REVISITING AMERICAN SNIPER: Racist Propaganda and American Empire

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The woods are full of soldiers who served in the US military and later bitterly realized they had been used. Kyle was certainly not one of them. He never got it. He never realized whose interests he was really serving.


Eastwood: Misplaced Hollywood glory. One of the greatest phonies in the history of cinema.

Eastwood: Misplaced Hollywood glory. One of the greatest phonies in the history of cinema.


With Hollywood and TV still serving the same chauvinist trash, another look at this celebrated piece of imperial propaganda is in order

by Mike Kuhlenbeck
[Original iteration: March 6, 2015]

The filmmakers’ defense of “American Sniper” as “apolitical” is belied by the lack of any depth or humanity in its Muslim characters.

The film version of American Sniper has grossed well over $300 million at the US box office, making it the most profitable piece of pro-war propaganda in the history of American cinema.

Since the release of American Sniper, it has either been praised for its patriotic (nationalist) overtones or has been ridiculed for distorting the reality of so-called “War on Terror.” The film is based on the bestselling autobiography of Chris Kyle, a man who had a talent for telling tall tales and bragging about his 160 confirmed kills (though he claimed the death toll was closer to 255). The widespread public support for Kyle’s actions and attitudes reveal how racial prejudices are manipulated in times of war.

american-sniper-movie-chris-kyle-bradley-cooper-wallpaper

A poster for the film American Sniper directed by Clint Eastwood and starring Bradley Cooper in the title role

Kyle’s autobiography, co-written by Scott McEwen and Jim DeFelice, was published in 2013. Although the book has been placed under scrutiny by various journalists for its factual accuracy (or lack thereof), it provides a fascinating glimpse into the mind of a soldier that is quite similar to many others who served in the American military in the Middle East.  He gleefully boasted about his kills, deluding himself to the point where he forgot he was killing human beings. “Just because war is hell,” he writes, “doesn’t mean you can’t have a little fun.”

The dehumanization of entire populations is used in boosting public support to carry out imperialist objectives. With the invasions of Afghanistan and Iraq, pundits and news networks made stereotypes out of Muslims by portraying them as violent fanatics and suicide-bombers. In the toxic atmosphere created in the wake of the 9/11 attacks, Americans were conditioned on a daily basis to fear darker-skinned people, especially if they had Arabic names.

Pro-war conservatives in the corridors of power, who often morally justify wars that are not morally justifiable, like to point to such Kyle gems as his self-righteousness take on Islam, “Isn’t religion supposed to teach tolerance?” Passages like this are countered by statements like, “I don’t shoot people with Korans—I’d like to, but I don’t.”

American Sniper filmmakers, particularly lead actor Bradley Cooper and director Clinton Eastwood, have defended the film as “apolitical.” The lack of Muslim characters with depth or humanity in the film demonstrates the contrary. As described by Abed Ayoub and Khaled A Beydoun, writing for Al-Jazeera, “Redeploying age-old Orientalist images, the film’s Iraqis are thinly constructed foes of the democratic and divine – who must be methodically gunned down for both God and country. A belief, in the US today, that is far more fact than fiction.”

Such perceptions were evident with Kyle, in both interviews and in his own writings. “I hate the damn savages,” he writes. “I couldn’t give a flying f**k about the Iraqis.” Although he has been criticized posthumously for his choice of words and general attitude against Iraqis (among other things), it is far from being scarce among US soldiers.

Take the following passage from another American soldier: “The scene reminded me of the shooting of jack-rabbits in Utah, only the rabbits sometimes got away, but the insurgents did not.” This would appear to be written by a current American soldier, maybe one who enjoys hunting, watching action films and going to rodeo shows like Kyle did. But this letter excerpt was written by Fred D. Sweet over 116 years ago.

The letter was published by the Anti-Imperialist League in their 1899 pamphlet entitled Soldiers Letters: Being Materials for a History of a War of Criminal Aggression. This pamphlet contained numerous excerpts from letters written by US soldiers who were stationed in the Philippines during the Spanish-American War, which started in 1898.

