the outbreak of civil war in El Salvador was dangerously misleading. Either through willful misinformation or ignorance, the major media supported a misguided U.S. foreign policy that threatened to embroil Americans in another Vietnam War.”

Hollywood, serving as an extension of the US media, helped perpetuate the myths fashioned by The Pentagon. This was, after all, the Top Gun generation. Ronald Reagan was president and the Soviet Union was “the Evil Empire.” Pro-war propaganda disguised as entertainment proved irresistible to studio executives, resulting in a slew of highly profitable films best described as “patriot porn.”

Needless to say that a film depicting the bleak truth about the arrogance of American Empire and the carnage left in its wake caused many people to even look away from the movie poster of Salvador when arriving at the theater. As a result, the film was met with a disappointing turnout at the box office.

The defeat in Vietnam and the carnage that resulted was a blow to the morale of American Imperialism. Along with the mental illness that compels leaders to declare war, the American people were said to be suffering from “Vietnam War Syndrome” as a result. This sociological vulnerability was exploited by reactionary elements in the US who were not satisfied with the administration of President James “Jimmy” Carter when it came to foreign policy in regions such as Central America, particularly in nations like El Salvador.

Speaking to the National Press Club in Washington D.C. on April 7, 1987, Oliver Stone said the nightmare in El Salvador climaxed with the 1980 election of Ronald Reagan:

“An archbishop, 18 other priests, and 4 nuns were murdered by death squads—founded, as I pointed out in my movie Salvador, by people like José Medrano and René Chacon, who studied with our Green Berets in Vietnam and the International Police Academy in Washington and at the Jungle School in Panama. But this was the time of the Jeane Kirkpatrick school of thought that manages to distinguish authoritarian and totalitarian government, and in the crusading name of anti-communism, from 1980 to 1985, we poured 1.7 billion dollars’ worth of military and economic aid into a military mafia that was, in fact, a death squad responsible for some 30 to 50 thousand civilian deaths.”

In 1980 alone, the US supplied over $5.7 million in military aid to El Salvador to support “moderate opposition” to “leftwing terrorism.” The recipients of this funding (“the moderate opposition”) were fascist goons serving the nation’s plutocrats. The so-called “leftwing terrorists” being opposed were unarmed peasants, workers, students, teachers, small business owners and others who criticized the government.

Supporting US Favorable Governments - School of the Americas (SOA)

As one small indication of the level of involvement of the U.S. in El Salvador, thousands of Salvadorans were trained at the U.S. School of the Americas, with a couple hundred more trained from 2001-2004 at the rebranded SOA. In 2001 to the Western Hemisphere Institute for Security Cooperation. This information taken from the SOA Watch database of graduates.

For those not familiar with the SOA/WHINSEC, it is a training school for Latin American soldiers. Students are generally selected by their governments, and training is provided by the US Army at the school's base at Fort Benning, Georgia.

Of interest is the carefully worded 1996 GAO report on School of the Americas. However, removing the polite language, relatively little time and attention was (or is) paid to teaching about democracy, or operating militarily within a democracy. The training does cover extraction of information (including torture), and infiltration and suppression of domestic "insurgency." You may also be interested in looking at the text of some of the manuals used by the SOA.

Among the strategies encouraged by the U.S. is one known by various names as "Draining the Sea," "Draining the Ocean," and "Draining the Swamp." In this strategy, civilian populations are suppressed - often through massacres of entire villages - to remove the "support base" for insurgency. This is also a tactic used by the U.S. military. For more discussion see Drain the Swamp? (Robert Jensen & Rahul Mahajan, 2001).

That year, there were over 10,000 political assassinations across the country. Records from the Legal Aid Office of the Catholic Archdiocese of San Salvador reported that 80 percent of these were committed by the death squads— not by “leftwing terrorists” or “Marxist guerillas” as originally claimed by the Reaganites.

One such Reaganite was Cold Warrior Jeane Kirkpatrick, who served as US Ambassador to the United Nations from 1981-1985. Kirkpatrick justified these actions by saying, “Traditional authoritarian governments are less repressive than revolutionary autocracies.” This is consistent with the widely accepted American credo where “the ends justify the means” when trying to stop the “godless Communists.”

Stone has continued to study the crimes of the American Empire and co-authored The Untold History of the United States with history professor Peter Kuznick, Director of the Nuclear Studies Institute at American University. In a chapter titled “The Reagan Years: Death Squads for Democracy,” the authors describe the massacre of civilians in the village of El Mozote by the death squads.

