"curtin"

ED CURTIN—The goal of these mad technocratic elites is to create a fabricated reality where the visible world becomes nearly meaningless once the screen world becomes people’s “window on the world.” An electronic nothingness to replace reality as people in the industrialized countries gleefully embrace digital wraparound apparitions and the poor and vulnerable of this world suffer and die out of sight and out of mind. It is the fundamental seismic shift of our era and perhaps the greatest propaganda operation ever undertaken.  A sort of end-times desperate gambit. And “it just so happens” to revolve around the use of death fear to accomplish its goals.

ED CURTIN—Maybe a hawk killed the bluejay, but if so, it didn’t gloat over its body.  It would have been operating under the laws of necessity, where as far as we know, compassion has no place. Not true for Che’s killers. Here they are posing for the camera, guns still aimed at the dead man, as if he still posed a great danger to them.  They were right, at least in the long term.

ED CURTIN—In this age of arm-chair reporters, he stood out for his boldness and indefatigable courage. He told it straight. This irritated certain people and some pseudo-left publications, who sensed in him a no bullshit fierceness and nose for hypocrisy that frightened them, so they stopped publishing his writing.

ED CURTIN—He tells us he didn’t wake up until he was nearly thirty-years-old – in 1976.

Ever since he has devoted his life to the art of waking up his fellow Americans through writing and filmmaking, which he had the great good fortune to learn at NYU film school from that other passionate New York filmmaker, Martin Scorsese, who was his professor.  Scorsese shone a light on Oliver after he had made a short film without dialogue called Last Year in Vietnam.  It was shown to the class, a tough group of critics, but before anyone had spoken, Scorsese said, “Well – this is a filmmaker.”  It was an epiphany that Stone says he will never forget. A pure gift that set him on his way to eventually make his great films. But the journey was hard and took years to complete.

ED CURTIN—Trump, Biden, Pence, Harris, and their clownish sidekicks, Pompeo, Michelle Obama, et al., are performing daily under the umbrella’s shadowy protection. For The Umbrella People run a three-ring circus, and although their clowns pop out of separate tiny cars and, acting like enemies, squirt each other with water hoses to the audience’s delight, raucous laughter, and serious attentiveness, they are all part of the same show, working for the same bosses.  Sadly, many people think this circus is the real world and that the clowns are not allied pimps serving the interests of their masters, but are real enemies.