During US President William McKinley and Vice President Theodore Roosevelt’s reelection bid in 1900, the campaign against Spain was justified with the following phrase: “The American Flag has not been planted in foreign soil to acquire more territory but for humanity’s sake.”

Teddy Roosevelt as a Rough Rider. The man, like manyh juveniles, liked to play soldier. His war obsessions and ideas of manhood created mayhem and cost one his sons his life.

Teddy Roosevelt as a Rough Rider. The man, like many juveniles, liked to play soldier. His war obsessions and ideas of manhood created mayhem and cost one his sons his life.

US leaders are still declaring wars that are allegedly “for humanity’s sake” but are really for the sake of war profiteers and their allies.

History books, for the most part, have often failed to explore the racist attitudes of McKinley and Roosevelt. Their views were partially based on the theories of early eugenics and Social Darwinism that suited elitists like themselves. They believed that the Anglo-Saxon race was superior to all others and its strongest disciples had every right to inherit the world through conquest. This was evident in their ambitions to fly the America Eagle over foreign territories, directing it to dig its talons into these lands and fly away with stolen treasures.

“History books, for the most part, have often failed to explore the racist attitudes of McKinley and Roosevelt. Their views were partially based on the theories of early eugenics and Social Darwinism that suited elitists like themselves. They believed that the Anglo-Saxon race was superior to all others…”

Art is an effective conduit for portraying war as a noble cause to unite the masses in a common struggle. British author Rudyard Kipling is perhaps best-known as “the poet of the British Empire.” He penned “The White Man’s Burden,” a racist poem published in McClure’s magazine in 1899. The poem caused a stir for glorifying America’s involvement in the Philippines. References of “sullen peoples” as “half devil and half-child” fall in line with the stereotypes depicting people in undeveloped parts of the world as “savages.” Kipling writes that it is the duty, nay the “burden,” of white men from “civilized nations” to bring the Filipinos up from their “lowly” status.

Racial hatred combined with military force has been common with every war since the close of the 19th Century. The terms “savages” and “heathens” are used in many of the letters published by the Anti-Imperialist League, reflecting the hostility of troops sent over to the Philippines between 1898 and 1905. The Filipinos were often called “Pacific Negroes” or simply “n***ers.” Journalist H.L. Wells writes, “There is no question that our men do ‘shoot n***ers’ somewhat in the sporting spirit.”

Sam Jaffe portrayed the pathetic Gunga Din, whose chief aspiration in life was to serve the British empire. (Still from the film, with Cary Grant).

Sam Jaffe portrayed the pathetic Gunga Din, whose chief aspiration in life was to serve and die for the British empire. He got his wish. (Still from the film, with Cary Grant).

“Most national myths, at their core, are racist,” writes Chris Hedges in his 2002 book War Is a Force That Gives Us Meaning. Even though the racist attitudes of the early 20th Century are not as prevalent as they once were in American society, they still exist and US leaders know how to play on fear and ignorance in order to get what they want.

Soldiers are trained to accept these perceptions as true, making their duties easier when confronted with violent situations. This mentality is still alive in the 21st Century. Today such terms would be applied to Muslims and Arabs, including modern terms like “raghead” and “sand n***er.” Once American Sniper hit theaters, some people once again fell under a dark spell, one that never truly lost its power. People flocked to social media outlets and posted statements like “Nice to see a movie where the Arabs are portrayed for who they really are—vermin scum intent on destroying us.” In more extreme cases, some said the film “makes me wanna go shoot some f**kin Arabs.”

[dropcap]T[/dropcap]he epidemic of “yellow journalism” under the control of moguls like William Randolph Hearst was the equivalent of today’s 24-hour cable news networks in whipping up fear and hatred against the people of “enemy nations.” For Hearst, a war against Spain meant selling more newspapers and increasing his personal fortunes. Also, it would give him positive publicity and the image of patriotism that would help fuel his failed political career.