According to Stone and Kuznick:

“The U.S.-trained and armed Salvadoran troops slaughtered the 767 inhabitants of the village of El Mozote in late 1981. The victims, including 358 children under age thirteen, were stabbed, decapitated, and machine-gunned. Girls and women were raped.”

The Reagan administration ignored such reports by deeming them “not credible.” In 1992, the year the civil war in El Salvador came to an end, forensic experts discovered the skeletal remains of children, including babies, in El Mozote.

“The United States government simply lied about it,” US Ambassador to El Salvador Robert E. White (1979-1981) stated bluntly in an interview about the film.

The tragedy of El Mozote has echoes of the My Lai Massacre in the Quang Ngai province in Vietnam, where between several hundred unarmed civilians were murdered in a “Search and Destroy” mission conducted by the Charlie Company, 11th Brigade, American Division in March 1968.

Boyle writes in The Flower of the Dragon, “My Lai was not the act of one man. It was not the act of one platoon, or one company. It was the result of an ordered, planned and well-conducted campaign conceived at high command levels to teach a lesson to the villagers of Quang Ngai province.”

Boyle recognized the pattern. The pattern was not new in El Salvador, nor was it new in Vietnam:

“When I was about eight I used to ask my father what he’d been doing when Hitler rose to power, and he would reply that he’d been too busy trying to earn a living to pay attention. My mother would add that people didn’t know what was going on in Germany.

Now my father’s generation shakes its head in dismay and wonders out loud how my generation could turn away from those values which ‘made America great.’ But they never told us that genocide was an old American habit, that U.S. soldiers scalped hundreds of Indian women and children at Sand Creek and held up their scalps at the Salt Lake City opera house; that hundreds more defenseless Indians were gunned down at Wounded Knee, that General Jake Smith ordered the massacre of 8,294 children, 2,714 women and 420 men on the island of Samar during the American occupation of the Philippines in 1901.

For me and for millions of my generation My Lai came as the final punch in the mouth, the end of our illusions. We could no longer say we didn’t know. The day we learned of My Lai changed our lives.”

The civil war in El Salvador ended in 1992. The United Nations sponsored a peace accords and the rebels formed the Farabundo Martí National Liberation Front (FMLN). More than $6 billion in economic and military aid was given to El Salvador by the US, at least $1 billion of it was channeled through covert funding. This effort cost the lives of over 75,000 Salvadorans, courtesy of the Reagan and Bush gangs. And yet, there are still people who say “we didn’t know,” even as Salvadoran blood dried on their hands.

Salvador was released in February 1986 to critical acclaim and award nominations. As noted by Newsweek critic Jack Kroll, “Central America has become a kind of hell on earth and Salvador scorches us with this infernal truth.” Even if Salvador was then ignored by movie-goers, Stone and Boyle still managed to stun film goers with images of brutality caused by US policies that paved the way for the hell on earth forged by imperialism.

A billboard serving as a reminder of one of many massacres that occurred during the Civil War in El Salvador. The Castilian inscription to the left reads in English: "They tore out the flower, but the roots are returning among us." (Dave Watson)

A billboard serving as a reminder of one of many massacres that occurred during the Civil War in El Salvador. The Castilian inscription to the left reads in English: “They tore out the flower, but the roots are returning among us.” (Dave Watson)

 


ABOUT THE AUTHOR


MIKE KUHLENBECKSpecial Roving Correspondent Mike Kuhlenbeck,  is a journalist, photographer, researcher and media critic based in Des Moines, Iowa. He is a member of the Society of Professional Journalists, Investigative Reporters and Editors and the National Writers Union UAW Local 1981/AFL-CIO.

Kuhlenbeck works as a reporter for Iowa Free Press and as a freelance journalist. Besides The Greanville Post, his work has appeared in publications such as The Des Moines Register, The Humanist, Z Magazine, Foreign Policy Journal, Eurasia Review, People’s World, The Palestine Chronicle, Paste, Little Village, Industrial Worker, Earth First! Journal, Intrepid Report and the National Writers Union newsletter. 

His extensive and wide-ranging reportage has covered a myriad of subjects including news, politics, social issues, entertainment and local events. His work has been published nationally and internationally, and has been translated into numerous languages.

READ MORE ABOUT MIKE KUHLENBECK



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The Rape Of East Timor: “Sounds Like Fun”

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=By= John Pilger

East Timor demonstration

Protest urging fair consideration for East Timor. (ETAN)

[dropcap]S[/dropcap]ecret documents found in the Australian National Archives provide a glimpse of how one of the greatest crimes of the 20th century was executed and covered up. They also help us understand how and for whom the world is run.

he documents refer to East Timor, now known as Timor-Leste, and were written by diplomats in the Australian embassy in Jakarta. The date was November 1976, less than a year after the Indonesian dictator General Suharto seized the then Portuguese colony on the island of Timor.