As reported by PBS.org: “Today, historians point to the Spanish-American War as the first press-driven war. Although it may be an exaggeration to claim that Hearst and the other yellow journalists started the war, it is fair to say that the press fueled the public’s passion for war.”

In the early 2000s, Australian-born billionaire Rupert Murdoch, owner of the Fox News Channel, followed the Hearst tradition by supporting the wars in Afghanistan and Iraq. The network’s slew of cookie-cutter commentators espoused views that democracy would be delivered to these countries along with Christian bibles, ammunition and American flags. Conservative author and frequent Fox News contributor Ann Coulter is the same woman who quipped, “We should invade their countries, kill their leaders and convert them to Christianity.”

Though not as eloquent as the slogans produced by the administrations of McKinley and Roosevelt, such calls to action are what such declarations of war amount to.

In the Philippines, concentration camps were built to detain Filipino combatants and civilians and the use of torture were implemented by US troops. Even the practice of waterboarding was used by US troops, using canteens and metal cups filled with salt water to simulate drowning. As observed by historian James Bradley in his study The Imperial Cruise, “When the Japanese later waterboarded U.S. personnel in World War II, America tried them for war crimes.” These institutions are no different from the Abu Ghraib prison in Iraq and the US government-sanctioned torture chamber in Guantanamo Bay, Cuba. Such atrocities are the natural byproducts of imperialist expansion.

We've been at it for along time. Water torture being used by US marines on a Filipino patriot. (1902)

We’ve been at it for along time. Water torture being used by US marines on a Filipino patriot. (1902)

The most intriguing justification for the film is its sympathetic portrayal of soldiers suffering the trauma of war, a problem that has been ignored for too long. The horrific conditions of war have massive physical and psychological effects on soldiers. Instead of blaming their leaders for betraying their trust and sending them to other countries based on false pretenses, they are often desperate enough to blame civilians of occupied nations for why they are there. This seems evident in Kyle’s writings and those belonging to other soldiers. These sentiments were common among soldiers during the Philippine portion of the Spanish-American War.

“The boys are getting sick of fighting these heathens,” writes Tom Crandall of the Nebraska Regiment (1899), “and all say we volunteered to fight Spain, not heathens. Their patriotism is wearing off. We all want to come home very bad. If I ever get out of this army I will never get into another. They will be fighting four hundred years, and then never whip these people, for there are not enough of us to follow them up…The people of the United States ought to raise a howl and have us sent home.”

There are, however, those who are forced into such circumstances and refuse to fall for the propaganda of their governments. Whatever illusions they had before entering these conflicts disappeared when confronting the grim realities of war.

Garett Reppenhagen-sniper-MSNBCThe mainstream media has been ignoring another American sniper named Garett Reppenhagen, who has since left the military and has dedicated himself to the antiwar movement. When he saw the film, he criticized it for what it was: racist agitprop glorifying a man who has been called a borderline psychopath and habitual liar.

In The Acronym Journal, Reppenhagen said:

“You feel like there is this debt that you build for every life that you take. You feel like you owe the world something because you left it without this other person that could have done something amazing. I think about all of these soldiers coming out of the U.S. military and helping them get jobs and education and hearing about what they aspire to do and be in the world. And I wonder about all of the Iraqis, Syrians, Albanians and others that we killed in that country and what they aspired to be.”

There are countless other soldiers like him, who had the intention of protecting their country and liberating an oppressed people but did not see the reality through the dense black fog of war.

In another letter from the Spanish-American War pamphlet, signed by General Reeve: “I deprecate this war, this slaughter of our own boys and of the Filipinos, because it seems to me that we are doing something that is contrary to our principles in the past. Certainly we are doing something that we should have shrunk from not so very long ago.”

Though the locations and populations have changed, the motives behind war hysteria have not.


ABOUT THE AUTHOR
MIKE KUHLENBECKMike Kuhlenbeck is a journalist, photographer, researcher and media critic based in Des Moines, Iowa. He is a member of the Society of Professional Journalists, Investigative Reporters and Editors and the National Writers Union UAW Local 1981/AFL-CIO.

Kuhlenbeck works as a reporter for Iowa Free Press and as a freelance journalist. His work has appeared in publications such as The Des Moines Register, The Humanist, Z Magazine, Foreign Policy Journal, Eurasia Review, People's World, The Palestine Chronicle, Paste, Little Village, Industrial Worker, Earth First! Journal, Intrepid Report and the National Writers Union newsletter.

His extensive and wide-ranging reportage has covered a myriad of subjects including news, politics, social issues, entertainment and local events. His work has been published nationally and internationally, and has been translated into numerous languages. His work has been cited by the Social Justice Journal, CopBlock.org, Axis of Logic, If Americans Knew, The Constantine Report, OMNI Center for Peace, Justice & Ecology, Isocracy.org, Zero Books, Global-Politics.eu and Vermonters for a Just Peace in Palestine/Israel. He has been working in the journalism field since 2006 as a writer, reporter, researcher and photographer. He has also worked for The Challenger, The Urban Vibe and The Grand Views, reaching thousands of readers during his tenure. His skills evolved when he enrolled at Grand View University, where he graduated with a BA in Journalism in 2011. During that time he worked in various capacities for the Grand Views and the literary journal Bifrost.

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Real Goal of Iraq War in 2003: Oil and Inciting Terrorism to Create Permanent Conflict

US Wars From Viet Nam Onwards: Wins and Losses

iraq-war-horizontal-large-gallery

STEVEN JONAS, Senior Editor

[W]ere wars since Vietnam won or lost by the US? The answer to those questions may not appear to be the obvious ones. If the unspoken government objectives of the various wars are taken into account, indeed they aren’t. Let us start with Vietnam.

The standard interpretation of the US War on Vietnam is that the US lost it. The classic picture is of that last helicopter taking off from the roof of the soon-to-be former US Embassy in Saigon. But if one considers the original US objectives of the intervention-to-become-war in Southeast Asia, it was actually a win.

The French-Vietnamese War ended in 1954. The Geneva Conference of that year produced a treaty signed by the French and the Vietnamese and guaranteed by Great Britain and the Soviet Union. It brought hostilities to an end, temporarily divided the country in two, and provided for national elections to be held in 1956 — elections that everyone knew would be won by Ho Chi Minh and his people. Pointedly, the US refused to sign or recognize the treaty.

They knew that if the plan in it were allowed to proceed, the chances were very good that Vietnam would peacefully progress to socialism and could be an economic success. If that happened, the same thing might well peacefully occur in other Southeast Asian countries, were democracy to be given a chance. Even as certain US analysts attempt in hindsight to disavow it, the “domino theory” about the spread of “socialism with a national face,” distinguished from and not necessarily allied with the Soviet Union, and certainly not with the traditional enemy, China, communist or not, was quite correct.

And so, in the view of the US leadership of the time, the Dulles Brothers, John Foster at State and Allen at the CIA, everything had to be done that could be done to prevent the democratic process from introducing socialism to a country and then possibly succeeding in a peaceful setting. Once started, the process just continued on its own momentum, especially since any opponent of the war was labelled a “commie sympathizer” or worse by its supporters.

If looked at in this light, the Vietnam War was a US victory. The peaceful establishment of socialism was prevented. Its spread by example and peaceful means to neighbouring countries was prevented. Vietnam today has a sort of market socialist economy, becoming more “market” and less “socialist” by the year. But the country was ravaged by almost 20 years of war and two to three million of the best and the brightest of its people were killed. It is hardly the economic or social engine of the development of democratically-installed socialism that it might have become had it been left alone. In terms of the original American goals for the intervention, this was a win, a palpable win.