The terror that followed has few parallels; not even Pol Pot succeeded in killing, proportionally, as many Cambodians as Suharto and his fellow generals killed in East Timor. Out of a population of almost a million, up to a third were extinguished.

This was the second holocaust for which Suharto was responsible. A decade earlier, in 1965, Suharto wrested power in Indonesia in a bloodbath that took more than a million lives. The CIA reported: “In terms of numbers killed, the massacres rank as one of the worst mass murders of the 20th century.”

This was greeted in the Western press as “a gleam of light in Asia” (Time). The BBC’s correspondent in South East Asia, Roland Challis, later described the cover-up of the massacres as a triumph of media complicity and silence; the “official line” was that Suharto had “saved” Indonesia from a communist takeover.

“Of course my British sources knew what the American plan was,” he told me. “There were bodies being washed up on the lawns of the British consulate in Surabaya, and British warships escorted a ship full of Indonesian troops, so that they could take part in this terrible holocaust. It was only much later that we learned that the American embassy was supplying [Suharto with] names and ticking them off as they were killed. There was a deal, you see. In establishing the Suharto regime, the involvement of the [US-dominated] International Monetary Fund and the World Bank were part of it. That was the deal.”

I have interviewed many of the survivors of 1965, including the acclaimed Indonesian novelist Pramoedya Ananta Toer, who bore witness to an epic of suffering “forgotten” in the West because Suharto was “our man”.  A second holocaust in resource-rich East Timor, an undefended colony, was almost inevitable.

In 1994, I filmed clandestinely in occupied East Timor; I found a land of crosses and unforgettable grief. In my film, Death of a Nation, there is a sequence shot on board an Australian aircraft flying over the Timor Sea. A party is in progress. Two men in suits are toasting each other in champagne. “This is a uniquely historical moment,” babbles one of them, “that is truly, uniquely historical.”

This is Australia’s foreign minister, Gareth Evans. The other man is Ali Alatas, the principal mouthpiece of Suharto. It is 1989 and they are making a symbolic flight to celebrate a piratical deal they called a “treaty”. This allowed Australia, the Suharto dictatorship and the international oil companies to divide the spoils of East Timor’s oil and gas resources.

Thanks to Evans, Australia’s then prime minister, Paul Keating — who regarded Suharto as a father figure — and a gang that ran Australia’s foreign policy establishment, Australia distinguished itself as the only western country formally to recognise Suharto’s genocidal conquest. The prize, said Evans, was “zillions” of dollars.

Members of this gang reappeared the other day in documents found in the National Archives by two researchers from Monash University in Melbourne, Sara Niner and Kim McGrath. In their own handwriting, senior officials of the Department of Foreign Affairs mock reports of the rape, torture and execution of East Timorese by Indonesian troops. In scribbled annotations on a memorandum that refers to atrocities in a concentration camp, one diplomat wrote: “sounds like fun”. Another wrote: “sounds like the population are in raptures.”

Referring to a report by the Indonesian resistance, Fretilin, that describes Indonesia as an “impotent” invader, another diplomat sneered: “If ‘the enemy was impotent’, as stated, how come they are daily raping the captured population? Or is the former a result of the latter?”

The documents, says Sarah Niner, are “vivid evidence of the lack of empathy and concern for human rights abuses in East Timor” in the Department of Foreign Affairs. “The archives reveal that this culture of cover-up is closely tied to the DFA’s need to recognise Indonesian sovereignty over East Timor so as to commence negotiations over the petroleum in the East Timor Sea.”

This was a conspiracy to steal East Timor’s oil and gas. In leaked diplomatic cables in August 1975, the Australian Ambassador to Jakarta, Richard Woolcott, wrote to Canberra: “It would seem to me that the Department [of Minerals and Energy] might well have an interest in closing the present gap in the agreed sea border and this could be much more readily negotiated with Indonesia … than with Portugal or independent Portuguese Timor.”  Woolcott revealed that he had been briefed on Indonesia’s secret plans for an invasion. He cabled Canberra that the government should “assist public understanding in Australia” to counter “criticism of Indonesia”.

In 1993, I interviewed C. Philip Liechty, a former senior CIA operations officer in the Jakarta embassy during the invasion of East Timor. He told me: “Suharto was given the green light [by the US] to do what he did. We supplied them with everything they needed [from] M16 rifles [to] US military logistical support … maybe 200,000 people, almost all of them non-combatants died. When the atrocities began to appear in the CIA reporting, the way they dealt with these was to cover them up as long as possible; and when they couldn’t be covered up any longer, they were reported in a watered-down, very generalised way, so that even our own sourcing was sabotaged.”