 

Next, let’s consider the various interventions in the former Yugoslavia. Certainly lives were saved and a good deal of stability was eventually established, in Bosnia and Kosovo. But they do not fall under the usual rubric of “victory.” In terms of the promotion of US imperialism around the world, however, “victory” was achieved. The US showed, for example, that it could bomb the capitol of another sovereign nation for 70 or so days straight, without UN sanction, and no one with any authority could say boo to a goose. In terms of international law, it was sort of like the Japanese invasion of Manchuria, the Italian invasions of Libya and Ethiopia, and the German-Austrian Anschluss. In terms of Kosovo, the US showed that a piece of a sovereign country, in this case Serbia, could be split off from it and made into an independent country, again without UN sanction. (Ukraine/Crimea, anyone?) And the US has a quite large permanent military base in Kosovo. Spoils of war?

And then we come to Iraq. It is now teetering on the brink of even more disaster than it has been subject to since the US invasion, and political figures like “Negative Ace” McCain are now shouting that the US should have stayed there, and it’s “all Obama’s fault.” As I said in a recent Tweet, “Blaming Obama for Iraq tragedy is like blaming the sweepers for the elephant droppings needing clean up after the circus parade has passed.” (Yes, and the “elephants” were purposely chosen.) This is so even though George Bush could not negotiate a Status of Forces Agreement with his hand-picked Prime Minister, al-Maliki, to exempt US troops and civilian contractors from local law in the case of violations of it, and that Obama has just lost it by the pull-out. (That’s an excellent, in-depth column by Dexter Filkins, by the way.) If Iraq falls into civil war or is split up into three parts (which Joe Biden and I must say myself both suggested shortly after the beginning of hostilities), many voices will indeed be shouting “loss.” But once again, in terms of the original objectives, it was not.

First of all, one of its original major justifications, other than the non-existent WMD, was that the War on Iraq was a part of the “War on Terror” (which is still going on). One should note (and I must note that I have done so on a number of occasions) that, according to one retired Army General, to call a military action a “War on Terror” is akin to calling another action a “War on Flanking Manoeuvres.” “Terror,” however you want to define it, is a tactic used by an enemy. It is not itself an enemy. But it was very much in the interests of those forces which forced the US into war to cement the “terror/fear” environment in the minds of the US people. And they certainly have achieved that goal, within the GOP/TP “base,” at least.

Second of all, sometime after the Iraq invasion began, it started to become clear that the primary objective was not at the beginning what many of us on the Left thought it was: “oil and bases” – and it was to a degree. However, there was a goal that was probably more compelling to the neocons, although not mutually exclusive.

On the surface, the CheneyBush War Policy was becoming curiouser and curiouser. “Things are getting better in Iraq,” they said, when they were clearly getting worse. “We must fight on to ‘victory’ ” they said, without ever defining what they mean by “victory.” And “we must fight on to ‘victory'” when virtually every other military and political authority on the matter said that no matter how you would define it, “victory” was impossible. But that would be “victory” in military terms.

However, let’s connect the dots to see what was really happening. 1. As is very well known, Bush/Cheney lied the U.S. into war. 2. There was no post-war planning, as is also well known. The U.S. State Department had a plan, and all 2,200 pages of it were just ignored. 3. The museums looting that could easily have been prevented could have part of a plan (well a different kind of plan) to develop permanent chaos. That would also explain the staffing of Paul Bremer’s pro-consulate by totally unqualified, very young, Republican political operatives: not accidental or careless, but purposeful. In essence it was thinking what might be stated like this: “Let’s do whatever we can to gum up the infrastructure even further than it is already gummed up by Saddam and our invasion.” 4. In late 2006, the report of The Iraq Study Group, headed by no less than the man who coordinated the effort to steal the 2000 election for Bush, James Baker, had provided a perfect cover for withdrawal to begin then. CheneyBush disposed of it before the ink was dry, and [the famous/infamous “Surge” was begun. 5. At various times, the major Muslim countries offered to provide cover for an American departure, especially if it were attached to a real settlement of the Palestine/Israel problem. They were not taken up on those offers.