I asked Liechty what would have happened had someone spoken out. “Your career would end,” he replied. He said his interview with me was one way of making amends for “how badly I feel”.

The gang in the Australian embassy in Jakarta appear to suffer no such anguish.  One of the scribblers on the documents, Cavan Hogue, told the Sydney Morning Herald: “It does look like my handwriting. If I made a comment like that, being the cynical bugger that I am, it would certainly have been in the spirit of irony and sarcasm. It’s about the [Fretilin] press release, not the Timorese.” Hogue said there were “atrocities on all sides”.

As one who reported and filmed the evidence of genocide, I find this last remark especially profane. The Fretilin “propaganda” he derides was accurate. The subsequent report of the United Nations on East Timor describes thousands of cases of summary execution and violence against women by Suharto’s Kopassus special forces, many of whom were trained in Australia. “Rape, sexual slavery and sexual violence were tools used as part of the campaign designed to inflict a deep experience of terror, powerlessness and hopelessness upon pro-independence supporters,”  says the UN.

Cavan Hogue, the joker and “cynical bugger”, was promoted to senior ambassador and eventually retired on a generous pension. Richard Woolcott was made head of the Department of Foreign Affairs in Canberra and, in retirement, has lectured widely as a “respected diplomatic intellectual”.

Journalists watered at the Australian embassy in Jakarta, notably those employed by Rupert Murdoch, who controls almost 70 per cent of Australia’s capital city press.  Murdoch’s correspondent in Indonesia was Patrick Walters, who reported that Jakarta’s “economic achievements” in East Timor were “impressive”, as was Jakarta’s “generous” development of the blood-soaked territory. As for the East Timorese resistance, it was “leaderless” and beaten. In any case, “no one was now arrested without proper legal procedures”.

In December 1993, one of Murdoch’s veteran retainers, Paul Kelly, then editor-in-chief of The Australian, was appointed by Foreign Minister Evans to the Australia-Indonesia Institute, a body funded by the Australian government to promote the “common interests” of Canberra and the Suharto dictatorship. Kelly led a group of Australian newspaper editors to Jakarta for an audience with the mass murderer. There is a photograph of one of them bowing.

East Timor won its independence in 1999 with the blood and courage of its ordinary people. The tiny, fragile democracy was immediately subjected to a relentless campaign of bullying by the Australian government which sought to manoeuvre it out of its legal ownership of the sea bed’s oil and gas revenue. To get its way, Australia refused to recognise the jurisdiction of the International Court of Justice and the Law of the Sea and unilaterally changed the maritime boundary in its own favour.

In 2006, a deal was finally signed, Mafia-style, largely on Australia’s terms. Soon afterwards, Prime Minister Mari Alkitiri, a nationalist who had stood up to Canberra, was effectively deposed in what he called an “attempted coup” by “outsiders”. The Australian military, which had “peace-keeping” troops in East Timor, had trained his opponents.

In the 17 years since East Timor won its independence, the Australian government has taken nearly $5 billion in oil and gas revenue — money that belongs to its impoverished neighbour.

Australia has been called America’s “deputy sheriff” in the South Pacific. One man with the badge is Gareth Evans, the foreign minister filmed lifting his champagne glass to toast the theft of East Timor’s natural resources. Today, Evans is a lectern-trotting zealot promoting a brand of war-mongering known as “RTP”, or “Responsibility to Protect”.  As co-chair of a New York-based “Global Centre”, he runs a US-backed lobby group that urges the “international community” to attack countries where “the Security Council rejects a proposal or fails to deal with it in a reasonable time”. The man for the job, as the East Timorese might say.


ABOUT THE AUTHOR

johnPilgerJohn Richard Pilger is an Australian-British journalist based in London. Pilger has lived in the United Kingdom since 1962. Since his early years as correspondent in the Vietnam War, Pilger has been a strong critic of American and British foreign policy, which he considers to be driven by an imperialist agenda. The practices of the mainstream media have also been a theme in his work. His career as a documentary film maker began with The Quiet Mutiny, made during one of his visits to Vietnam, and has continued with over fifty documentaries since then. Other works in this form include Year Zero, about the aftermath of the Pol Pot regime in Cambodia, and Death of a Nation: The Timor Conspiracy. Pilger has long criticised his native country's treatment of indigenous Australians and has made many documentary films on this subject including The Secret Country and Utopia. In the British print media, he has had a long association with the Daily Mirror, and since 1991 has written a regular column for the New Statesman magazine. 

 

Source: Z Net

 

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