In the 2008 Presidential campaign, John McCain at one time rattled on about “staying in Iraq for 50 years.” (Gosh. Some things never change, changing conditions to the contrary notwithstanding). Indeed, the US eventually left Iraq, not with any kind of “victory” but because it was pushed out, by the very puppet government that Bush/Cheney set up. But the Permanent War Society, or at least the Permanent Preparation for Permanent War Society, is very much in play. In terms of its original objectives, regardless of what happens in the Middle East now, the War on Iraq can only be said to have resulted in a victory – for those who originally planned and prosecuted it

As for Afghanistan, that may be the one major war the US has fought since World War II that could not be said to be, in any sense of the term, a “victory.” But that one’s for another time.

ABOUT THE AUTHOR

Senior Editor Steven Jonas, MD, MPH is a Professor Emeritus of Preventive Medicine at Stony Brook University (NY) and author/co-author/editor/co-editor of over 30 books. In addition to being a columnist for BuzzFlash@Truthout he is the Editorial Director of and a Contributing Author to The Political Junkies for Progressive Democracy. Dr. Jonas’ latest book is The 15% Solution: How the Republican Religious Right Took Control of the U.S., 1981-2022: A futuristic Novel, Brewster, NY, Trepper & Katz Impact Books, Punto Press Publishing, 2013, and available on Amazon.




Perfect brainwash.

From the archives—Articles you should have read but missed the first time around.

Originally posted on Salon THURSDAY, FEB 7, 2013
Death of an American sniper
Kyle

Kyle. No PTSD torments for this proud redneck.

BY LAURA MILLER

SIDEBAR

The Undisturbed Conscience of a Mutt Warrior

Patrice Greanville
Revenge of the Mutt People (Bageant’s term for rednecks), he gave us a haunting portrait of what hard times can do to the human spirit:

Many years ago I worked at an industrial hog farm owned by the Coeur d’Alene Indian tribe in northern Idaho. The place stank of the dead and rotting brood sows we chopped out of farrowing crates — bred to death in the drive for pork production. And it stank of the massive ponds that held millions of gallons of hog feces and rotting baby pigs, and every square inch was poisoned by the pesticides used to kill insects that hogs attract and the antibiotics fed to hogs from hundred pound sacks. The Coeur d’Alene Indians refused to suffer those kinds of conditions; they wouldn’t even manage the place. They contracted it out. As my friend Walter Wildshoe said: “Only a white man would work there.”

The hog farm, however, offered one company benefit. The white manager gave employees any young pigs that developed large tumors — those with tumors smaller than golf calls went to market with the rest of the hogs — or were born with deformities such as heads scrunched sideways with both eyes on the same side, or a leg that stuck out of the muchtop of their body instead of the bottom. We employees would butcher and eat them. Among hog farm employees, all of whom were tough descendants of the Scots Irish mutt people, free pork of any kind was prized, deformed with tumors or otherwise. You never saw a Swede eat the stuff.

So I took these pigs home and, using a huge old butcher’s knife, slashed their throats in the woods, right in front of my two kids — ages two and four at the time — without flinching even as the pigs screamed almost like humans and thrashed around, splashing thick dark glops of blood everywhere. It bothered me not one bit, just like it never bothered my daddy or granddaddy. Nor did it seem to bother my children as they watched, just like it didn’t bother me as a child when my uncle handed me sacks of barn kittens to drown in the crick. And Walter would shake his head and say, “Only a white man would wrestle a hog with a butcher knife. An Indian would shoot the motherfucker with a gun.”

My point here is that we rural and small town mutt people by an early age seem to have a special capacity for cruelty, compared say, to damned near every other imaginable group of Americans.

Maybe Bageant’s words are the key to the riddle that Chris Kyle represented in life.

—PG

______________________

A self-described “regular redneck,” Kyle grew up in Odessa, Texas, and spent his youth hunting, collecting guns and competing in rodeos until he found his life’s purpose in the Navy SEALs. “American Sniper” lovingly recounts both the rigors of the special-operations force’s training program and the extravagant hazing to which new members are subjected. (Kyle was handcuffed to a chair, loaded up with Jack Daniel’s, stripped and covered with spray paint and obscene marking-pen tattoos by his buddies on the night before his wedding. Presumably his bride got the message about whom he really belonged to.)

When the action-hungry commando finally got to Iraq during the initial push of the war in 2003, he was confronted for the first time with the soldier’s prime directive: to kill the enemy. In Nasaria, Kyle shot his first Iraqi (an incident that opens the book), a woman he spotted on a road pulling a grenade from her clothing to throw at an advancing Marine foot patrol. “I don’t regret it,” he writes. “The woman was already dead. I was just making sure she didn’t take any Marines with her.”

[pullquote]While Kyle’s physical courage and fidelity to his fellow servicemen were unquestionable, his steadfast imperviousness to any nuance, subtlety or ambiguity, and his lack of imagination and curiosity, seem particularly notable in light of the circumstances of his death.[/pullquote]

It is both cruel and perverse to reproach soldiers for killing the enemy when that’s what they’re sent to war to do, and when they do so in defense of their own lives and the lives of their comrades. Nevertheless, you can expect soldiers to kill and still recoil when they kill blithely and eagerly. In “American Sniper,” Kyle describes killing as “fun” and something he “loved” to do. This pleasure was no doubt facilitated by his utter conviction that every person he shot was a “bad guy.” Fallujah and Ramadi, where he saw the most action, were certainly crawling with insurgents and foreign Islamist militants, and Kyle swears that every man he picked off with his sniper rifle was manifestly up to no good. But his bloodthirstiness and general indifference to the Iraqis and their country don’t suggest that he was highly motivated to make sure.

“I don’t shoot people with Korans,” Kyle retorted to an Army investigator when he was accused of killing an Iraqi civilian. “I’d like to, but I don’t.” Later in “American Sniper,” he announces, “I couldn’t give a flying fuck about the Iraqis.” “I hate the damn savages,” he explains. What does matter most to him are “God, country and family” (although much of the friction in his marriage arose from his ordering of those last two items). As Kyle saw it, he and his fellow troops had been sent to war in this contemptible place “to make sure that bullshit didn’t make its way back to our shores.”

In Kyle’s version of the Iraq War, the parties consisted of Americans, who are good by virtue of being American, and fanatic Muslims whose “savage, despicable evil” led them to want to kill Americans simply because they are Christians. (Later in his service, Kyle had a blood-red “crusader cross” tattooed on his arm.) While he describes patriotism as the guiding force in his life, Kyle’s patriotism is of the visceral, Toby Keith variety. It consists of loving America — specifically, being overwhelmed emotionally by the National Anthem and flag, and filled with a desire to dedicate one’s life to such symbols — rather than a commitment to tangible democratic principles, such as civilian oversight of the military. That Iraqis, too, might have been patriotically motivated to defend their own country against foreign invaders like himself does not appear to have ever crossed Kyle’s mind.

As for Americans, they come in two varieties: “badasses,” of which Navy SEALs are the premiere example, and “pussies.” The latter could be anyone from congressmen who impose onerous restrictions on, say, a SEAL sniper’s freedom to shoot anyone he deems a “bad guy,” to journalists who present unflattering reports on military activities. The recurring designation of “bad guy” suggests just how profoundly Kyle’s view of the conflict was shaped by comic books and video games, where moral inquiry takes a back seat to heroics, exhibitions of skill, gear and scoring. (In Ramadi, Kyle and another sniper, egged on by their superiors, hotly competed to be the one to officially kill the most people.)

In the world of the video game, there’s no difference between a reason to kill people and a pretext for doing so; the point of the game is to kill, and the reason (they’re “bad guys”) is just an excuse. In real life, the reason is everything (unless, that is, the killer is a psychopath). A soldier almost always has an excellent reason: protecting himself and his comrades. But when soldiers are part of an invading army, the more thoughtful among them usually end up asking why they and their buddies have been put in mortal danger to begin with. That’s why so many Iraq War memoirs resolve in bitterness and betrayal. The heroism and sacrifice of the troops were very real, but the war itself was based on lies.

All such questions about the origin of wars amount to “politics,” and they’re a bummer if what you really want is to read about exciting house-to-house battles, amazing long shots made with lovingly described high-end weapons and anecdotes celebrating the strutting prowess of elite American commandos. To get that sort of book, you need that oxymoronic thing, an unthoughtful writer. “American Sniper,” which was produced with two ghostwriters, is a work that would never have existed were it not for Kyle’s own glamorous, mediagenic reputation because he sure wasn’t going to produce it on his own; you get the impression that he exerted enormous efforts not to reflect on what happened in Iraq and why. You’ll find no mention of Abu Ghraib, the WMD fraud or the pre-war absence of al-Qaida operatives in these pages.

Kyle’s account of his return home suggests that it was not just the rationale for the invasion that messed with his simplified, sentimentally patriotic conception of the Iraq War. He went from one drunken brawl to another, including an alleged altercation with Jesse Ventura. Kyle’s description of that led to a libel suit: Ventura says the fight never happened. The former Minnesota governor has always forthrightly expressed his opposition to the Iraq War, but Kyle claimed that Ventura had insulted American troops. To judge by other passages in “American Sniper,” Kyle doesn’t seem to have understood the difference, or to have considered the possibility that opponents of the war also wanted to save American lives. War and politics: difficult to separate even when you’re hellbent on denying the connection.

Kyle finally sobered up. (It was totaling his pickup that did it, but he also missed one of his kids’ birthday parties because was in jail for a bar fight.) By all accounts, he had begun to wrestle with the war’s toxic legacy, establishing a nonprofit that donated in-home fitness equipment to veterans suffering from the physical and psychological toll of battle. Kyle’s dedication to his fellow fighters was admirable and selfless, and exercise can be great therapy. Still, the preference for activity over rumination and consideration remained a persistent theme.

Eddie Routh, the veteran who shot Kyle and his friend Chris Littlefield, had reportedly been diagnosed with post-traumatic stress disorder as a result of his experiences in the war. In the immediate aftermath of Kyle and Littlefield’s murders, many people expressed incredulity at the notion of taking a person troubled with PTSD to a firing range. One-time presidential candidate Ron Paul provoked a firestorm of criticism by questioning this choice and tweeting, “he who lives by the sword dies by the sword.” (Word of advice: Twitter, like video games, is not an appropriate forum for complex argument.) In fact, controlled exposure to triggering stimuli is an established treatment for PTSD. It works much like phobia therapies that have patients, under a therapist’s guidance, first imagine and then gradually encounter the objects of their fears. Over time, the triggers can be desensitized.

But Routh also appears to have had other underlying mental health and substance abuse issues. He’d been hospitalized multiple times for threatening to kill both himself and family members. He may have had problems that pre-existed his service or that were exacerbated by it. Furthermore, there’s no indication that Routh was receiving any kind of psychotherapy or that Kyle and Littlefield had run the firing range idea past a therapist who was familiar with his case. Why should they? What would some egghead, like the brass and the politicians, who had never been in the shit, know about it, anyway, compared to someone like Kyle who had actually been there? Routh was not just an American, but an American soldier, a person who was by definition incapable of doing anything evil.

ABOUT THE AUTHOR
Laura Miller is a senior writer for Salon. She is the author of “The Magician’s Book: A Skeptic’s Adventures in Narnia” and has a Web site, magiciansbook.com.